Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 13: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Julija Jacenaite (vocals).

Monday, September 07, 2015

CD Review: Mark Pringle – A Moveable Feast

(Review by Russell)
Much has been written about Mark Pringle. All of it positive, all of it justified. The young pianist’s debut CD A Moveable Feast is set for release on September 18 (Pringle Trio can be heard live at Jazz Café this Friday, Sept. 11). Place your order now. A graduate of Birmingham Conservatoire, Pringle has composed and arranged eight pieces for large ensemble. Fusing twenty first century contemporary composition with the freedom inherent in the jazz idiom, A Moveable Feast is an impressive recording. 
Pringle spent time living in Paris. His sojourn in the French capital inspired the writing of original material, as did reading Ernest Hemingway and listening to Olivier Messiaen. A homage to the avant-garde composer opens the CD. A Real Bombshell (the reaction of the Frenchman on first seeing a score by Debussy) begins freely, drummer Euan Palmer’s big groove displaces any hint of dissonance in advance of trumpeter Percy Purseglove’s fiery solo.
Ode To The Trees, Pringle’s response to the Bois de Boulogne, opens with Dan Searjeant and Alicia Gardener-Trejo (the ensemble’s flautists) pointing to the canopy, identifying a chorus of noise up high. The core trio – piano, bass and drums – settle into a subtle swing feel, the orchestra flitting about atop of it.
On more than one occasion Pringle pitches pizzicato strings against woodwind sections to great effect, evinced in Happy Plants (Part1). The composer succeeds in combining often incompatible elements (to some ears) in jazz – brass, reeds and strings. To achieve results as good as on this recording at the age of twenty four is no mean feat.
A slow-drag blues feel with alto to the fore – Hasha’s Theme – is a major highlight of the CD. Subtlety is a recurring aspect; Monk, deceptively simple/complex, so too Pringle. At various points on A Moveable Feast one assumes the composer was ‘out front’ to conduct his ensemble, such are the orchestrations. It would be interesting to a) see Pringle’s charts and b) hear him talk about his methods/process of composing. 
Mark Pringle has received plaudits and awards from tutors and the wider jazz community – it is only a matter of time before he becomes a household name. A Moveable Feast will be released on September 18 on Stoney Lane Records (catalogue no. SLR1954). There is an opportunity to hear Pringle’s music during September. He is taking it on the road to a venue near you. The large ensemble dates have been and gone, however Pringle (piano) and the bass and drums pairing of James Banner and Euan Palmer can be heard in concert at Matt and Phred’s, Manchester tomorrow (Tuesday 8), the delightfully named Butterfly and the Pig, Glasgow (9), the Jazz Bar, Edinburgh (10), Newcastle’s Jazz Café (11) and a few other dates before finishing up in London with a four-date run working as a quintet.
Mark Pringle’s A Moveable Feast comes highly recommended. The recording is on the short list for ‘CD of the Year’ and hearing Pringle live should be a priority.     
Russell.
Mark Pringle (piano), Percy Pursglove (trumpet), Chris Young (alto saxophone), Dan Searjeant (tenor & alto saxophones, flute), Alicia Gardener-Trejo (bass clarinet, baritone saxophone, alto flute), Christine Cornwell (violin), Sarah Farmer (violin), Megan Jowett (viola), Lucy French (cello), Ben Lee (guitar), James Banner (double bass) & Euan Palmer (drums)

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