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Bebop Spoken There

Abdullah Ibrahim: "For me jazz is the highest form of music." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Saturday August 24

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Mellow Baku - St Augustine's Parish Centre, Larchfield Street, Darlington DL3 7TG. 12:30pm. £10.00. (under 16s free). Line-up: Mello Baku (vocals), John Hallam (reeds), Andy Dickens (trumpet), Ian Bateman (trombone), Tom Kincaid (piano), Rachel Hayward (guitar, banjo), John Day (double bass), Nick Millward (drums).

Jo Harrop w Paul Edis Trio - Ushaw College, Ushaw DH7 9RH. 1:00pm. £10.00. Ushaw Jazz Festival.

Boys of Brass - Bill Quay Beer & Music Festival, Brack Terrace, Bill Quay, Gateshead NE10 0TT. 3:00-4:30pm. (Festival 1:00-11pm). Tickets: £10.

Xhosa Cole-Francis Tulip Quintet - Ushaw College, Ushaw DH7 9RH. 4:00pm. £8.00. Ushaw Jazz Festival.

Evening

Matt Anderson & Paul Edis - Ushaw College, Ushaw DH7 9RH. 6:00pm. £6.00. Ushaw Jazz Festival.

Tony Kofi & the Organisation - Ushaw College, Ushaw DH7 9RH. 8:00pm. £14.00. & £12.00. Ushaw Jazz Festival.

Picturehouse Deluxe + Kay Greyson - Bobik’s, Punch Bowl Hotel, Jesmond Road, Jesmond, Newcastle NE2 3JY. 8:00pm. £5.00. Line-up: Georgia Turnbull (vocals & keys), Thomas Dixon (reeds), Jamie Mackay (guitar), Adam Cornell (bass), Ben Fitzgerald (drums).

Jam session - Ushaw College, Ushaw DH7 9RH. 10:00pm. Free. Ushaw Jazz Festival.

Blues/Funk/Soul

Teresa Watson Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, September 13, 2015

Greg Spero Quartet @ Dacre Hall, Lanercost Priory - Sept. 12

Greg Spero (pno); John Pope (bs/bs gtr); Russ Morgan (dms); Roz Sluman (sax/fl) + Jack Moore (alt).
(Review by Peter Ninnim)
 I’d missed Greg Spero on his previous visits to the North East so I was pleased to have the chance to hear him at a venue new to me. David Gosling and his team are doing a great job putting on class, well supported, jazz concerts in this historic setting. Not knowing what to expect, it was good to see the room full, with perhaps 70 people. The hall was dressed with great care, a proper low level stage, excellent sound system and a bar with hand pull beer; what a pity I was driving!
I'd had no advance info re the music on offer but, after seeing the band line up, I knew it would be good. Greg was using the exciting sax player Roz Sluman on flute, alto and tenor; the bundle of fun John Pope on acoustic bass and 5 string electric and the outstanding Russ Morgan on drums. The band had only met up at 2.00pm - spending the afternoon working out the set.
Impressive!  
The majority of the numbers were Spero’s own compositions and, to say the least, difficult!
First up was Shades. Not sure if that was the full title but, as he explained it, was on the new album to be called Polyphonic. The fact that it was in 17/16 time (I kid you not) wasn’t immediately apparent  although, as far as I could see, Morgan was right on top of it and, in truth, it wasn’t a great all round performance, Pope, as usual, all over the acoustic bass in brilliant style. Spero followed this up with a version of Blackbird which did him no favours with me, but the audience seemed to like it. This was followed by Actual Proof and then Tune 12 off the new album. This had all the band feverishly turning over music as actually he was playing Tune 11! However, it all sounded good and had impressive solos all round. Next a Chick Corea number with great drumming by Morgan. When we actually heard Tune 12 it turned out to be a polyphonic tune with the left hand in 3/4 and the right hand in 4/4, still sounded good though. There were a few other tunes particularly one by Herbie Hancock but I just could not get all the titles.
After an appealing vocal, No Rest For the Weary, the programme concluded with Slide for which Spero called up Alto player Jack Moore to join Sluman on stage. Moore is a 13 years old up and coming Jazz talent; I look forward to hearing him in the years to come.  Greg Spero is a very accomplished and versatile pianist and his outgoing personality definitely won over the audience.
There were a few piano introductions which started out like lift music, although very good lift music. But I’m being picky as the whole concert was first class mainly in the Jazz fusion genre and I would be keen to see him again. An excellent concert at a great venue.
Peter N.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance