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Bebop Spoken There

Benny Golson: "Art is a lifetime commitment." - (DownBeat August 2018.)

George Wein: "The musicians backstage at the Newport Festival said she [Marian McPartland] is more advanced in her harmonic structure than all the other piano players put together." - (DownBeat August 2018.)

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

Posting a comment

If you experience any problems posting a comment, as I understand some readers are, then email it to me direct, stating which post your comment relates to - lanceliddle@gmail.com. Alternatively, try the Anonymous button but please sign your name!
Apologies for any inconvenience, this is due to circumstances beyond my control.

Today Sunday July 22

Afternoon

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 1pm. Free.

Music by the Sea Jamboree - Jackson's Wharf, The Highlight, Hartlepool TS24 0XN. 4pm. Free. Hosted by the Mick Donnelly Academy of Music.

More Jam - The Globe, Railway Street, Newcastle NE4 7AD. 3:00pm. Free.

Auld Man’s Baccy - Tyne Bar, Maling St, Newcastle NE6 1LP. Tel: 0191 265 2550. 4:00pm. Free

Doggone Daddies - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 3:00pm. Free.

Jazz Social - Charts, Quayside, Newcastle NE1 3DE. 3:00pm. New weekly jam session.

Somethin’ Blue - Vesuvio, 3a Houndgate, Darlington DL1 5RL. 5:00pm. Tel: 01325 788564. Matt Case (saxophone) & Mike Hepple (guitar).

Zöe Gilby Trio - Blackett St., Newcastle NE1 7BS. 3 x 30 min. sets (11:30am/1:45pm/4:30pm). Free.

Jazz - Spanish City Plaza, Whitley Bay NE26 1BG inc Rendezvous Jazz (11:00am).

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Full Americana program.

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Evening

Lickety Split - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £6.00. (£3.00. student).

Left Hand Lewis - Prohibition Bar, Arch 3, Brandling Street, Gateshead NE8 2BA. Doors 7:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, September 27, 2015

CD Review: Matthew Halsall & the Gondwana Orchestra – Into Forever

(Review by Russell)
Trumpeter Matthew Halsall set up his own record label as a means of getting his music heard and with any luck to attract interest from established major companies. That was seven or eight years ago. He has gone on to release five critically acclaimed albums, all on Gondwana Records. Into Forever is Halsall’s latest CD featuring several of his long term collaborators and two new, most welcome, voices.
Buddhism and transcendental meditation are key elements in Matthew Halsall’s life and music. He has travelled widely, visiting and studying in the Far East. His music extends beyond any notional jazz boundaries embracing non-Western forms. Into Forever is the first of Halsall’s albums to feature vocals. Working with lyricists/vocalists has been one of his ambitions and in being introduced to the work of Josephine Oniyama, trumpeter/ composer/ arranger/ label boss Halsall knew the time was right to embark on this project.
Eleven tracks, on which the leader’s trumpet is heard on two tracks only, Into Forever is beautifully recorded; bassist Gavin Barras underpins much of the music, unobtrusive yet anchoring the ensemble, and the Cinematic Orchestra’s drummer Luke Flowers finds the right sound working alongside the album’s string section. Barras’ bass leads off many of the tunes with Flowers right there. As I Walk, one of several numbers featuring Oniyama, includes the lyric: …a world of tranquility. This, perhaps, exemplifies the ethos and vibe. Halsall’s vision isn’t about the grandstanding soloist backed by a rhythm section. All of the tracks coalesce, presenting a broader canvas; contemplation, conversation, stillness. Oniyama’s intoned vocals on Badder Weather suggest a soul voice (of which we should hear more) as pianist Taz Modi takes a solo. The string section – viola and violin, cello, harp and koto – isn’t a bolt-on addition, it is integral to the album’s sound. The title track – Into Forever – is the first of two on which Halsall is heard playing trumpet as a member of the ensemble. The collective triumphs over the individual ego on this new CD. It will be released later this week – Friday October 2 – and Halsall and his accomplished troupe have a number of gigs lined-up starting on October 1 at the Capstone Theatre, Liverpool, on home-town turf at St Peter’s Church, Manchester (23) and a London show at Union Chapel (29) with other dates in between.
Russell
Into Forever  by Matthew Halsall & the GondwanaOrchestra (Gondwana Records CD013) is released on October 1. It will also be available on vinyl and as a download.                       
Matthew Halsall (trumpet), Lisa Mallett (flute), Rachael Gladwin (harp), Keiko Kitamura (koto), Taz Modi (piano), Gavin Barras (double bass), Luke Flowers (drums), Sam Bell (percussion), Chris Cruiks (percussion), Margit Van Der Zwan (cello), Natalie Purton (viola & violin), John Purton (violin), Jote Osahn (violin), Ollie Izod (violin), Josephine Oniyama (vocals) & Bryony Jarman-Pinto (vocals)

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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