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Bebop Spoken There

More from Jazz Monthly:

John Postgate: "Oscar Peterson played a good solo in 1954..." - (Jazz Monthly August 1960)

Bill Evans: "A composer writes something, and an orchestra interprets it--he spends maybe six months writing 10 minutes of music, but a jazz musician spends 10 minutes of playing 10 minutes of music, and he performs it himself". - (Jazz Monthly July1960).

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Today Saturday October 21

Afternoon

???????

Evening

Tees Valley Jazzmen - Sadberge Village Hall, 5 Beacon Grange Park, Sadberge, Darlington DL2 1TW. 7:30pm. £9.00. inc cheese & biscuits, BYOB.

Mat Maneri/Evan Parker/Lucian Ban: Sounding Tears - Sage Gateshead. 7:45pm. £13.50.

The Exiles - The Globe, 11 Railway St., Newcastle NE4 7AD. 8:00pm. £5.00. Line-up: Dave Hignett (trumpet), Niall Armstrong (tenor sax), Mike Cunningham (piano), Hazel Hanley (double bass) & Paul ‘Sid’ Wight (drums).

George Shovlin & the Radars - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, September 02, 2015

Jazz Café Jam Session - September 1

(Review by Lance).
First day of term - or so it seemed  - as Autumn descended and the Jazz Caff once more opened its doors after a couple of weeks of musical deprivation.
A mix of old and new faces made for a variety of sound. The house trio of Gilligan, Grainger and Morgan got things rolling. Sam Rivers' Beatrice and I Thought About You set the standard to aim at.
This would have sent many an aspirant back to the woodshed but not Joel Brown. The 16 year old took his place at the upright and it soon became obvious that he'd put in some work since his last appearance displaying a maturity of approach that belied his tender years.
On bass was Brown père - Steve Brown, Is this the same Steve Brown who was, himself, a local legend a decade or three back? On drums was a newcomer to the area, Scott Riby. Although a self-confessed rock drummer he proved to be able to handle the baptism of fire anyone faces when Paul Gowland's in the frontline. Autumn Leaves was an appropriate choice whilst How High the Moon/Ornithology was played at a tempo only slightly slower than the speed of light. In a Sentimental Mood displayed more technical innovations such as triple tonguing - an action more common to brass players - and a sustained note that was surely a feat of circular breathing!
Gilligan had returned for the last couple but now young Joel was back and joined by more young men in the form of Fitzgerald, Poxon and Pockets - collectively known as The Swindlers. The room rocked. 
Lindsay Hannon stepped up to the plate for I Can't Stay Away From You, No More Blues and You'd be so Nice to Come Home to. Steve Brown was back, this time on piano with Ian Forbes on drums, and the resultant Here's That Rainy Day and I Should Care didn't hurt at all.
And so the night rolled on with Franco Falconi taking over the piano stool as I reluctantly drifted off into the night to the sounds of Days of Wine and Roses.
Days of wine and roses indeed.
Photos (Memory card now working!)
Lance.
Peter Gilligan (pno); Paul Grainger (bs); Russ Morgan (dms) + Joel Brown (pno); Steve Brown (pno/bs); Paul Gowland (alt); Ian Forbes (dms); Lindsay Hannen (vcl); Scott Riby (dms); Ben Fitzgerald (dms); Henry Poxon (bs); Jonny Pockets (?) (gtr); Francesco Falconi (pno).

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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