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Bebop Spoken There

Camila Meza: "Some tonalities or chords are colors to me: G major is blue, D major is orange and B minor is totally yellow." - (DownBeat July 2019)

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Today Monday June 17

Afternoon

Jazz

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Evening

Tenement Jazz Band - Prohibition Bar, Pink Lane, Newcastle NE1 5DW. 8:30pm (doors). Free (donations).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, September 28, 2015

Jazz Co-op @ The Globe: Bradley Johnston Quartet - September 26

Bradley Johnston (guitar); Pete Gilligan (keys); Paul Grainger (bass); Tim Johnston (no relation, drums)
(Review by Ann Alex/Photo by Roly Veitch from recent Blaydon gig.).
Many of you will have enjoyed hearing this quartet as part of the Jazz Cafe Tuesday jam sessions.  Imagine this same band, but with their performance upped by about 200 per cent, and you’ll have an idea of last night’s gig, which attracted a large audience.  A gig of standards, bop and the occasional original tune, long accomplished solos (I noticed lots of wonderfully bent notes on guitar and bass), with arresting sudden endings to some tunes, enough to make the audience sit up a bit straighter in their seats.
It was right in with Have You Met Miss Jones?, led by guitar, solos all round, and 4s on the drums, and drummers usually have to wait through quite a few tunes before they get their special moment, but not in this band.  Then came a boppy Doxy which was when I noticed all the lovely bendy notes; an original called Pat’s Waltz, then Falling Grace and a tuneful serene rendering of Ellington’s In A Sentimental Mood.  There followed two up tempo numbers for contrast, There’ll Never Be Another You and a Latin tune, Michel Petruciani’s Looking Up
The second set gave us 6 tunes and an encore demanded by the audience, starting with All The Things You Are; during In A Mellow Tone, someone remarked that the long bass solo was the best solo he’d ever heard Paul G play; I noticed some interesting quirky tones from the guitar as well.  There followed Joy Spring; the classic All Blues, with Peter at the top end of the piano, marvellous fast notes, so high up that I was wondering if he was playing some notes right off the top end that only dogs could hear!  Next came Charlie Parker’s Donna Lee, which had been included at Pete’s suggestion, ended by one of those sudden stops which I mentioned earlier.  The last number was John McKee, and the encore was a fast and furious Scrapple From The Apple.
A very enjoyable evening’s music, with quite a few tunes which were new (to me at any rate) which increases my listening repertoire nicely.
Ann Alex  

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