Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Saturday, September 24, 2022

Giacomo Smith's Hot Five @ Ronnie Scott's - Sept. 21

Giacomo Smith (clarinet); Laura Jurd (cornet); Dan Higham (trombone); Joe Webb (piano); Dave Archer (guitar, banjo)

The early show on Frith Street. Kansas Smitty's Giacomo Smith rolled up with his Hot Five. These guys have maintained a residency across town for something like eighteen months but this was a first time appearance at Ronnie's. Given the calibre of musician on stage it came as little surprise to find the room was all but standing room only. If Kansas Smitty's is a brand, bandleader Giacomo Smith did little to discourage the idea. 

Smith cuts an amiable figure, smiling all the while, full of praise for his fellow musicians, himself a student of the music. The music in question? Think Armstrong's classic Hot Five recordings, that's the ballpark. Talking eloquently about the music, Smith made a telling point: It's what happens in the music, rather than when it happened. In one concise sentence our London resident American dispelled the notion that jazz from fifty years ago, a century ago, is somehow less relevant, less valid than contemporary trends. And look who was sharing the stand with Smith...Laura Jurd, as 'contemporary' as they come (Jurd will be at Sage Gateshead on Wednesday 28 September), and Joe Webb, someone else who works at the 'cutting edge'. And then there's the new kid on the block, the mightily impressive trombonist, Dan Higham. Kansas Smitty's lockdown sessions exposed Higham to a wider audience. One imagines the young man has a full-to-bursting book of engagements.    

Cutting edge stuff in the shape of Jubilee Stomp, Lonesome Road, Willie 'The Lion' Smith's Echoes of Spring (Joe Webb's yer man!), a distinctive take on Perdido Street Blues, a rip-roaring Milenberg Joys, Dave Archer taking a solo banjo feature on a Johnny St Cyr number*, Laura Jurd playing cornet as if born to the instrument and the idiom, Smith and co won hands down. 

* Smith offered the thought that Dave Archer playing banjo at Ronnie Scott's was a first. Never before had a banjo been heard on Frith Street. If BSH readers know different... Russell    

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