(Photo by Lance) |
Knats (don't ask me where they got the name from!) are a young, mega young, band and this was their first ever indoor gig although they had played an outdoor gig a couple of weeks back which Russell enthused over and which I felt the need to check out.
There was an understandable degree of uncertainty about the first set but, hey, what do expect? They're treading the boards where many of the UK's premier jazz musicians have strutted their stuff - no pressure then - and it didn't, at least outwardly appear to faze them. Come the second set and they were firing on four!
Young Ferg on trumpet was already known to me - known as a promising 14/15 year old who'd shown up at jams as well as blowing with some family members on the patio during lockdown. Since then, he's moved from the patio to the woodshed and emerged as Freddie Hubbard or Lee Morgan. If Art Blakey had still been alive and recruiting Ferg would have been on Buhaina's radar.
(Photo by Lance) |
Like King D, the more modestly named frontman and bassist Stan, has just completed his A-levels and he proved his worth with rock solid support and solos as well as composing and arranging some of the pieces. Oh, and another thing, he's rather old fashioned in that he uses those appendages on the side of his head (ears) to tune up rather than some electronic device clipped to the headstock of his fretless bass. How long is it since you heard a musician say to the pianist "give me an A"? Nice to know the old order hasn't completely changed.
The pianist charged with supplying the aforementioned note, 17 year old Josh also, during the course of the evening, gave us the other 87 notes in various permutations. Another outstanding performer to look out for.
(Photo by Russell) |
Music heard included: Afro Blue; All Blues; Red Room (Woodward original); Kind Folk (K. Wheeler); Resolution (Coltrane); West of the West (Christian Scott) plus music from the film Taxi Driver, a piece by Radiohead and, for the encore, which I had to miss due to the demands of public transport, an opus by Herbie Hancock. Lance.
PS: When I arrived at the Jazz Co-op HQ my nerves were still as taut as an over-tuned violin E string having watched the highs and lows and, ultimately, the highs of Hartlepool United's penalty shootout out victory over Torquay United in the National League Play-off Final.
I've never experienced a game with so much drama - Alfred Hitchcock couldn't have scripted it better - and, if they turned it into a movie, tonight's music would be the perfect soundtrack - it was played with the same passion and intensity.
2 comments :
Lance - thanks for review, which conjured up the mood of the night: for the record...
1. Knats name derives from Stan (backwards) and K for King!
2. Set- opened with Kack Bop (Knats original, on all streaming outlets) followed by Actual Proof (H. Hancock). Another original (Ferg) "Whilst We're Here" in the second set. Encore was Eye of the Hurricane (HH again)
3. A great night out (finally) courtesy of the amazing institution which is The Globe. Still trying to come back to earth....
Chris K
Great review Lance - captured the excitement and intensity nicely! And what a great job the Globe did on the night - the Sunday jazz live plus streaming series more than keeping up with offerings from KSTV and internationally.
Couple of additions/edits to the set list...First up was Kack Bop (by Knats, available on all streaming platforms!), Actual Proof (Herbie Hancock), Red Moon (Knats), Whilst we're here (Ferg Kilsby), encore was a double speed Eye of the Hurricane (Herbie Hancock).
The band have put a couple of streamed clips on https://www.instagram.com/knatsmusic/
Chris
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