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Bebop Spoken There

Stan Woodward: ''We're part of the British jazz scene, but we don't play London jazz. We play Newcastle jazz. The Knats album represents many things, but most importantly that Newcastle isn't overlooked". (DownBeat, April 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17904 (and counting) posts since we started blogging 17 years ago. 225 of them this year alone and, so far, 72 this month (March 24).

From This Moment On ...

MARCH 2025.

Wed 26: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Hannabiell & Midnight Blue @ King’s Hall, Newcastle University. 1:15pm. Free.
Thu 27: Michael Littlefield & Scott Taylor @ The Harbour View, Roker, Sunderland. 8:00pm. Free. Superb blues duo.

Fri 28: Giles Strong Quartet @ The Gala, Durham. 1:00pm. £8.00 SOLD OUT!.
Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 28: Spilt Milk @ St. James’ STACK, Newcastle. 7:00-9:00pm. Free. Nolan Brothers (vocal harmonies).
Fri 28: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. 7:30pm (doors). £8.00.
Fri 28: Pete Tanton’s Chet Set @ Old Cinema Laundrette, Durham. 7:45pm.
Fri 28: Sue Ferris Quintet @ Traveller’s Rest, Darlington. 8:00pm. £10.00. Opus 4 Jazz Club.
Fri 28: Mostly Moonlight @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Fri 28: Juliana Day & Manon McCoy @ Cumberland Arms, Byker, Newcastle. 8:00pm. £12.00.; £10.00. advance. JNE.

Sat 29: Edison Herbert Trio @ The Vault, Darlington 7:00pm. Free.
Sat 29: Doris Day Story @ Phoenix Theatre, Blyth. 7:30pm.
Sat 29: Squabble! @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 30: Jan Spencelayh & Dave Archbold @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 30: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 30: Jamil Sheriff Trio w. Nadim Teimoori @ Queen’s Hall, Hexham. 3:00pm.
Sun 30: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 30: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 30: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 30: Jamil Sheriff Trio w. Nadim Teimoori @ The Globe, Newcastle. 8:00pm.

Mon 31: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

APRIL 2025

Tue 01: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Joe Steels, Paul Grainger, Mark Robertson.
Tue 01: Customs House Big Band @ The Masonic Hall, North St., Ferryhill DL17 8HX. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Saturday, November 09, 2024

Pensacola Boulevard @ Dorman's Jazz Club, Middlesbrough - Nov. 7

Django Zazou (trombone/accordion/vocals); Donna Hewitt (clarinet/tenor sax); Josh Bentham (trumpet); Graham Thompson (keys); Ron Smith (bass); Mark Hawkins (drums); Vicky Jackson (vocals).

This recently formed band of familiar local musicians played together for the first time as this month's guest band and provided the audience with a night of fine entertaining jazz mainly from the 1920s to the 1940s era.

The lively T'Aint No Sin sung by Django set the style for the night with solos from
Josh, tonight on trumpet as opposed to his normal tenor or alto sax, Donna on clarinet and Graham on keys. 

Vicky was then called upon to sing I'm Beginning to See the Light. It included a nice tenor sax solo from Donna. Georgia White's Was I Drunk?, with it's nice slow intro followed, then a swinging blues with fine drum work from Mark and bass from Ron driving it along. Vicky showed how versatile a singer she is with Goody Goody, it had the band really swinging with trombone from Django and fine honky tonk piano from Graham.

The mood was then changed with Donna switching to clarinet and backed by piano, bass and drums played a moving version of Acker Bilk's Stranger On The Shore.
Staying in a melancholy mood, Vicky then sang the classic Georgia on my Mind with solos from trombone and piano.

The tempo was raised by Django singing Irving Berlin's When the Midnight Choo Choo Leaves for Alabam followed by an interesting version of Minor Swing that included excellent trumpet work from Josh and accordion from Django.

Perhaps, Perhaps, Perhaps and He's a Tramp, - two Peggy Lee style numbers  sung by Vicky - showed how tight an ensemble they were, producing a full band sound and bringing the first set to a close.

The second set began with Virginia Liston's Right Key, Wrong Keyhole sung by Django and included a nice muted trumpet solo from Josh.

Josh and Django then stepped aside to allow Donna to show her clarinet skills on Sidney Bechet's Petite Fleur with nice piano from Graham and fine drum and bass backing from Mark and Ron. 

Cole Porter's Let's Fall In Love was sung as a duet by Vicky and Django with solos all round.

An old up tempo Pasadena Roof Orchestra style Voodoo Blues was followed by Django singing the amusing and well known King of the Swingers with muted trumpet and clarinet solos.

After Vicky sang All That Jazz, Route 66 was declared the final number with Vicky again singing, with tenor sax, trumpet, organ, and trombone solos making for a great finish.

However an encore was demanded from the audience so Bessie Smith's Gimme a Pigfoot finally brought the night to a close.

This was a different, but certainly entertaining, night of well played jazz that went down well with the audience.

Thanks as usual go to the staff of Dorman's Club for their help and support with the night. Ron Hampton

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