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Bebop Spoken There

Jennifer Wharton: "People forget that the trombone is so glorious. It can be like going to church, or getting ready for battle. It can be a lot of things....For a longtime I was the only female trombonist in New York," - (DownBeat May 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,218 (and counting) posts since we started blogging 13 years ago. 637 of them this year alone and, so far, 45 this month (May 11).

Coming soon ...



May 20: Vieux Carré Jazzmen at The Holystone (Indoors!)
May 20 Maine Street Jazzmen are back at Sunniside Social Club.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 21: Jazz in the Afternoon are back at Cullercoats Crescent Club. (Revised date).
June 23: Vieux Carré Jazzmen are back at Cullercoats Crescent Club. (Revised date).

Saturday, March 27, 2021

Jazz at Lincoln Center: Voices of Freedom - Mar. 26

(Screenshot by Russell)
Betty Carter Billie Holiday Abbey Lincoln Nina Simone

A celebration of four iconic figures presented by the Lincoln Center Jazz Orchestra. At intervals three singers would join the ensemble during a performance of some fifty minutes. Trombonist Chris Crenshaw assumed the role of MD and 'scriptwriter', the orchestra's personnel remarkably stable over a decade and more. 

(Screenshot by Russell)
This was the orchestra's first performance at the prestigious New York City concert hall since February 2020, a venue Wynton Marsalis and the LCJO like to call 'The House of Swing'. Live streaming to upwards of seven hundred online patrons, Melanie Charles was the first of three vocalists to join the band. Backlash Blues as sung by Nina Simone, arranged for Ms Charles by trumpeter Marcus Printup, with Ted Nash, tenor sax, featuring in an exchange with Printup. 

(Screenshot by Russell)
Betty Carter's Droppin' Things (arr. Crenshaw) brought Ashley Pezzotti to the stage. Emotive, bold, Ms Pezzotti is likely to be able to handle operatic material. The third of the evening's vocalists, Shenel Johns, sang Freedom Day, as performed by Abbey Lincoln on Max Roach's We Insist! album. Ms Johns impressed, big time! 


The band (all chairs occupied by stellar musicians) didn't get much of an opportunity to stretch out, but, what a band! A muted Marsalis momentarily growled, Victor Goines did have a blow, and drummer Obed Calvaire, surrounded by reams of sheet music, briefly broke free to craft a fine solo. Wynton Marsalis, the driving force behind the LCJO, arranged Strange Fruit for our three vocalists. It proved to be an uplifting experience as Marsalis' arrangement, perhaps inspired by Mingus' Fables of Faubus, presented an interesting reading of Billie Holiday's historic song. Russell
                                   
Melanie Charles, Shenel Johns, Ashley Pezzotti (vocals); LCJO: Wynton Marsalis, Marcus Printup, Kenny Rampton, Ryan Kisor (trumpets); Walter Blanding, Sherman Irby, Ted Nash, Paul Nedzela, Victor Goines (reeds); Chris Crenshaw, Vincent Gardner, Elliot Mason (trombones); Dan Nimmer (piano); Carlos Henriquez (double bass); Obed Calvaire (drums)
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