Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Thursday, November 21, 2024

Album review: Tania Grubbs Quintet – The Sound of Love (Travlin’ Music)

Tania Grubbs (vocals); David Budway (piano); Ron Affif (guitar); Jeff Grubbs (bass, vocal); James John lll (drums)

Pittsburgh, Pennsylvania is geo-located at the confluence of three major rivers. Thus, one of its many monikers is the City of Bridges. With The Sound of Love, ‘Burgh’ residing jazz vocalist, Tania Grubbs, and her quintet admirably connect fourteen diverse selections across a span of jazz standards, GASers, originals, and contemporary pop hits.

Grubbs, exposed, bursts head-on into the Gershwins’ But Not for Me over James John lll’s brushes and with rhythmic ping-pong. The track swings with great verve and drive. Grubbs takes hold of the reins, plays with time and lyric and ends the cooking with chuckles on a hot mic.

Slow Hot Wind (aka, Lujon) from Henry Mancini and Ipanema lyricist Norman Gimbel is an exotic take. Grubbs is both sensuous and inviting here. Pianist David Budway and guitarist Ron Affif solo, each buying into the same vibe. (A Rhyme) This Time, associated with Al Jarreau and guitarist Earl Klugh, presents Grubbs covering in a softer take. Grubbs approaches the poetic lyric in a reserved manner with Budway flourishing expansively in counterpoint. It’s an engaging track.

Charles Mingus’ love letter to the Master, Duke Ellington’s Sound of Love offers a vocalist a challenge and Grubbs nails it. The intervallic jumps are pin-point in tune and not strained. This is a highlight track and a brilliant production choice.

Arguably one of the lesser-visited tunes from the famed Time Out (Columbia Records, 1959), Dave and Iola Brubeck’s Strange Meadowlark is here a lilting waltz (the original is in 4/4) before moving into the original meter. Grubbs approach is upbeat, engaging and an illuminating listen.

Ms. Grubbs’ tasteful original, The Sculptor’s Hands, is a slower, image-provoking piece that was influenced by the work of Pittsburgh’s jazz-loving sculptor, Thaddeus Mosely. Over a light-rock base, Grubbs’ vocal approach is straightforward and similar to a Carole King vibe.

Throughout the session. Grubbs’ versatility and consistency of presentation is superb. There’s great light and joy in her vocal spectrum. She’s an optimist in every regard and generous in offering spirit. Her supporting crew (including Tania’s husband, bassist Jeff) is also upbeat and masterful across the variety of genres. The production values are superior, including brilliant curating of the musical menu.

Billy Strayhorn’s haunting Something to Live For (his very first work with Duke Ellington) is a lush, light ballad presented elegantly by Grubbs. While the tune has been recorded by many vocal greats, Grubbs presentation joins those ranks with a standout rendition. Pianist Budway and guitarist Ron Affif frame the vocalist perfectly. 

Blackbird from the Lennon-McCartney Songbook is an upbeat presentation that is covered straight up. Grubbs wisely sings the tune in its appropriate style and bassist Jeff Grubbs offers an energized solo.

The Grubbs’ scat in hip unison before Four, associated with Miles Davis, launches as a peppered swinger. Grubbs demonstrates she can cook with ease. Budway offers an engaged solo and the rhythm section drives madly.

Two Henry Mancini classics - Dreamsville and Two for the Road - are covered by Grubbs straight up. Of these, Grubbs' take on the latter is utterly exquisite. This tune has become a favorite of vocalists of late. However, Grubbs approach presented in duo with flourishing accompaniment by David Budway, is both the album-highlight and a standout rendition.

The Sound of Love is a wonderfully performed experience by a fine vocal artist and team. It is its own vibrant confluence of talent, swing, and insight. Nick Mondello

BANDCAMP

Track listing: But Not for Me; Slow Hot Wind; (A Rhyme) This Time; Duke Ellington’s Sound of Love; Strange Meadowlark; The Sculptor’s Hands; Something to Live For; Blackbird; Sunshine on My Shoulders; I Can Tell You Are Always There; Four; Dreamsville; If You Could See Me Now; Two for the Road.

1 comment :

Anonymous said...

Thank you for such a lovely review, it means a great deal!

Blog Archive