Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Mon 05: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 05: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Friday, November 22, 2024

R.I.P. Alastair Robertson (1941-2024)

Aberdeen born Alastair Robertson, sadly passed away on October 23, 2024 in Perth at the age of 84. A great contributor to UK and USA jazz his label, Hep Records, emerged in 1974 and continued to trade until the present day. As a young Aberdonian, Robertson discovered jazz via  the syndicated broadcasts of  the Voice Of America (hosted by Willis Conover) and the American Forces Network (from Frankfurt) in the early 1950s. Hep was launched while Robertson was resident in Edinburgh teaching  Art A-Levels at the Portobello High School. His first LP released in 1974 was by the Boyd Raeburn Band, an innovative NYC ensemble from the mid 1940s.

Hep’s output consisted of three categories of genres. The Metronome (see graphics), 1000 and 2000 series. Metronome featured  reissues of classic works by the likes of Buddy DeFranco, Benny Goodman, Artie Shaw, Claude Thornhill, Alec Wilder, David Allyn  and the Dorsey Brothers. Similarly, the 1000 Series would include many of the black big bands from as far back as the 1920s like Fletcher Henderson, Don Redman, Bennie Moten and Chick Webb as well as the small groups of jazz icons, Slim Gaillard, Roy Eldridge, Teddy Wilson, Stuff Smith and Coleman Hawkins.

Alastair’s unique and possibly most remarkable offering to jazz was his 2000 Series which commissioned studio recordings from “living” artists from the USA and UK. These would include Jimmy Deuchar, Don Lanphere, Eddie Thompson, Bobby Wellins, Tony Coe, Jim Mullen, Joe Temperley, Tina May and Americans, Frank Griffith, John Hart and Dan Nimmer (Wynton Marsalis’ pianist) among  countless others.

Hep’s final CD was recorded in June 2024 and is still awaiting release. Referred to by Alastair as “The Last Hurrah” it was a 10tet date celebrating Scots musicians and Scots-themed pieces. Among the stellar ensemble are Malcolm Macfarlane, Gordon Campbell, Dave Milligan, Tom Gordon, Konrad Wiszniewski and Ewan Hastie. I had the privilege of leading and organising the session as well as contributing five pieces along with  English trombonist/arranger Adrian Fry, who wrote three pieces and conducted.

Noted trumpeter/author Digby Fairweather had the following to say of Alastair:

“Alastair was a man of the highest integrity whose many reissues on Hep were of outstanding quality, paying a perfectionist’s attention to every issue of production from sound to album presentation.

His catalogue remains one of the finest in LP/CD formats; a lasting contribution to the world of jazz discography. He was also a hugely informed celebrant of the finest (and sometimes the more obscure or under-celebrated) areas of jazz. He was an extremely important figure in British jazz history and we shall not see his like again.”

Not a publicity hound or schmoozer in the public arena, Alastair could be  a bit gruff and not keen on suffering fools (he and I had plenty of “animated” exchanges in our 25 years of working collaborations together) but he’ll be remembered for his total and consistent perseverance in  producing 300 + recordings.

RIP Alastair…You and HEP Records will be remembered and treasured into eternity.

www.hepjazz.com. Frank Griffith*

*Frank Griffith is a Liverpool based saxophonist and arranger. His weekly radio show- The Jazz Cavern airs on www.purejazzradio.com

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