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Bebop Spoken There

Lakecia Benjamin: "From my early days with Clark Terry, he told me 'they see you before they hear you'... I'm just not from that school of thought where I'm gonna wear my jeans and T-shirt on stage and that's going to be respectable." - (Jazzwise, February 2023)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

15056 (and counting) posts since we started blogging 15 years ago. 75 of them this year alone and, so far, 75 this month (Jan. 25).

From This Moment On ...

January

Fri 27: Zoë Gilby Quartet @ Gala Theatre, Durham. 1:00pm. SOLDOUT!
Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 27: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 27: Hip Hop Hooray @ Bar 52, Newcastle. 7:00pm.
Fri 27: John Dikeman, Pat Thomas, John Edwards, Steve Noble @ Lit & Phil. 7:30pm. £10.00.
Fri 27: Rob Heron & the Tea Pad Orchestra @ Hoochie Coochie, Newcastle. 7:30pm. £10.00. on the door. A Swung Eight event.
Fri 27: Merlin Roxby @ Prohibition Bar, Newcastle. Ragtime & stride piano. 8:00pm.

Sat 28: Tyneside Improvisers Workshop @ Ye Olde Cross, Ryton. 2:00-4:00pm. All welcome.
Sat 28: Secular Sounds in a Sacred Place @ Holy Cross Church, Ryton. 4:30-7:00pm. £10.00. Continuous performance featuring: Christian Alderson, Faye MacCalman, Sally Pilkington, John Pope. Event preceded by a Tyneside Improvisers Workshop (2:00pm, see above).
Sat 28: Entartete Musik @ The Globe, Newcastle. 7:30pm. A Brundibár Arts Festival event.

Sun 29: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 29: Musicians Unlimited @ Park Inn, Hartlepool. 1:00pm.
Sun 29: 4B @ The Exchange, North Shields. 3:00pm.
Sun 29: Hypnotic Brass Band @ Cluny, Newcastle. 7:00pm (doors). £20.00.
Sun 29: Jam No.12 @ Fabio's, Saddler St., Durham. 8:00pm. Free. Durham University Jazz Society jam session. All welcome (students & non-students).
Sun 29: Origin @ The Globe, Newcastle. 8:00pm.

Mon 30: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.

Tue 31: ???

February

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 01: 4B @ The Exchange, North Shields. 7:00pm.
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 01: Moonlight Serenade Orchestra UK: Glenn Miller & Big Band Spectacular @ Darlington Hippodrome. 7:30pm.

Thu 02: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 02: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 2:30-4:30pm. £1.00. All welcome.
Thu 02: Paul Skerritt Duo @ Tomahawk Steakhouse, High St., Yarm. 8:00pm.
Thu 02: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Wednesday, September 30, 2015

CD Review: Carter Calvert – It’s a Man’s World.

(Review by Minnie F)
 American vocalist Calvert sings songs made famous by male artists on this album “re-imagined and sung from a woman’s point of view”.  Although this may sound like a bit of a gimmick, it is successful due to the power of Calvert’s rich vocals and arrangements by Laurence Hobgood and Joshua Bowlus.  Tracks include songs originally sung by artists as diverse as Ray Charles, Bruce Springsteen, The Police and The Beatles.  Carter’s voice is strong and melodic, but some may think it would lend itself more to pop than jazz.  
However, the great strength of this album is the accompaniment; Calvert has surrounded herself with some really excellent musicians.  Joel Frahm’s brilliant sax playing and Marco Panascia’s bass on It’s a Man’s Man’s Man’s World originally by James Brown are well worth the listen.  Other up-beat songs include Elton John’s Take me to the Pilot and Ray Charles’ Hallelujah, I love him so which are made by the excellent David Rosenthal’s guitar, Ben Williams bass and Ulysses Owens’ drumming.  These are just examples of the quality of musicianship on the album where Calvert is accompanied by two different bands, both equally impressive.
A number of these songs are considerably different to their original versions, and the difference is much more than just the gender of the singer.  The second track, John Lee Hooker’s I’m in the Mood is probably the best for those wanting to hear some real jazz treatment with Williams’ catchy bass and Rosenthal’s prodigious guitar joined by an accomplished horn section consisting of Daniel Dickinson on alto sax, the aptly named Alphonso Horne on trumpet and Eric Miller on trombone. The final track is Let it Be which starts off almost unaccompanied, with only sparse playing from Hobgood’s piano, but the accompaniment builds up gradually towards the ultimate reward of a soaring sax solo from Frahm.
It is a diverse range of songs and styles such as blues, motown and pop, which are given the jazz treatment by virtue of the arrangement and accompaniment.  While some are more successful than others, over all this is a good, enjoyable album which is well produced with excellent musicianship.
Minnie.
Carter Calvert - voice; Joshua Bowlus – piano/Arrangements; Ben Williams – bass; Ulysses Owens Jr. – Drums; Daniel Dickinson - Alto Sax; Alphonso Horne – Trumpet; Eric Miller – Trombone; David Rosenthal – Guitar.
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Carter Calvert - voice; Joel Frahm - Tenor & Soprano Sax; Laurence Hobgood – Piano/Arrangements; Marco Panascia – Bass; Ulysses Owens Jr. – Drums + Damon Mack - B3 Hammond Organ (On Let It Be.)
More info.

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