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Bebop Spoken There

Orrin Evans: “Now, getting a teaching spot is the new record deal”. (DownBeat, November, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17487 (and counting) posts since we started blogging 16 years ago. 761 of them this year alone and, so far, 66 this month (Oct. 30).

From This Moment On ...

November

Mon 04: Enrico Tomasso/Cia Tomasso/Curtis Volp @ Yamaha Music School, Blyth. 1:00pm. £9.00.
Mon 04: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 04: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Square, Whitley Road, Palmersville, Newcastle upon Tyne NE12 9SU. Tel: 0191 266 8137. 1.00pm. Free.
Mon 04: Michael Young Trio @ The Engine Room, Sunderland. 6:30-8:30pm. Free.

Tue 05: Vieux Carré Jazzmen @ The Victoria & Albert Inn, Seaton Delaval NE25 0AT. 12:30pm. £12.00. ‘Guy Fawkes Steak & Ale Pie & Pea Lunch’. To book tel: 0191 237 3697.
Tue 05: Customs House Big Band @ The Masonic Hall, North St., Ferryhill DL17 8HX. 7:00pm. Free.
Tue 05: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Stu Collingwood, Paul Grainger, Abbie Finn.

Wed 06: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 06: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 06: The Horne Section’s Hit Show @ Tyne Theatre, Newcastle. 7:30pm.
Wed 06: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 07: Jazz Appreciation North East/Gateshead Jazz Appreciation Society @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. ‘George - named musicians, vocalists & composers (Chisholm, Duke, Lewis, Shearing, Benson, Melly, Gershwin et al)’.
Thu 07: Aki Remally: The Gil Scott-Heron Songbook @ Gosforth Civic Theatre, Newcastle. 7:30pm. Remally (guitar, vocals); Fraser Urquhart (piano); Tom Wilkinson (bass); Max Popp (drums).
Thu 07: Rat Pack Live @ Whitley Bay Playhouse. 7:30pm.
Thu 07: Mo Scott @ The Mill Tavern, Hebburn. 8:30pm. Free.
Thu 07: Tees Hot Club @ Dorman’s Club, Middlesborough. 8:30pm. Free. Guest band night with the new Pensacola Boulevard: Josh Bentham (trumpet!); Donna Hewitt (clarinet); Ron Smith (bass); Graham Thompson (keys); Mark Hawkins (drums); Django ZaZou (trombone); Vicky Jackson (vocals).

Fri 08: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 08: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 08: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 08: Joe Steels Trio @ The Pele, Corbridge. 7:00pm.
Fri 08: TC & the Groove Family + Swannek + Knats @ Cobalt Studios, Newcastle. 7:00pm.

Sat 09: Moscow Drug Club @ Hamsterley Village Hall, Co. Durham DL13 3QF. 7:30pm. £15.00.
Sat 09: Anth Purdy @ Prohibition Bar, Newcastle. 8:00pm. Free. ‘Swing Jazz Guitar’. A ‘Jar on the Bar’ gig.

Sun 10: The New ’58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00pm. Free. A ‘second Sunday in the month’ residency.
Sun 10: Panharmonia @ Central Bar, Gateshead. 2:00pm. £6.00.
Sun 10: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 10: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 10: Jude Murphy, Steve Chambers & Sid White @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 10: Moscow Drug Club @ Lesbury Village Hall, nr. Alnwick NE66 3PP. 7:30pm. £15.00.
Sun 10: SH#RP Collective @ The Globe, Newcastle. 8:00pm.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Saturday, November 02, 2024

Album review: Jim Self/John John Chlodini - Feels So Good (Basset Hound Records)

Jim Self (tuba, fluba); John Chlodini (guitar) + Kris Bergh (trumpet); Bill Booth (trombone); Phil Feather (alto sax); Steve March (tenor sax).

Reviewing an album by Self and Chlodini is becoming an annual thing. Feels So Good is the third one in as many years: Touch and Go in 2023 and My America 2: My Destinations in 2022. On both occasions I expressed my reservations in advance. Happily, those reservations proved to be pleasantly unfounded.

Such is the case with this latest offering. Self plays with a mellifluous tone on both F tuba and his own invention the fluba -  the offspring of crossing a tuba with a flugelhorn. 

Chlodini varies between electric and 6 and 12-string acoustic guitars providing a captivating contrast between Jim Self and himself.

However, excellent as the duo tracks are, it is the tracks featuring the guests that perked me up.

Steve March's tenor on his own Fanciful Dream slots in well with the duo. His boppy lines very effective. 

Phil Feather evokes the spirit of Johnny Hodges on Strayhorn's Isfahan. Lovely sound. 

Bill Booth is featured on trombone with his biting sound capturing the mood of Polka Dots and Moonbeams, firstly in a melodic manner then setting a swinging groove that gets the feet tapping. 

Kris Bergh, the notes tell us, is making a big splash in L.A. and it's easy to see why. The young trumpet player has paid his listening dues and hits on the correct mix on Riddle of the Mode.

All six combine to jam on Ornette's Blues Connotation with Self blowing a walking bass line before taking centre stage for a three chorus blast. Needless to say that Chlodini's harmonic foundation (and his solos) throughout are sound.

Well worth checking out. BANDCAMPLance

You'd be so nice to come home to; I Forget; Fanciful Dream; Cinema Paradiso; Feels So Good; Isfahan; Super Mario; Midsummer; Polka Dots and Moonbeams; Sidewinder; Riddle of the Mode; Little Beauty; Blues Connotation

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