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Bebop Spoken There

Ambrose Akinmusire: “I love teaching, and I love the exchange. And I’m starting to accept my role as a mentor. That sounds weird to say. But I can’t avoid the fact that there are younger musicians who are watching me.” – (Down Beat September 2017).

Mike Gibbs: “Rehearsals are a chance for players to learn my degree of vagueness.” – (Jazzwise September 2017).

Archives

Thursday September 21

Afternoon
Vieux Carré Jazzmen - Holystone, Whitley Rd., nr. Newcastle NE27 0DA. 1:oopm. Free.
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Tees Valley Jazzmen - White Horse Hotel, Burtree Lane, Harrowgate Hill, Darlington DL1 3AD. 1:30pm. Free. 01325 463262.

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Evening.
Maine Street Jazzmen - Potter's Wheel, Sunniside NE16 5EE. 8:30pm. Free.
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Courtney Pine: Black Notes from the Deep - Sage Gateshead NE8 2JR. 7:30pm. £25.60. 0191 4434661.
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Katie Mac (w. 6 piece band) - The Globe, 11 Railway St., Newcastle NE4 7AD. 7:30pm. Free.
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Emma Fisk & James Birkett - St. Cuthbert's Church, Shadforth DH6 1LF. 7:30pm.
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Pocket Jazz Orchestra: Jazz & Tapas - No. 60, Arc, Dovecote St., Stockton TS18 1LL. 7pm. £10.
Tees Hot Club w. Alan Marshall (saxes); Kevin Eland (trumpet); Ted Pearce (keys) - Dormans, Oxford Rd., Middlesbrough TS5 5DT. 9pm. Free.
New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton TS18 4AW. 8:30pm.01642 678129.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, September 20, 2015

CD Review: Sam Coombes Trio - Pace of Change

Sam Coombes (alt/sop); Yoni Zelnik (bs); Julien Charlet (dms).
(Review by Lance).
Sam Coombes first appeared on my radar in January 2011 when he played a Splinter gig at the Bridge Hotel. As you will gather from that original review I was impressed. This was a quartet gig with David Patrick (remember that name*) on piano. Piano has been dispensed with in this downsized ensemble making for an even tighter and, paradoxically, freer session.
Coombes remains Konitz inspired but now leans more towards later Konitz with perhaps a dash of Pepper (Art) added - the end product being pure Coombes.
Ten originals penned by Coombes show him to be as competent a composer as a player not least in the oft changed time signatures used. "Each composition uses a minimum of 3 non-standard time signatures - 13/4; 11/4; 9/4; 5/2 etc." (could be the odds for the 3.30 at Kelso!). 
This complexity surely places extra curricular demands on your average jazzer but, one assumes, these guys had been thoroughly woodshedded otherwise the results couldn't have been so perfect. I'm not suggesting that this was meticulously rehearsed - far from it - rather that they acclimatised themselves to the Pace of Change - a title as appropriate as Brubeck's Time Out was when the movement to explore other meters in jazz began. The fluidity of Coombes playing incorporates everything asked of a jazz musician i.e. to swing in a contemporary manner, to be explorative, to display command of his instrument and, most of all, connect with the listener. Coombes connects with this listener!
Zelnik and Charlet, à la basse et batterie respectively, provide a solid foundation. Les deux Frenchmen combine with Coombes to make this a truly integrated Anglais/Francais band. Coombes seems to commute 'twixt London, Edinburgh, Glasgow and Paris for gigs. Methinks there's a place at the epicentre of these cities where he may care to drop by again...
Check Sam Coombes out!
Available on Pol-e-MATH RECORDINGS SCPRO1 and distributed by Discovery Records from Oct. 16.
Lance.
*Sam Coombes is also featured on the David Patrick Octet's jazz version of Stravinsky's Rite of Spring - up for review here shortly.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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