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Bebop Spoken There

Charles McPherson: “Jazz is best heard in intimate places”. (DownBeat, July, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16611 (and counting) posts since we started blogging 16 years ago. 1504 of them this year alone and, so far, 50 this month (July 23).

From This Moment On ...

July

Sat 27: BBC Proms: BBC Introducing stage @ The Glasshouse, Gateshead. 12 noon. Free. Line-up inc. Nu Groove (2:00pm); Abbie Finn Trio (2:50pm); Dilutey Juice (3:50pm); SwanNek (5:00pm); Rivkala (6:00pm).
Sat 27: Nomade Swing Trio @ Billy Bootlegger’s, Ouseburn, Newcastle. 2:00pm. Free.
Sat 27: Mississippi Dreamboats @ Prohibition Bar, Newcastle. 8:00pm.
Sat 27: Milne-Glendinning Band @ Cafédral, Owengate, Durham. 9:00pm. £9.00. & £6.00. A Durham Fringe Festival event.
Sat 27: Theon Cross + Knats @ The Glasshouse, Gateshead. 10:00pm. £22.00. BBC Proms: BBC Introducing Stage (Sage Two). A late night gig.

Sun 28: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 28: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm.
Sun 28: Miss Jean & the Ragtime Rewind Swing Band @ Fonteyn Ballroom, Dunelm House (Durham Students’ Union), Durham. 2:00pm. £9.00. & £6.00. A Durham Fringe Festival event.
Sun 28: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 28: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 28: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 28: Nomade Swing Trio @ Red Lion, Alnmouth. 4:00pm. Free.
Sun 28: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 28: Jeffrey Hewer Collective @ The Globe, Newcastle. 8:00pm.
Sun 28: Milne Glendinning Band @ Cafédral, Owengate, Durham. 9:00pm. £9.00. & £6.00. A Durham Fringe Festival event.

Mon 29: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 30: ???

Wed 31: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 31: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 31: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

August

Thu 01: Gateshead Jazz Appreciation Society @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:30pm. £4.00.
Thu 01: Funky Drummer @ The Globe, Newcastle. 7:30pm. Free.
Thu 01: Elsadie & the Bobcats @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Fri 02: Mainly Two @ The Lit & Phil, Newcastle. 1:00pm. Free (donations). SOLD OUT! Fri 02: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 02: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 02: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 02: Pete Tanton’s Chet Set @ Saltburn Community Hall. 7:30pm. POSTPONED!

Thursday, September 15, 2022

You never forget the first time...How was it for you?

I've often asked myself the question as to when/how it was that I first heard jazz and became hooked.

Answer is, I don't really know! It was certainly in the early fifties just after I'd left school and started buying records (78s). Back then jazz and popular music - the latter had yet to be reduced to a three letter word or, in some cases, a four letter word - were still, more or less, working the same side of the street. Family Favourites or Housewife's Choice had no inhibitions about playing Fats Waller, Louis Armstrong or even Stan Kenton alongside Guy Mitchell, Johnny Ray or Frankie Laine.

The big bands such as Miller, Shaw, James and the Dorseys also figured high on my radar but, I suppose, it wasn't until I acquired a record of Louis Armstrong's Hot Five playing Cornet Chop Suey that I became, initially, a purist - I'd also discovered Chinese food at the same time but that was probably a coincidence. Spanier, Condon, more Louis and, of course, Lyttelton and Colyer. A mouldy fig was I - until...

...until I went to the City Hall to a concert by, of all people, Joe Loss. It was all going nice and sedately, full of corny vocals and In The Mood played too fast but then! A small group from the band came down front and played Dizzy Gillespie's The Champ. Reg Arnold was on trumpet and he knew his flattened fifths inside out. This was it! Damascus was in sight - maybe just this side of Gateshead.

Looking back at those early voyages of discovery reminds me that jazz is all encompassing and that compartmentalism of any art form is anti progressive. Nevertheless, whenever I hear Louis blowing Cornet Chop Suey or Dizzy playing The Champ I wonder if either of these classics are ever incorporated into the various jazz education courses.

Still that is bye the bye. What I really want is for our readers to tell us how they got into jazz either as a player or a listener. Your comments please - Lance 

3 comments :

Tony eales said...

15 years old Newcastle city hall Ted Heath, I’ve been hooked ever since on Big Bands
Tony Eales

Anonymous said...

It was the 50s and our parents bought us a gramophone. I was still at school and had no money to buy records. My brother was four years older and part of a skiffle group and had just started work so was bringing in his new buys. They were mostly Lonnie Donegan and the Vipers. One day he came home with Kid Ory's Tiger Rag and I was hooked.

Ann Alex said...

I really got into jazz in about 2010 when I joined Lindsay Hannon's Blue Jazz Voices class at the Sage. I've always sung and I decided that I would attempt all the kinds of singing you could do, such as Eastern European folk styles etc. At the Blue Jazz Voices class I felt well at home with jazz, which lead to listening to the Gasbook, Bebop, free Jazz, and my ears are closed to nothing. Mind, I draw the line at circular breathing which I don't think doctors recommend!

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