Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Mon 05: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 05: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Saturday, November 09, 2024

Pensacola Boulevard @ Dorman's Jazz Club, Middlesbrough - Nov. 7

Django Zazou (trombone/accordion/vocals); Donna Hewitt (clarinet/tenor sax); Josh Bentham (trumpet); Graham Thompson (keys); Ron Smith (bass); Mark Hawkins (drums); Vicky Jackson (vocals).

This recently formed band of familiar local musicians played together for the first time as this month's guest band and provided the audience with a night of fine entertaining jazz mainly from the 1920s to the 1940s era.

The lively T'Aint No Sin sung by Django set the style for the night with solos from
Josh, tonight on trumpet as opposed to his normal tenor or alto sax, Donna on clarinet and Graham on keys. 

Vicky was then called upon to sing I'm Beginning to See the Light. It included a nice tenor sax solo from Donna. Georgia White's Was I Drunk?, with it's nice slow intro followed, then a swinging blues with fine drum work from Mark and bass from Ron driving it along. Vicky showed how versatile a singer she is with Goody Goody, it had the band really swinging with trombone from Django and fine honky tonk piano from Graham.

The mood was then changed with Donna switching to clarinet and backed by piano, bass and drums played a moving version of Acker Bilk's Stranger On The Shore.
Staying in a melancholy mood, Vicky then sang the classic Georgia on my Mind with solos from trombone and piano.

The tempo was raised by Django singing Irving Berlin's When the Midnight Choo Choo Leaves for Alabam followed by an interesting version of Minor Swing that included excellent trumpet work from Josh and accordion from Django.

Perhaps, Perhaps, Perhaps and He's a Tramp, - two Peggy Lee style numbers  sung by Vicky - showed how tight an ensemble they were, producing a full band sound and bringing the first set to a close.

The second set began with Virginia Liston's Right Key, Wrong Keyhole sung by Django and included a nice muted trumpet solo from Josh.

Josh and Django then stepped aside to allow Donna to show her clarinet skills on Sidney Bechet's Petite Fleur with nice piano from Graham and fine drum and bass backing from Mark and Ron. 

Cole Porter's Let's Fall In Love was sung as a duet by Vicky and Django with solos all round.

An old up tempo Pasadena Roof Orchestra style Voodoo Blues was followed by Django singing the amusing and well known King of the Swingers with muted trumpet and clarinet solos.

After Vicky sang All That Jazz, Route 66 was declared the final number with Vicky again singing, with tenor sax, trumpet, organ, and trombone solos making for a great finish.

However an encore was demanded from the audience so Bessie Smith's Gimme a Pigfoot finally brought the night to a close.

This was a different, but certainly entertaining, night of well played jazz that went down well with the audience.

Thanks as usual go to the staff of Dorman's Club for their help and support with the night. Ron Hampton

No comments :

Blog Archive