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Bebop Spoken There

Binker Golding: "The purest jazz was often the most danceable. Somewhere along the way, we exchanged danceability for complexity, and I see a lot of what I do as a way of giving that back to people." - (Jazziz, Winter 2020).
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Archive

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

Today Saturday February 22

Afternoon

Jazz

Electric Guitar Masterclass – The Music of Robben Ford - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. 10:00am. £15.00. Jamie Mackay conducts a masterclass looking at the work of former Miles Davis’ sideman Robben Ford.

Evening

Daniel John Martin w Swing Manouche - Core Music, 14a/b Gilesgate, Hexham NE46 3NJ. Tel: 01434 601993. 8:00pm. Donations (suggested donation £10.00.). DJM w Mick Shoulder (guitar); Giles Strong (guitar); Ian Paterson (double bass).

Blues/Funk/Soul

Half Hand Hoodoo Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Boys of Brass - Brandling Villa, Haddricks Mill Road, South Gosforth, Newcastle NE3 1QL. Tel: 0191 284 0490. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, September 22, 2015

Jazz Co-op @ The Globe: Blue Jazz Sextet/Off Key - September 20

George Anyfantis (keys); Keith Barrett (guitar); Karen Rann (sop sax); Jeff Smith (ten sax); Dave Parker (bass); Mark Robertson (reader, guest drummer); Off Key (novel)
(Review by Ann Alex/Photo courtesy of Debra M)
It’s not often that a novel is part of a jazz band, but tonight it was the star of the show.  The second set consisted of relevant tunes, interspersed with readings from Mark, the author of Off Key, who hopped between the drum kit and the reading stool, even breaking into song during one of the readings, a well-sung snatch of Skylark.
This was a very enjoyable event, especially for those of us who’d read the novel, which is summed up well by the front cover description ‘The greatest story ever told about Love ...and Jazz (in Sunderland).’ I’d advise everyone not to miss out on this really good read, a love story with some pathos, and even a character called Crombie in one scene.
The readings were carefully arranged so that no spoilers were given. The members of the jazz band in the novel were described, hilarious episodes were read, such as the skeleton practical joke and the night the band played at a male strippers do.  Sadder pieces included a quarrel  that the lovers had about money.  The supporting music included such numbers as Scrapple From The Apple; Perdido; Blue Trane; Work Song and a superb version of Skylark, with a soulful tenor opening from Jeff, flowing piano and suitably gentle drums.  The music was skilled, as always from this band, right through to the final chord played long and strong from everyone.
In the first set, the band did their stuff well on such numbers as Softly As In A Morning Sunrise; a wonderfully boppy I Mean You; Footprints; Take The A Train; Song For My Father; Tenor Madness.  Good solos all round.  I especially liked Footprints, which had an eastern type of feel, especially from the saxes, and was dream-like and even slightly disturbing.  The newer members of the band, Keith on guitar and George on keys, did themselves credit in their solos. Readers will have gathered that the Blue Jazz Quintet is now a sextet, and none the worse for that.
Ann Alex    

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