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| (© Roly Veitch) |
Lewis Watson (tenor sax, soprano sax); Mark Williams (guitar); Mick Shoulder (double bass); John Bradford (drums)
A while ago Lewis Watson emerged from a long period of (musical) hibernation. The man hadn't been heard on a jazz stage for many a moon until he popped up at Newcastle's Lit & Phil. The word got out and, as quick as you like, all seats were snapped up. Prior to the down beat, BSH Editor-in-Chief LL wondered if King Lewis could retain his crown. The opening bars of the first number dispelled any such doubts, the man was back! Fast forward a few months to an autumnal Monday evening, the nights drawing in, the temptation of England v Germany on the telly, would anyone make the effort to get along to Blaydon Jazz Club to hear King Lewis?
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| (© Roly Veitch) |
You bet they would! They came out of the woodwork for this one. Watson's now settled line-up - guitarist Mark Williams, bassist Mick Shoulder and drummer John Bradford - tore into Wayne Shorter's Yes or No. Tenor saxophone playing of the highest order: commanding, majestic, flowing...pretenders, contenders, get outta here! Messrs Williams, Shoulder and Bradford played their socks off, one sensed they knew this was something special. There was Trane (The Promise) with Watson on soprano, there was Jerry Bergonzi (Optimum Propensity), Joe Henderson (Inner Urge), George Adams (Autumn Song) and more Trane with a superb take on Liberia. And then there was Lewis Watson, simply magnificent.
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| (© Roly Veitch) |
From time to time a newspaper or magazine will run an article along the lines of: 100 things you must do before you die...Forget that, if there's one thing you must do, it's to hear Lewis Watson in full flight. It's one of the wonders of the world. Russell
1 comment :
I went to this gig with two non-jazz listeners (I'm sure they'd agree), and we sat enthralled just inches from the bell of LW's sax as he poured out more ... well, "soul" ... into this set than I've experienced in a long time from a single musician.
The supporting musicians provided everything (& a good deal more) that a leader could wish for, but it was Watson's performance throughout that left me wondering how on earth it was that I could be encountering it for the first time; has this fella already done with international touring and week long residencies in the capital? - because that was the quality level on offer, to my humble ears at least!
A perfect gig for a small venue too as the intimacy really seemed to enrich the connection between the musicians, their art and the audience.
Big shout out for Blaydon Jazz Club - great to see it so well supported last Monday.
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