Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Thursday, March 04, 2021

KSTV: Tonight's livestream - March 4

Alex Ridout (trumpet); Will Barry (piano); Will Sach (bass); Will Cleasby (drums).

(Screenshots by Ken Drew).

In the heart of the West End at Ronnie's Ian Shaw was putting his jazz voice to the music of David Bowie and Joni Mitchell - two artists held in various degrees of regard by the jazz community. Our man Russell was there and his review will appear tomorrow.

I opted for Smitty's where, in the main, Kenny Dorham was the inspiration behind the choice of tunes. Not surprising as Ridout's playing is from the same relatively restrained school.

The whole session lasted about 90 minutes, which is quite long for a KSTV session, due to the solos all being stretched out perhaps longer than they needed to be. Still, I wasn't complaining, it's not as if I was going anywhere!

Dorham's album Quiet Kenny was the source of three of the numbers: Lotus Blossom (a.k.a Asiatic Raes); Old Folks and I Had the Craziest Dream. The latter number sounded nothing like Harry James who played it in a 1940s' movie, Springtime in the Rockies. Although when I actually saw the movie I was probably paying more attention to Betty Grable than her soon to be husband!

Other numbers played tonight were Tadd's Lady Bird; Silver's Strollin'; Duke's Chelsea Bridge and a well known jazz standard, Walkin', which may or may not have been composed by one Richard H. Carpenter but is remembered best by the Miles Davis recording.

Overall it was enjoyable although the odd moments of hesitation made it clear this wasn't a regular gigging band - maybe one day? But hey! That's what jazz is all about. If you want the sound of surprise then you're not going to get it from a slick, orchestrated, choreographed performance. Part of the joy of jazz is waiting to see an established player fall on their Khyber Pass and to gasp in amazement and admiration when they come out of it reputation intact maybe even enhanced.

The Khyber Pass had no takers tonight although occasionally one or two got close to the foothills.

Another corker from KSTV.
Lance

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