Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 12: Ray Stubbs R&B All Stars @ The Mill Tavern, Hebburn. 8:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Wed 18: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: The ’58 Jazz Collective @ Hartlepool Cricket Club, West Park, 7:30pm. £7.00.
Wed 18: Brand New Heavies @ The Glasshouse, Gateshead. 7:30pm.
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Saturday, June 19, 2021

Album review: Andreas Toftemark Quartet - A New York Flight

Andreas Toftemark (tenor sax); Calle Brickman (piano); Felix Moseholm (bass); Andreas Svendsen (drums).

If we had a Jazz Euro 2021 then, on the strength of this miniature (37 mins), Denmark would be well in contention. Toftemark is a new name to me although he studied in New York with such luminaries as Eric Alexander and Joel Frahm as well as performing with Peter Bernstein and Ethan Iverson and that experience shows in this recording made in his homeland.

Make no mistake, he's a swinger. Light of tone, but not gutless. Runs the changes like nobody's business, but much much more than a mere technical exercise.

I first heard Blue and Sentimental by the pre-war Basie band with Herschel Evans on tenor. This version gives an idea as to how it may have sounded had Lester played tenor instead of clarinet and it had happened 80 years later!

Love me or Leave me - the second option is out of the question, nobody's going to leave this gently swinging version.

Autumn in New York is a perfect example of how to play a ballad without coming across as overly sentimental or, conversely,  paying scant regard to the sentiments of the song. Charlie Parker, Lester, Getz were past masters of the art and Toftemark too has acquired the knowhow. Those qualities are also present in I'm a Fool to Want You albeit I found the head perhaps a touch over-dramatic but, I hasten to add, only a touch!

Of the two originals; A New York Flight is, in effect, what it says on the tin ie a blast but, 2223 is more enigmatic. A series of numbers, we're told, that seem to follow Toftemark in love and in friendships - make of it what you will or, alternatively, just settle back and enjoy the music.

Three great Danes make up the quartet and, they ain't dogs! Lance 

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