Bebop Spoken There

David Bailey (photographer): ''When I was 16 I wanted to look like Chet Baker. He was my idol - him and James Dean.'' (Talking Pictures documentary : Four beats to the bar and no cheating April, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18445 (and counting) posts since we started blogging 18 years ago. 309 of them this year alone and, so far this month (April 20 ) 43,

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

April

Fri 24: Noel Dennis Trio @ The Gala, Durham. 1:00pm. Dennis, Mark Willams, Andy Champion. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Trio Grand @ Land of Oak & Iron, Winlaton. 6:00-9:00pm. Free.
Fri 24: Ben Vince + The Exu @ Cobalt Studios, Newcastle. 7:00pm (doors). £14.33., £11.16, £8.00. A ‘jazz adjacent’ gig!
Fri 24: Daniel John Martin w. Swing Manouche @ The Ship Isis, Sunderland. 7:30pm. £13.20 (inc. bf).

Sat 25: Giles Strong Quartet @ Hindmarsh Hall, Alnmouth. 7:30pm. CANCELLED!
Sat 25: Daniel John Martin w. Swing Manouche @ The Old Cinema Launderette, Durham. 7:30pm (7:00pm doors). £13.20 (inc. bf).
Sat 25: ‘Portrait in Evans’: Noa Levy & Alan Barnes w. Paul Edis Trio @ The Glasshouse, Gateshead. 8:00pm. £24.00. Sage Two. ‘Portrait in Evans’. Levy, Barnes, Edis, Andy Champion & Steve Hanley.

Sun 26: Musicians Unlimited: Big Band Blast @ West Hartlepool RFC. 1:00-3:00pm . Free.
Sun 26: Daniel John Martin w. Swing Manouche @ Central Bar, Gateshead. 2:00pm. £10.00.
Sun 26: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 26: Ruth Lambert Trio @ Juke Shed, North Shields. 3:00pm. Free.
Sun 26: Ni Maxine + Nauta @ Cobalt Studios, Newcastle. 7:00pm. £17.51., £14.33., £11.16.
Sun 26: Joe Steels @ The Pele, Corbridge. 7:00pm. Free (donations direct to the musicians). Joe Steels & Friends.
Sun 26: C.A.L.I.E @ The Globe, Newcastle. 8:00pm. £16.00., £14.00., £7.00.

Mon 27: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 27: House of Blues @ the Globe, Newcastle. 7:00pm. £7.00., £5.00. advance. A student-led jazz session. ‘House of Blues’ is, perhaps, a misnomer.
Mon 27: Littlewood Trio @ Cluny 2, Newcastle. 7:30pm (doors). £10.00 + bf, £7.00. + bf.

Tue 28: Long/Remon/Zilker @ The Black Swan, Newcastle. 7:30pm. Free. Tom Remon plays Irish folk!

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 29: Long/Remon/Zilker @ The Ship Isis, Sunderland. 7:00pm. £10.00. + £1.00. bf. Tom Remon plays Irish folk!
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 29: Hackney Colliery Band @ Alnwick Playhouse. 7:30pm. £25.00.

Thu 30: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: International Jazz Day & JANE AGM.
Thu 30: Duke Junction @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Nadim Teimoori (tenor sax); Jeff Hewer (guitar); Martin Longhawn (organ); Steve Hanley (drums). An International Jazz Day event & the 12th anniversary of Newcastle Jazz Co-op acquiring the Globe!

Tuesday, November 12, 2024

Tomasso, Tomasso & Wheatley @ Yamaha Music School, Blyth - Nov. 4

Rico Tomasso (trumpet, vocals); Cia Tomasso (vocals); Martin Wheatley (guitar)

In the early hours of Monday morning (sometime after 3:00am), as the late night jam session drew to a close, the Classic Jazz Party musicians could finally get some shuteye, although three of the musicians would be up and about early to fulfill a lunchtime engagement ten miles up the coast in Blyth.

Yamaha Music School occupies the first floor of an unprepossessing building on Seaforth Street, as the crow (gull, more like) flies, a matter of two hundred metres or so from Blyth Harbour. Once inside, it's striking how well equipped the place is. A Yamaha grand piano, naturally, plus an array of percussion instruments, including marimbas, xylophones and a recently acquired lithophone*

We were on Seaforth Street to listen to Rico Tomasso (trumpet), Cia Tomasso (vocals) and guitarist Martin Wheatley play together for forty five minutes. Our trio opened with Drop Me Off in Harlem - marvellous! I Gotta a Right to Sing the Blues - marvellous!  Fats Waller's I've Got a Feeling I'm Falling, first rate material, performed by three A-listers. Singin' the Blues - marvellous, all of these classic numbers being played in Blyth town centre. You couldn't make it up!

A feature for trumpeter Rico. Introducing the Hot Seven number, Rico talked about Louis Armstrong's mastery of the stop-time chorus, a landmark recording in jazz history. Rico played it. Wow! Martin Wheatley's solo feature, playing entirely acoustically, was, perhaps, an unlikely choice - Debussy's Girl with the Flaxen Hair. A master guitarist is M. Wheatley.

The trio, with Cia singing My Blue Heaven, brought the afternoon almost to a close. And to close, St Louis Blues. It had been three quarters of an hour of unalloyed joy.      
                  
Proprietor Steven Moore was offered a once-in-a-lifetime opportunity to provide a home to a lithophone. A what? Me neither. Off he went to the Lake District to view the instrument (see photo) and, without hesitation, arranged for it to be transported to south east Northumberland. Russell 

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