Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Wed 18: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: The ’58 Jazz Collective @ Hartlepool Cricket Club, West Park, 7:30pm. £7.00.
Wed 18: Brand New Heavies @ The Glasshouse, Gateshead. 7:30pm.
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 19: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Stephen Joshua Sondheim.
Thu 19: FILM: Köln 75 @ Forum Cinema, Hexham. 7:30pm. £10.00., £7.00., £3.00. Dir. Ido Fluk. Fictional account of Keith Jarrett’s 1975 Köln concert. A Tyne Valley Film Festival preview screening.
Thu 19: Ransom Van @ The Black Swan, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, December 01, 2022

Album review: Jim Self - My America 2: Destinations

Jim Self (various tubas); Ron Stout (trumpet, flugel); Bill Booth (trombone, euphonium); Scott Whitfield (trombone); Phil Feather (alto sax, cor anglais); Tom Peterson (soprano, tenor sax); John Chiodini, Steve Fister (guitars); Bill Cunliffe (piano, melodica); Ken Wild (double, electric basses); Kendall Kay (drums); Brian Kilgore (perc.); Kim Scharnberg (MD/arranger).

A tuba led ensemble may not, at first glance, be a mouthwatering prospect even when it's played by someone who was the "Voice of the Mothership" in Close Encounters of the Third Kind i.e Jim Self. 

Nevertheless, despite my misgivings, it is cleverly  arranged by Kim Scharnberg and Self, himself, displays a dexterity rarely found in these monsters of the deep.

Described as Self's musical odyssey, My America 2: Destinations is an acknowledgement of some of the American towns, cities and landmarks that are dear to his heart and all performed uniquely and often in a quirky way.

Chicago  brings to mind Billy May's Sorta-Dixie from way back in the day when vinyl was  10" diameter. 

By the Time I Get to Phoenix is played fairly straight with tuba, trumpet and piano to the fore.

Kansas City merges a song from Oklahoma (Every Thing's up to Date in Kansas City) with the r and b classic - Kansas City.

New York State of Mind has Cunliffe playing melodica with Self blowing fluba, an instrument he invented that combines flugehorn and tuba and has quite a mellow sound. More info here.

King of Route 66. No need to reveal which two songs go into this one - you can probably guess!

Blue Bayou Bossa. Here's a clue: Roy Orbison meets Kenny Dorham. Nice solo from Stout but it's all a bit bland albeit very cleverly done.

I Love L A features another obscure instrument the cymbasso.

Back Home Again in Indiana is an orchestrated version of Dave Brubeck's recording and is a fairly straight ahead swinger.

Chattanooga Choo Choo is given the boogie woogie eight to the bar treatment. Tuba, alto and piano capture the mood to perfection.

I Left my Heart in San Francisco features trumpet, cor anglais, tuba and piano and, although performed beautifully, won't have Tony Bennett fans looking for a trade-in.

Washington Post Modern is a hoot!  Taking  John Phillip Sousa's march and putting it through its paces in a variety of tempos - not for the parade ground!

Georgia on my Mind: A duet for tuba and piano that is as mellifluous as you'll ever get from which ever tuba Self used. Cunliffe's accompaniment adds more sensitivity.

S.L.O Blues relates to the California  city of San Luis Obispo (pop. 47,063) where Self has a holiday home. It's an original composition of his which is quite rocky in places - perhaps relating to the coastline. Some wailing guitar as well as the inevitable tuba. The recording ends, as do all of his albums with the 'world-famous' howls of Stanley, his dearly departed basset hound.

I rarely do track by track album reviews but each one of these thirteen are so unique it would be impossible to bypass any one of them.

The release date is confusing. One page of the blurb says Oct. 28, 2022 whilst on another page it's Jan. 6, 2023! Whatever, it's worth checking out. Lance

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