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Bebop Spoken There

Ambrose Akinmusire: “ I am certainly always aware of what the masses are doing. And when I see too many people going one way, I'm going another way - even when I don't know what's over that way". DownBeat, March, 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16287 (and counting) posts since we started blogging 16 years ago. 169 of them this year alone and, so far, 41 this month (Mar 18).

From This Moment On ...

March

Tue 19: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Michael Young, Paul Grainger, Tim Johnston.

Wed 20: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 20: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 20: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 21: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 21: Castillo Neuvo Trio + Conor Emery & His ‘Bones Band @ The Grove, Ouseburn, Newcastle. 7:30pm (7:00pm doors). £10.00. (£7.00. student).
Thu 21: Remi Banklyn + Chris Corcoran Trio @ The Globe, Newcastle. 8:00pm. £12.50. Chicago blues. An International Guitar Foundation promotion.
Thu 21: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Ragtime piano.
Thu 21: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 22: Vasilis Xenopoulos & Paul Edis @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 22: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 22: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 22: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 22: Nauta + Remy CB + Last Orders @ Hoochie Coochie, Newcastle. 8:30pm (7:30pm doors). Free.
Fri 22: Vasilis Xenopoulos-Paul Edis Quartet @ Traveller’s Rest, Darlington. 8:00pm. £15.00. Opus 4 Jazz Club.
Fri 22: Redwell @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sat 23: Jambone @ The Glasshouse, Gateshead. 6:30pm. Free (ticketed). End of term performance in the Northern Rock Foundation Hall.
Sat 23: Milne-Glendinning Band @ The Vault, Darlington. 7:00pm. Free.
Sat 23: Red Kites Jazz @ Rowlands Gill Community Centre NE39 1JB. 7:00pm. Tickets: £12.00. (gibsidecommunityfarm@gmail.com). A ‘Build a Barn’ fundraiser. BYOB, tea/coffee available.
Sat 23: New Century Ragtime Orchestra @ Gosforth Civic Theatre, Newcastle. 7:30pm. £20.00. + bf (book in person at venue - no booking fee!). Featuring pianist Martin Litton.
Sat 23: Pete Tanton’s Cuba Libre @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 24: Musicians Unlimited @ Park Inn, Hartlepool. 1:00pm. Free.
Sun 24: More Jam @ The Globe, Newcastle. 2:30pm. Free.
Sun 24: Luis Verde @ Queen’s Hall, Hexham. 3:00pm. Verde (alto sax); Joe Steels (guitar); John Pope (double bass); John Hirst (drums). Alto sax brilliance!
Sun 24: Elsie Franklin @ The Globe, Newcastle. 3:00pm. £10.00. Country blues. An International Guitar Foundation promotion.
Sun 24: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 24: Las Vegas Live with the Rat Pack @ The Forum, Billingham.
Sun 24: Ian Millar & Dominic Spencer @ Otterburn Memorial Hall. 7:30pm. £12.00.
Sun 24: Lindsay Hannon: Tom Waits for No Man @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig. Note start time - 7:00pm.
Sun 24: Bold Big Band @ The Globe, Newcastle. 8:00pm.

Mon 25: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 25: Michael Young Trio @ The Engine Room, Sunderland. 6:30pm. Free.

Thursday, September 03, 2015

Newcastle University Postgraduate Recitals @ The Jazz Café. September 2

(Review by Russell)
Following the resounding success of staging several undergraduate final recitals earlier this year at the Jazz Café, two postgraduate students chose the Pink Lane venue to give their recitals in the presence of examiners, fellow students and supporters. Drinking tea, coffee or something a little stronger in a real jazz venue beats the cloistered campus set-up every time.
Stelios Arodites (alto saxophone) with Stuart Collingwood (piano)
Alto saxophonist Stelios Arodites walked onto the stage with a supportive pat on the back from accompanist Stuart Collingwood. The duo ready, Arodites embarked upon a journey of twenty minutes or so interpreting Phil Woods’ Sonata for alto saxophone and piano. A challenging work, composed for Victor Morosco’s 1962 solo recital at Carnegie Hall, the piece was originally named Four Moods, although thereafter it became known as Woods’ Sonata.
The composition presented four movements to negotiate with frequent changes in time signature (in places every two or four bars). In addition, some sections were marked free improvisation. Arodites played acoustically; tone rich and unwavering. Bespectacled Collingwood, the assured accompanist, the anchor, the buoy, Arodites’ reassurance. Each movement challenged the examinee, variously playing ‘tonic minor’, ‘modal’ – Arodites’ programme notes were most useful! The audience listened intently, a tension in the air. A ferocious section – alto traversing into gritty, grinding tenor territory – lifted the duo onto a higher plain. Mr Arodites is some player. His postgraduate studies continue into 2016, a further recital is to be scheduled.
-----            
Richard Hammond (vibraphone) MMus Major Creative Project Recital
A familiar figure in and around the music department in Armstrong Building, Newcastle University, a youthful Richard Hammond, with carefully cultivated unruly mop-top, took to the stage in front of a full house. The folk glitterati were out in force (a superstar of the scene took her seat), Hammond was about to play a folk set. The improvised element did materialise, due in no small part to the virtuosic skills of his band mates. Vibraphone, not your regular folk instrument, took centre stage. To Hammond’s left, Callum Younger sat with bohdrán, a bearded rhythm master. The examinee’s presentation Room to grow: An exploration of improvisation and ‘free’ music within folk styles embraced the five string fiddler Robbie Sherratt (improvising for the Gaelic Isles), Alasdair Paul (bouzouki) and a couple of familiar faces – Jessica Bates (piano) and Mercedes Phillips (soprano sax). Ten or so tunes in three quarters of an hour, some of them Hammond compositions, others an eclectic mix including Michael ‘Snarky Puppy’ League’s Shofukan. Hammond referred to jazz players’ abilities to improvise and reharmonise and this has informed his studies. Using four mallets, Hammond’s writing skills opened-up tunes enabling the collective to improvise chorus upon chorus. The audience showed its appreciation. Another success at the Jazz Café.
Hammond’s band: Jessica Bates (piano), Alasdair Paul (bouzouki),  
Mercedes Phillips (soprano sax), Robbie Sherratt (fiddle), Callum Younger (bohdrán).
Russell.

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