Bebop Spoken There

Joe Alterman: ''All I wanted to do growing up was to sound like Erroll Garner playing "Poor Butterfly." I thought that was the coolest sound I'd ever heard.'' (DownBeat November, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

19,105 (and counting) posts since we started blogging 18 years ago. 969 of them this year alone and, so far this month (Nov. 14) 39.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

November

Sun 15: Lianne Carroll: Jazz Vocal Weekend Workshop @ The Globe, Newcastle. 9:30am-5:00pm. Day 2/2. SOLD OUT!
Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: James Birkett & Emma Fisk @ The Waiting Room, Eaglescliffe. 7:00pm. £48.18 (to include dinner); £17.43 (concert only).
Sun 15: Sarah Gillespie & Chris Montague @ Cluny 2, Newcastle. 7:30pm (doors). £18.00.
Sun 15: Liane Carroll @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Solo performance. SOLD OUT!

Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Jacob Egglestone, Paul Grainger, Joe Deans.
Tue 17: Grammy Season (Laubrock/Seabrook/Lovato/Rainey) @ Central Bar, Gateshead. 8:00pm. JNE.

Wed 18: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 19: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 19: Papa G’s Troves @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 19: Marina Josephina @ Pilgrim, Newcastle. £10.60; £10.60.; £8.50 Early Bird.

Fri 20: Zoë Gilby & Andy Champion: The Music of Duke Ellington @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 20: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 20: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 20: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 20: Customs House Big Band @ Sunderland Minster. 7:30pm.

Sat 21: Pete Tanton Duo @ Awesome Frank’s, West Jesmond Metro Station, Newcastle. 7:30pm. £8.00.
Sat 21: Paul Skerritt Big Band @ The Westovian Theatre, South Shields. 7:30pm. £18.00.

Sunday, November 10, 2024

EFG London Jazz Festival 2024 - Concert reviews wanted.

This year's EFG London Jazz Festival is almost upon us and, for the first time in BSH's 17 years, we don't have anyone eagerly awaiting with notebook and pencil, or the digital equivalent, at the ready to review some of the shows.
 
This is unfortunate as the EFG is the Uk's biggest jazz festival running from Friday Nov. 15 to Sunday Nov. 24 with a whole host of concerts spread over various venues across London. So, if you are planning to attend one or more concerts and would like to submit a review please contact me: lanceliddle@gmail.com. Lance

1 comment :

Anonymous said...

I think this is interesting Lance that you have put this call out.

There is a wider point which I think marketing folk need to address.

Journalists who review gigs and so on are just seen by some as people to provide free plugs and big ups for artists and labels and so help boost gigs and recordings.

If someone thinks you are ''a marketing tool'' - which some people say and believe - then it tells a lot.

But the problem is that for a well meaning music journalist who writes well, knows their onions and so on and most are and do, putting in the time, covering their own costs (often quite a bit even when gig tickets are given to them free sometimes) and not getting paid by the publications because the publications can't afford to pay them the enthusiasm runs out after a while. Simply people can't afford to subside an event by doing something for nothing that is providing their skills and their time. It's not even a loss leader because they never will get anything back in the future by showing willing even. Unless something changes.

So the solution I think as a music fan and appreciator of journalism is that labels and organisations (I mean anyone with a budget to market product) need to support great blogs like yours so you can invest more in it yourself.

No one advertises much on blogs where there is decent content however and often pretty big readerships.

But the likes of major record companies spend lots on social media, employing people to be PRs, etc, etc.

By if they choose investing in journalism (indirectly by taking ads or sponsoring advertorials) will benefit them in the end more.

Readers trust independent editorial voices far more than sponsored and often costly some companies take out on Facebook.

Lots of food for thought and thanks for all you do.

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