Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 13: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Julija Jacenaite (vocals).

Friday, September 11, 2015

Pilgrim St., Set @ Hoochie Coochie - Sept. 10

Richard Burns (tpt); Gary Turner (ten); Paul Edis (pno); Ian Paterson (bs gtr); Rob Walker (dms).
(Review by Lance).
In a previous review of the Pilgrim St. Set I suggested that Art Blakey's Jazz Messengers may have sounded like this band of pilgrims had they arrived on the scene 50 years later. Tonight, however, it was more like 30 years down the line. The reason for this not unwelcome, seemingly retro, step was, presumably, to accommodate dep bass guitarist Ian Paterson by playing a more familiar repertoire as opposed to the often complex originals they have been featuring recently. Needless to say that Ian handled the material with seeming ease soloing and supporting admirably. The rapport between bass and drums suggested an intuitive awareness.
Ian, A.K.A. "Dodge" and featured on the cover of this month's issue of The Crack, depped for Paul Susans who has gone to Ireland to get married. I don't know if this is an elopement, a quest to find a bride or just an exotic venue. Whatever, we wish him and his intended well.
Back to the music. Some cracking trumpet from Richard. Richard tends to nod his head, sometimes his whole upper body in time to the music unlike the Brits in the band who merely tap their feet. Perhaps it's to do with the different hemispheres (Richard is from 'down under').
Gary, as ever, encompassed the full gamut of his instrument going for gold and getting it every time.
Paul Edis has his fingers in so many pies it's a wonder he has any to spare - he had plenty tonight though, not a note was spared.
Paul, incidentally has recorded his second solo album - Just Like Me (the first was titled Not Like Me!) and shortly both discs will be available as a double album to be launched at the Lit and Phil on November 19.
Rob was the inevitable powerhouse. How can a drummer be so loud and yet so subtle and sensitive at the same time? I don't think anyone, other than Art Blakey himself, could drive the bus the way Rob does.
The material included: Edis' We Get Along; Dexter Gordon's Devilette; a piece by Wayne Shorter that had me saying "Follow that Wayne" after a blistering Turner torrent of notes; Silver's The Jody Grind, announced by Richard as The Geordie Grind; Mile's So What?; another Edis - Narrow Escape and, as an encore, more Silver with Nutville.
This band shouldn't be confined to one street, they should be out on the road touring the land.
Photos.
Lance.

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