Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Wed 18: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: The ’58 Jazz Collective @ Hartlepool Cricket Club, West Park, 7:30pm. £7.00.
Wed 18: Brand New Heavies @ The Glasshouse, Gateshead. 7:30pm.
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 19: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Stephen Joshua Sondheim.
Thu 19: FILM: Köln 75 @ Forum Cinema, Hexham. 7:30pm. £10.00., £7.00., £3.00. Dir. Ido Fluk. Fictional account of Keith Jarrett’s 1975 Köln concert. A Tyne Valley Film Festival preview screening.
Thu 19: Ransom Van @ The Black Swan, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, November 22, 2024

R.I.P. Alastair Robertson (1941-2024)

Aberdeen born Alastair Robertson, sadly passed away on October 23, 2024 in Perth at the age of 84. A great contributor to UK and USA jazz his label, Hep Records, emerged in 1974 and continued to trade until the present day. As a young Aberdonian, Robertson discovered jazz via  the syndicated broadcasts of  the Voice Of America (hosted by Willis Conover) and the American Forces Network (from Frankfurt) in the early 1950s. Hep was launched while Robertson was resident in Edinburgh teaching  Art A-Levels at the Portobello High School. His first LP released in 1974 was by the Boyd Raeburn Band, an innovative NYC ensemble from the mid 1940s.

Hep’s output consisted of three categories of genres. The Metronome (see graphics), 1000 and 2000 series. Metronome featured  reissues of classic works by the likes of Buddy DeFranco, Benny Goodman, Artie Shaw, Claude Thornhill, Alec Wilder, David Allyn  and the Dorsey Brothers. Similarly, the 1000 Series would include many of the black big bands from as far back as the 1920s like Fletcher Henderson, Don Redman, Bennie Moten and Chick Webb as well as the small groups of jazz icons, Slim Gaillard, Roy Eldridge, Teddy Wilson, Stuff Smith and Coleman Hawkins.

Alastair’s unique and possibly most remarkable offering to jazz was his 2000 Series which commissioned studio recordings from “living” artists from the USA and UK. These would include Jimmy Deuchar, Don Lanphere, Eddie Thompson, Bobby Wellins, Tony Coe, Jim Mullen, Joe Temperley, Tina May and Americans, Frank Griffith, John Hart and Dan Nimmer (Wynton Marsalis’ pianist) among  countless others.

Hep’s final CD was recorded in June 2024 and is still awaiting release. Referred to by Alastair as “The Last Hurrah” it was a 10tet date celebrating Scots musicians and Scots-themed pieces. Among the stellar ensemble are Malcolm Macfarlane, Gordon Campbell, Dave Milligan, Tom Gordon, Konrad Wiszniewski and Ewan Hastie. I had the privilege of leading and organising the session as well as contributing five pieces along with  English trombonist/arranger Adrian Fry, who wrote three pieces and conducted.

Noted trumpeter/author Digby Fairweather had the following to say of Alastair:

“Alastair was a man of the highest integrity whose many reissues on Hep were of outstanding quality, paying a perfectionist’s attention to every issue of production from sound to album presentation.

His catalogue remains one of the finest in LP/CD formats; a lasting contribution to the world of jazz discography. He was also a hugely informed celebrant of the finest (and sometimes the more obscure or under-celebrated) areas of jazz. He was an extremely important figure in British jazz history and we shall not see his like again.”

Not a publicity hound or schmoozer in the public arena, Alastair could be  a bit gruff and not keen on suffering fools (he and I had plenty of “animated” exchanges in our 25 years of working collaborations together) but he’ll be remembered for his total and consistent perseverance in  producing 300 + recordings.

RIP Alastair…You and HEP Records will be remembered and treasured into eternity.

www.hepjazz.com. Frank Griffith*

*Frank Griffith is a Liverpool based saxophonist and arranger. His weekly radio show- The Jazz Cavern airs on www.purejazzradio.com

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