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Bebop Spoken There

Jackie Paris: "A singer's got to be able to tell a story. Frank Sinatra and Nat Cole are best at that; Mel Tormé too. I like to take a lyric that means something and sing it right to the person it was meant for." - (DownBeat October 11, 1962).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Wednesday September 18

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

Alexys de Alfaro - Revoluçion de Cuba, Cloth Market, Newcastle NE1 1EE. Tel: 0191 917 7076. 6:00pm. Free.

Take it to the Bridge - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £1.00.

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CANCELLED

Archipelago + Freese Trio - Bobik's, Punch Bowl Hotel, Jesmond Road, Jesmond, Newcastle NE2 3JY. Tel: 0191 284 0490. 7:30pm. £5.00.

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Levee Ramblers NOJB w. Jim McBriarty (clarinet) & Bob Wade (trumpet) - Springwell Village Community Venue, Fell Road, Springwell, Gateshead NE9 7RP. 8:15pm. £3.00.

Blues/Folk

Moonshine Sessions - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 8:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, September 19, 2015

Elliot Galvin Trio @ The Lit and Phil - Sept. 18

Elliot Galvin – Piano; Tom McCreadle – Double Bass; Simon Roth - Percussion
(Review by Steve H). 
When a Newcastle jazz audience is double the size of those up there on stage then that can be a good thing providing it is a big band they have come to see. However, when it is a piano, bass and drums combo then that's not so good. Sadly, at the Lit and Phil on Friday night, the latter applied but it did not stop the Eliot Galvin Trio from producing a wonderful set which completely enthralled the select and, dare I say it?, rather discerning audience present.
The trio, undaunted by the under capacity crowd, performed a fascinating and challenging set. The music swung from the almost totally free to the near classical. Most of the tunes played were from their debut album Dreamland but there were also a couple of well-known standards Lulu’s Back in Town and Mack the Knife on which the famous melody was played on Glockenspiel by drummer Roth. Roth in fact seemed to have many additions to the standard drum kit adding all manner of crazy augmentations to the proceedings.
Galvin also played a fascinating range of instruments including a marimba, musical boxes, a stylophone , a homemade double melodian and a toy piano which seems to be a particular favourite. In fact I felt a bit sorry for Tom McCreadle who only got to play the bass albeit magnificently especially when using the bow. The highlight of the evening for me was Tipu’s Tiger which was inspired by an exhibit at the V&A of a life size automation of a tiger eating a European! (see photo) Galvin strumming the insides of the grand piano to great effect and the whole piece really evoked the feeling of colonial India. At the conclusion of the set the enthused crowd asked for an encore and the band cordially agreed and performed Punch and Judy, aided by a cassette player with samples of an actual Punch and Judy show. At the end of the gig the delightful trio hung around to chat to the audience and the ratio of CD sales to audience members must have been close to 100%. As Mr Punch would say ‘That’s the way to do it’!
Steve H.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance