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Bebop Spoken There

Kurt Elling: ''There's something to learn from every musician you play with''. (DownBeat, December 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17630 (and counting) posts since we started blogging 16 years ago. 904 of them this year alone and, so far, 49 this month (Dec. 20).

From This Moment On ...

December

Mon 23: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 23: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free. CANCELLED!
Mon 23: Edison Herbert Trio @ The Vault, Darlington. 4:00pm. Free.
Mon 23: Jason Isaacs @ St. James’ STACK, Newcastle. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.
Mon 23: Milne-Glendinning Band @ The Vault, Darlington. 7:00pm. Free.

Tue 24: Lindsay Hannon & Mark Williams @ Ernest, Ouseburn, Newcastle. 11:00am-1:00pm. Free.
Tue 24: Paul Skerritt @ Mambo Wine & Dine, South Shields. 1:00pm. Free. Vocalist Skerritt working with backing tapes.

Wed 25: Wot? No jazz!

Thu 26: The Boneshakers @ Tyne Bar, Ouseburn, Newcastle. 4:00pm. Free. The 17th annual Boneshakers’ Shindig.

Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free. Business as usual!.
Fri 27: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Fri 27: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Sat 28: Jason Isaacs @ St. James’ STACK, Newcastle. 11:30am. Free. Vocalist Isaacs working with backing tapes.
Sat 28: Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 28: Jude Murphy, Rich Herdman & Giles Strong @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 28: Ray Stubbs R & B All-Stars @ Billy Bootlegger’s, Stepney Bank, Newcastle. 9:00pm. Free.

Sun 29: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 29: Alexia Gardner Quintet @ The Globe, Newcastle. 8:00pm.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, December 01, 2022

Album review: Jim Self - My America 2: Destinations

Jim Self (various tubas); Ron Stout (trumpet, flugel); Bill Booth (trombone, euphonium); Scott Whitfield (trombone); Phil Feather (alto sax, cor anglais); Tom Peterson (soprano, tenor sax); John Chiodini, Steve Fister (guitars); Bill Cunliffe (piano, melodica); Ken Wild (double, electric basses); Kendall Kay (drums); Brian Kilgore (perc.); Kim Scharnberg (MD/arranger).

A tuba led ensemble may not, at first glance, be a mouthwatering prospect even when it's played by someone who was the "Voice of the Mothership" in Close Encounters of the Third Kind i.e Jim Self. 

Nevertheless, despite my misgivings, it is cleverly  arranged by Kim Scharnberg and Self, himself, displays a dexterity rarely found in these monsters of the deep.

Described as Self's musical odyssey, My America 2: Destinations is an acknowledgement of some of the American towns, cities and landmarks that are dear to his heart and all performed uniquely and often in a quirky way.

Chicago  brings to mind Billy May's Sorta-Dixie from way back in the day when vinyl was  10" diameter. 

By the Time I Get to Phoenix is played fairly straight with tuba, trumpet and piano to the fore.

Kansas City merges a song from Oklahoma (Every Thing's up to Date in Kansas City) with the r and b classic - Kansas City.

New York State of Mind has Cunliffe playing melodica with Self blowing fluba, an instrument he invented that combines flugehorn and tuba and has quite a mellow sound. More info here.

King of Route 66. No need to reveal which two songs go into this one - you can probably guess!

Blue Bayou Bossa. Here's a clue: Roy Orbison meets Kenny Dorham. Nice solo from Stout but it's all a bit bland albeit very cleverly done.

I Love L A features another obscure instrument the cymbasso.

Back Home Again in Indiana is an orchestrated version of Dave Brubeck's recording and is a fairly straight ahead swinger.

Chattanooga Choo Choo is given the boogie woogie eight to the bar treatment. Tuba, alto and piano capture the mood to perfection.

I Left my Heart in San Francisco features trumpet, cor anglais, tuba and piano and, although performed beautifully, won't have Tony Bennett fans looking for a trade-in.

Washington Post Modern is a hoot!  Taking  John Phillip Sousa's march and putting it through its paces in a variety of tempos - not for the parade ground!

Georgia on my Mind: A duet for tuba and piano that is as mellifluous as you'll ever get from which ever tuba Self used. Cunliffe's accompaniment adds more sensitivity.

S.L.O Blues relates to the California  city of San Luis Obispo (pop. 47,063) where Self has a holiday home. It's an original composition of his which is quite rocky in places - perhaps relating to the coastline. Some wailing guitar as well as the inevitable tuba. The recording ends, as do all of his albums with the 'world-famous' howls of Stanley, his dearly departed basset hound.

I rarely do track by track album reviews but each one of these thirteen are so unique it would be impossible to bypass any one of them.

The release date is confusing. One page of the blurb says Oct. 28, 2022 whilst on another page it's Jan. 6, 2023! Whatever, it's worth checking out. Lance

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