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Bebop Spoken There

More from Jazz Monthly:

Jack Cooke: "...neither Giuffre nor Jim Hall are even adequate jazz musicians, they are technically limited, and more importantly, seem unable to improvise logically" - (Review of a JATP concert. Jazz Monthly May 1960)

Michael James: "...if Ellis [Herb] has merits they are definitely not these [fantastic fire and drive]". - (Review of Herb Ellis Meets Jimmy Giuffre (LP). Jazz Monthly May 1960).

Archives

Today Tuesday October 17

Afternoon
Vieux Carré Jazzmen - Black Bull, 98 Front St., East Boldon NE36 0SG. 1pm. Free. 0191 5365127. 5th of 6 consecutive gigs. 2 mins from East Boldon metro.
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Evening
Charles Gordon (solo piano) - Redwood Bar, Vermont Hotel, Newcastle. 10pm - midnight. Free.
Jam Session - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 8pm. Free. James Harrison on piano.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, September 07, 2015

CD Review: Moonlight Saving Time - Meeting At Night

Emily Wright (vocals); Nick Malcolm (trumpet); Dale Hambridge (piano); Will Harris (bass);
Mark Whitlam (drums); special guests Jason Yarde (alto sax); Dan Moore (Hammond organ).
(Review by Ann Alex).
I absolutely loved this CD, with its influences of world and folk music, free improvised ‘feel’ in many places, tuneful sweet singing, a certain dream-like quality, skilled instrumentation, yet still showing an unmistakable jazz element, and don’t ask me to define that last fact technically – I just know that it’s jazz. This is the band’s debut CD but they are known to audiences at the likes of Brecon Jazz Festival, and listeners to BBC Radio 3 and BBC 6 Music, so they are making a name for themselves in the UK jazz scene.
The mixture of songs is eclectic, written by all 5 band members, with lyrics by Wright, except for the title track (a poem by Robert Browning) and a version of John Masefield’s Sea Fever, which has a haunting spaced out tune by John Ireland. There are also re-interpretations of the music of Calvin Harris (I’m Not Alone) and the Isley Brothers (not clear which track this is).
For instance, Meeting At Night starts with a free improvisation sound on trumpet, then comes a jazzier alto sax from Jason Yarde, wordless singing and then trumpet and sax blend well to finish.  Yarde also plays on the track Views, which can be best described as impressionistic music.  Silence Is Here, which was inspired by the Wright family’s garden, shows the dream-like element, whilst I’m Not Alone is very evocative with the oft repeated lyrics: ‘If I see a light flashing, could be that I’m coming home, If I see a man waving, does this mean I’m not alone?’.
The titles of the other tracks are Clouds; Trio; Desire For Nothing Known; From My Window; Arthur’s Dance. These titles give listeners an idea of the dreamy, other-worldly quality of the music. 
The CD will be released on October 2, 2015. See www.moonlightsavingtime.co.uk
Ann Alex        

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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