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Bebop Spoken There

Erin Davis: "I knew he [Miles Davis] was a famous musician, but didn't quite understand how famous." - (The Observer Magazine 29 March 2020)

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COFID- 19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Wednesday, September 16, 2015

Jazz Café Jam Session - Sept. 15

Peter Gilligan (pno); John Pope (bs/bs gtr); Paul Wight (dms) + Paul Edis (pno); Nick Gould/Paul Gowland/Stu Finden (ten); Fi Finden (sop/vcl); Jordan Alonzo (alt); Luke Stewart-Smith (bs); Joe Fowler (tmb); Thanos/Tom Lapworth (gtr); Marek Podstawek/Matt MacKellar/Rob Bates (dms).
(Review by Lance).
As the above line-up (apologies if I've missed anyone) indicates this was quite a night! The room was crowded, the joint was jumpin'. Axemen were jostling to get up and blow, the bar was doing good business and there were many new faces in the audience and a few different languages.
At one stage the playing area was a train crash as the drum set up was changed from southpaw to orthodox, amps were plugged and unplugged, microphones sought after, keys decided upon - the usual jam session activities.
As per, the evening began with the house trio of Gilligan, Pope and Wight setting the pace with Emily; Speak Low and Time Remembered.
Nick Gould dropped down from Edinburgh (as one does), Paul Edis flew in from Chester-le-St (or wherever), the pair, along with Pope and Wight, met On Green Dolphin Street. Love For Sale - an appropriate song for those of us who remember Pink Lane from years ago - and My Foolish Heart sounded good.
The Findens, along with Tom Lapworth on guitar and a stickman from Poland - Marek Podstawek - played what may have been Tenor Madness but probably wasn't.
Things started to get confused around about now as musos came and went. Paul Gowland took over on tenor, Jordan Alonzo added alto, Joe Fowler blew his new synthetic trombone - the sound was anything but synthetic - Matt and Rob on kit and Thanos, guitar, along with Stewart-Smith, bass, combined to keep things afloat.
I, unfortunately, couldn't stay until the end as I'm sure there were others who may well have contributed. As I left I noticed "Blue Hat" with tenor case but whether "Blue Hat" blew I didn't have time to find out. The Central Metro station now closes at 8pm Sunday to Thursday (until June next year!) so it meant a trip across town to the castle and the good old number 27.
Photos.
Lance.

5 comments :

Liz said...

three cheers for the 27!

Patti D. said...

Great review, Lance - and Mr Blue Hat didn't get the chance with his tenor ....... the lights flickered for the end of the session shortly after you left. And you're right - the joint was jumping ......

Anonymous said...

*sought after

Lance said...

There's always one! Thank you Ms Anonymous-Pernickety for pointing out that grave error of mine. I will correct it immediately!

Liz said...

it wasn't me!!

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