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Bebop Spoken There

Benny Golson: "Art is a lifetime commitment." - (DownBeat August 2018.)

George Wein: "The musicians backstage at the Newport Festival said she [Marian McPartland] is more advanced in her harmonic structure than all the other piano players put together." - (DownBeat August 2018.)

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

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If you experience any problems posting a comment, as I understand some readers are, then email it to me direct, stating which post your comment relates to - lanceliddle@gmail.com. Alternatively, try the Anonymous button but please sign your name!
Apologies for any inconvenience, this is due to circumstances beyond my control.

Today Sunday July 22

Afternoon

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 1pm. Free.

Music by the Sea Jamboree - Jackson's Wharf, The Highlight, Hartlepool TS24 0XN. 4pm. Free. Hosted by the Mick Donnelly Academy of Music.

More Jam - The Globe, Railway Street, Newcastle NE4 7AD. 3:00pm. Free.

Auld Man’s Baccy - Tyne Bar, Maling St, Newcastle NE6 1LP. Tel: 0191 265 2550. 4:00pm. Free

Doggone Daddies - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 3:00pm. Free.

Jazz Social - Charts, Quayside, Newcastle NE1 3DE. 3:00pm. New weekly jam session.

Somethin’ Blue - Vesuvio, 3a Houndgate, Darlington DL1 5RL. 5:00pm. Tel: 01325 788564. Matt Case (saxophone) & Mike Hepple (guitar).

Zöe Gilby Trio - Blackett St., Newcastle NE1 7BS. 3 x 30 min. sets (11:30am/1:45pm/4:30pm). Free.

Jazz - Spanish City Plaza, Whitley Bay NE26 1BG inc Rendezvous Jazz (11:00am).

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Full Americana program.

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Evening

Lickety Split - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £6.00. (£3.00. student).

Left Hand Lewis - Prohibition Bar, Arch 3, Brandling Street, Gateshead NE8 2BA. Doors 7:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, September 03, 2015

Newcastle University Postgraduate Recitals @ The Jazz Café. September 2

(Review by Russell)
Following the resounding success of staging several undergraduate final recitals earlier this year at the Jazz Café, two postgraduate students chose the Pink Lane venue to give their recitals in the presence of examiners, fellow students and supporters. Drinking tea, coffee or something a little stronger in a real jazz venue beats the cloistered campus set-up every time.
Stelios Arodites (alto saxophone) with Stuart Collingwood (piano)
Alto saxophonist Stelios Arodites walked onto the stage with a supportive pat on the back from accompanist Stuart Collingwood. The duo ready, Arodites embarked upon a journey of twenty minutes or so interpreting Phil Woods’ Sonata for alto saxophone and piano. A challenging work, composed for Victor Morosco’s 1962 solo recital at Carnegie Hall, the piece was originally named Four Moods, although thereafter it became known as Woods’ Sonata.
The composition presented four movements to negotiate with frequent changes in time signature (in places every two or four bars). In addition, some sections were marked free improvisation. Arodites played acoustically; tone rich and unwavering. Bespectacled Collingwood, the assured accompanist, the anchor, the buoy, Arodites’ reassurance. Each movement challenged the examinee, variously playing ‘tonic minor’, ‘modal’ – Arodites’ programme notes were most useful! The audience listened intently, a tension in the air. A ferocious section – alto traversing into gritty, grinding tenor territory – lifted the duo onto a higher plain. Mr Arodites is some player. His postgraduate studies continue into 2016, a further recital is to be scheduled.
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Richard Hammond (vibraphone) MMus Major Creative Project Recital
A familiar figure in and around the music department in Armstrong Building, Newcastle University, a youthful Richard Hammond, with carefully cultivated unruly mop-top, took to the stage in front of a full house. The folk glitterati were out in force (a superstar of the scene took her seat), Hammond was about to play a folk set. The improvised element did materialise, due in no small part to the virtuosic skills of his band mates. Vibraphone, not your regular folk instrument, took centre stage. To Hammond’s left, Callum Younger sat with bohdrán, a bearded rhythm master. The examinee’s presentation Room to grow: An exploration of improvisation and ‘free’ music within folk styles embraced the five string fiddler Robbie Sherratt (improvising for the Gaelic Isles), Alasdair Paul (bouzouki) and a couple of familiar faces – Jessica Bates (piano) and Mercedes Phillips (soprano sax). Ten or so tunes in three quarters of an hour, some of them Hammond compositions, others an eclectic mix including Michael ‘Snarky Puppy’ League’s Shofukan. Hammond referred to jazz players’ abilities to improvise and reharmonise and this has informed his studies. Using four mallets, Hammond’s writing skills opened-up tunes enabling the collective to improvise chorus upon chorus. The audience showed its appreciation. Another success at the Jazz Café.
Hammond’s band: Jessica Bates (piano), Alasdair Paul (bouzouki),  
Mercedes Phillips (soprano sax), Robbie Sherratt (fiddle), Callum Younger (bohdrán).
Russell.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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