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Bebop Spoken There

George "Big Nick" Nicholas: "This band [George Adams-Don Pullen Quartet] is a bitch on roller skates, baby. They'll run you over if you ain't ready" (JazzTimes April, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

14250 (and counting) posts since we started blogging 14 years ago. 469 of them this year alone and, so far, 69 this month (May 19).

From This Moment On ...

May.

Fri 20: Andrea Vicari Trio @ Lit & Phil, Newcastle. 1:00pm. Vicari (piano), Andy Champion (double bass), Abbie Finn (drums).
Fri 20: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 20: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 20: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 20: Swing Bridge @ Garden House Coffee, Hallgate, Hexham. 4:05pm.
Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30-8:30pm.
Fri 20: Customs House Big Band w Ruth Lambert @ Exchange, North Shields. 7:30pm.
Fri 20: Andrea Vicari Trio @ Traveller’s Rest, Darlington. 8:00pm. £12.00. Opus 4 Jazz Club. Vicari (piano), Andy Champion (double bass), Abbie Finn (drums).

Sat 21: Vieux Carré Hot 4 @ Market Place, Darlington. 11:00am - 3:00pm. All star line-up!
Sat 21: Elkie Brooks @ Whitley Bay Playhouse. 7:30pm.
Sat 21: Jools Holland’s R & B Orchestra @ The Hippodrome, Darlington. 7:30pm.
Sat 21: Milne-Glendinning Band @ Prohibition Bar, Newcastle. 8:00pm.

Sun 22 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 22: More Jam @ The Globe, Newcastle. 3:00pm. Free.
Sun 22: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 22: Abstract Orchestra plays J Dilla @ Wylam Brewery, Newcastle. 7:30pm.
Sun 22: Panharmonia @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.

Mon 23: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Wed 25: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 25: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 25: Four @ The Exchange, North Shields. 7:00pm.
Wed 25: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 26: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 26: Deep Pope + Garner & Pope @ Cobalt Studios, Newcastle. 7:00pm. £7.00.
Thu 26: 58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 26: Knats @ Hoochie Coochie, Newcastle. 8:00pm.
Thu 26: Jeremy McMurray & the Pocket Orchestra @ Arc, Stockton. 8:00pm.
Thu 26: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 26: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

Tuesday, September 15, 2015

Jazz North East presents Splinter @ the Bridge, with OZMA meets Buster – Sept. 13

Julien Soro (saxophones); Paul Jarret (guitar); Edouard Séro-Guillaume (bass); Stéphane Scharlé (drums).
(Review by Steve H./Photos courtesy of Ken Drew) 
Last month a packed St Gabriels Church in Heaton hosted the Buster Keaton classic Steam Boat Bill Junior with a live accompaniment from TV star and silent movie expert Neil Brand. It was a fantastic evening as the movie is a classic and Brand is clearly a very accomplished musician. My wife looked sceptical when on the way home I remarked how much more I would have enjoyed it had the music been of the improvised jazz variety.
Well on Sunday at the Bridge Hotel I was granted my wish as this French band produced a live performance to accompany Buster Keaton’s 3 Ages of Man. The film, Keaton’s first full length feature as director, may not be his finest but it is still very funny. 
The film’s themes focus on man’s perennial attempts to win the girl from a love rival. Each segment of the courtship is shown in 3 different eras, Stone Age, Ancient Rome and 1920’s New York. All the thrills of a classic Keaton film are on show providing an inspirational backdrop for the band to improvise with.
My own favourite scene is when Buster has to take on his adversary in a chariot race in Ancient Rome so as to impress his prospective beau’s parents. As the race is about to start there is a snow storm so Buster replaces the wheels on his chariot with skis and the horses with huskies. All is going well until a conspirator of his rival lures the dogs away with the aid of a small kitten. Our hero captures the kitten attaches it to a stick which he then dangles in front of the huskies who in their frantic attempt to reach the kitten carry him to victory. All the action of the film was wonderfully augmented by the quartet who caught the relevant moods perfectly. At the conclusion of the film the near capacity crowd responded with rapturous applause.
For the second set the quartet played a selection of their own composition and what a treat it was. The band have known each other since attending the conservatoire together in Strasbourg in 2001 and this was reflected in the wonderful empathy they had with each other. The music was powerful, original, creative and exhilarating. All 4 players were fabulous but there was a particular guitar solo by Paul Jaret at the start of a piece that was best thing I have heard all year. The response at the conclusion of the final piece was even more enthusiastic than that given at the interval. Indeed certain members of the audience could be overheard plotting the logistics of a trip to Berwick on Friday night where the band will be performing at ‘The Maltings’.
All in all, a great start to Jazz North East’s monthly Sunday night Splinter season.
Steve H.

2 comments :

Ken Drew (on F//b) said...

Lovely review, Steve of a wonderful performance. A gig of two distinct halves - literally - and quite exhilarating all the way through. A fantastic start to the new season of jazz from Jazz North East

Paul Bream said...

I agree entirely with Steve and Ken about the quality of the performance. Most musicians playing accompaniments to silent movies seem to feel that they have to work broadly in the musical style of the film's own era, but what was fantastic about the OZMA performance was that the music was uncompromisingly contemporary, yet worked perfectly with the images on screen - a demonstration that great art (and in this case I mean the film and the music) has the capacity to work across the (three) ages.

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