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Bebop Spoken There

YolanDa Brown: "Ron Dennis (former McLaren Formula 1 chairman) introduced me as 'the Lewis Hamilton of the jazz world'. I thought, 'I'll take that'." - (i newspaper July 17, 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Until July 21

Today Sunday July 21

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden. (See above).

Streets of Brass - Durham city centre. DH1. 11:00am-5:00pm. Free. A Durham Brass Festival event.

Alice Grace & Ben Helm - Bonbar, Fenkle St., Newcastle NE1 5XU. Tel: 0191 232 8695. 1:30pm.

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon. Free.

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 1:00pm (doors 12 noon). Free.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free.

Rajasthan Heritage Brass Band - Middlesbrough Town Hall, Albert Road, Middlesbrough TS1 2QJ. Tel: 01642 729729. 2:00pm. Free. A Summer Sessions in the Courtyard event.

Blues/Funk/Soul

Summertyne Americana - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. King Bees 1:30-2:15pm. Free. Jumpin’ Hot Club stage.

Memphis Cruisers - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 3:00pm. Free.

Evening

Jazz

East Coast Jazz Jam - The Exchange, Howard Street, North Shields NE30 1SE. Tel: 0191 258 4111. 6:00pm. Free.

Scottish Swing Orchestra & Festival Broadway Chorus: West End Meets Wharton - Wharton Park, Durham DH1 4FJ. 6:00-8:00pm. Free. A Durham Brass Festival event. Details.

John Garner & Paul Edis + Nathan Lawson - Black Bull, Bridge St., Blaydon NE21 4JJ. Tel: 0191 414 2846. 7:30pm. £7.00. Garner (violin) & Edis (piano) play Bill Evans & original material. Support set from Nathan Lawson (guitar). Blaydon Jazz Club.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, September 17, 2015

CD Review: Jeff Benedict Big Band - Holmes.

Jeff Benedict (sop/alt) Adrian Williams (alt); Jeff Ellwood, Ken Foerch (ten); Charlie Richard (bar); Steve Hawk. Jeff Jarvis, Tom Tallman, Frank Rico (tpt); Paul McKee, Jacques Voyemant ; Otto Granillo, Gerry Amoury (tmb); Dave Askren (gtr); Matt Harris (pno); Tim Emmons (bs); Paul Romaine (dms).
(Review by Lance).
I've procrastinated doing this review for too long! It hit the streets in July but - big confession coming up - it's easier to post a trio review with only 3 names to type in as opposed to the 17 here!
However, I've bitten the bullet and typed - and listened! Boy have I listened! This is one cracking CD totally representative of the current big band scene both in the UK and the USA.
I get the message from this (and locally) that big band jazz is alive and well. A mix of originals by Benedict and trombonist McKee interspersed with compositions by Sting, Duke, Metheny, Zawinal, Coltrane and Michael Brecker.
The roots aren't in Kenton or Herman (maybe a little of the latter in Benedict's alto feature on Easy Living) rather, it's Jones-Lewis/Clarke-Boland that springs to mind with, as is unavoidable in just about any quality big band, a hint of contemporary Basie.
The joy of big band jazz for me is not just the exciting soloists (of which there are plenty here) but that of hearing 5 saxes phrasing as one. They may be blowing Selmer. Yamaha, Conn, Buescher or whatever horns. The mouthpieces may be one of the many gobstoppers crafted  by Link, Guardala, Dukoff, Lawton or what came with the instrument and, using a variety of reeds from the usual suspects, still manage to get that blend of 5 people speaking with unforked tongues. Brassmen too somehow seem to be able to blend as one - at least they do here !
That the bands of Ellington, Gillespie and early Basie rarely achieved this perfection was both their strengths and their weaknesses. The power of their soloists and arrangers more than made up for any loose ensemble work.
Here we get the best of both worlds! I'm not going to suggest that these guys are better than their illustrious predecessors - far from it but, and it's a big but (no lewd comments please!) they have absorbed, learned and developed their own style whilst, incorporating contemporary influences along the way - even Gonsalves never played a tenor solo like Ellwood does on Caravan!
Benedict takes the alto solos, Ellwood and Foerch the tenor spots, McKee puts in some expressive slidework on most whilst Voyemant solos on Brecker's Delta City Blues, Jarvis on Coltrane's Naima and Tallman on Benedict's Holmes are the featured trumpet soloists and Harris, Ascram and Romaine are also in there pitching,
There won't be many better big band records this year - next year either!
Lance
Available Tapestry Records.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance