Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Saturday, June 19, 2021

Adam Glasser Band @ the 606 Club - June 19

(Screenshot by Lance)
Adam Glasser (piano, harmonica); George Crowley (tenor sax); Rob Luft (guitar); Steve Watts (bass); Corrie Dick (drums).

Not an easy one to write about as the livestream did have some buffering problems which restricted the flow of the music. It may have been unique to my set-up as no one else complained, although, unlike most streams, the 606 doesn't attract too many sidebar pundits so maybe they suffered in silence.

Whatever, it was still an enjoyable first set aimed at launching Glasser's album Mzanzi from which much of the repertoire came. As the title implies it was very much township based with that infectious rhythm - sometimes implied, sometimes in your face.

Crowley blistered on tenor and Luft rubber stamped his ever increasing credentials as a guitarist to be reckoned with. Watts and Corrie Dick laid down the cement for the other three to build on with Glasser alternating between piano and chromatic harmonica.

Apart from Glasser's originals, most of the material was drawn from various South African jazz legends such as Abdullah Ibrahim and Bheki Mseleku and made the session a must for fans of that particular genre. Lance

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