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Bebop Spoken There

Willie Jones lll: "I often wondered what it would be like to play with Clifford Brown or Lee Morgan. For me, Roy Hargrove was the closest thing to that." - (JazzTimes, November 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

14757 (and counting) posts since we started blogging 13 years ago. 1376 of them this year alone and, so far, 92 this month (Nov. 29).

From This Moment On ...

December

Thu 02: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £22.00. Xmas lunch. Tel: 0191 691 7090.
Thu 02: Jools Holland’s R & B Orchestra @ Newcastle City Hall. Doors: 6:30pm. 2nd night.
Thu 02: Jeremy McMurray & the Pocket Orchestra @ Billingham Catholic Club. 7:30pm. Fundraiser for SVP. Tickets: £5.00. from 07757 062798.
Thu 02: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 02: Tees Hot Club, Dorman’s Club, Middlesbrough. 9:00pm.

Fri 03: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £22.00. Xmas lunch. Tel: 0191 691 7090.
Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 03: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 03: Classic Swing @ Saltburn Community Theatre. 7:30pm.

Sat 04: Play Jazz! Workshop @ The Globe, Newcastle. 1:30pm. Tutor: Clark Tracey. £25.00., book at: www.jazz.coop. .
Sat 04: Hot Club du Nord @ St Cuthbert’s, Hebron, nr. Morpeth. 7:30pm. Festive Special! SOLD OUT!.
Sat 04: Tyne Valley Big Band @ Greenside Community Centre, Ryton. 7:30pm. £5.00..
Sat 04: Clark Tracey Quartet @ The Globe, Newcastle. 8:00pm. £15.00. .
Sat 04: Rendezvous Jazz @ The Red Lion, Earsdon, North Tyneside. 8:00pm. £3.00. Xmas party.

Sun 05 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 05: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm.
Sun 05: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 05: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 05: Glenn Miller Orchestra UK @ Stockton Globe. 3:00pm. Ray McVay & co.
Sun 05: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 7:00pm.
Sun 05: Knats @ The Globe, Newcastle. 8:00pm.

Mon 06: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.
Mon 06: Northern Monkey Brass Band @ o/s The People’s Kitchen, Bath Lane, Newcastle 7:00-7:30pm.

Tue 07: Classic Swing @ The Ship Inn, Monkseaton. 1:00pm.
Tue 07: Customs House Big Band @ All Saints Church Hall, Cleadon. 7:00pm.
Tue 07: Dilutey Juice @ Little Buildings, Ouseburn, Newcastle. 7:00pm.
Tue 07: Jam session @ Black Swan, Newcastle Arts Centre. 7:30pm. House trio: Dean Stockdale; Paul Grainger; Tim Johnston. NOTE EARLIER START!

Wed 08: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 08: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 8:00pm. Concert performance. Free admission.
Wed 08: Four @ The Exchange, North Shields. 7:00-9:30pm. In the bar.
Wed 08: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 09: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £22.00. Xmas lunch. Tel: 0191 691 7090.
Thu 09: Hot Club du Nord, Lubetkin Theatre, East Durham College, Peterlee. 7:00pm (doors). £10.00. + bf.
Thu 09: Tenderlonius + Knats @ Cobalt Studios, Newcastle. 7:00pm. £7.00. (£10.00. inc food).
Thu 09: Indigo Jazz Voices @ The Globe, Newcastle. 7:30pm.
Thu 09: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 09: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Monday, March 15, 2021

Ten Charlie Parker Moments by Dave Brownlow

1945 Now’s The Time: Bird’s first record session as a leader which also produced the groundbreaking Koko. Many of the jazz fraternity of a certain age can still sing or whistle (or even play) Charlie’s blues solo from memory. A defining moment in modern jazz.

1946  Lover Man: A harrowing, disturbing listen. A disc which Charlie said should never be released, recorded just before his mental and physical breakdown. The halting, eerie, haunting track has a stark beauty where Bird is guided through the tune by trumpeter Howard McGhee and Jimmy Bunn at the piano.

1949 Segment: The day before flying out to Europe for the Paris Jazz Festival, Bird recorded a not-well-known session with Kenny Dorham, Al Haig, Tommy Potter and Max Roach. He’s on great form, ideas bursting out with originality, excitement, anticipation and verve. A tricky composition not played again on any known ‘on-location’ session.

1950 Ornithology: Truly a never-before-or-since aggregation - a super group from the bop era. Bird, Fats Navarro, Bud Powell, Curly Russell and Art Blakey. What a contest – probably won by Bud on the night…

1952 Turnstile/Rocker: Ever trying new ideas, Charlie was enthusiastic about Gerry Mulligan’s compositions. He played both these pieces on a free-wheeling session at the Rockland Palace where he used both his bands - the Quintet and the Strings - to great effect. Gerry also penned the Strings Theme - a delightful jazz waltz Bird used at the beginning and end of most ‘With Strings’ sets.

1953 I Can’t Get Started: Accompanied beautifully by Kenny Clarke, Ray Brown and John Lewis, this is a gentle, pensive, beguiling, pleading Bird performance where it sounds as though he was trying to communicate with Chan Richardson - his partner at the time - with whom he had a turbulent relationship. An absolutely inspiring bass line from Ray propels the piece at just the right tempo.  

1953 Perdido:  From the famous Massey Hall concert with Diz, Bud, Max and Mingus. First time I heard this aged 17 I was hooked and still am! Such tone - even with the plastic alto - such authority, such command of the situation. Bud’s supportive comping, Max’s swing, Diz’s clowning and Mingus’s strong rhythmical drive complete the picture.

1953 I Remember You:  This comes from a blistering quartet session with Al Haig, Max, and Percy Heath on bass. A majestic solo follows the piercing theme showing some of Charlie’s frustration pouring out. Bird’s sound is strong, angry but fully controlled in a masterpiece performance thrown together at the session itself.

1981 To Bird With Love: A giant compendium of photos and text presented by Frenchman Francis Paudras from Chan Richardson’s archives of Bird material - family snaps, contracts letters, drawings, documents etc showing how life was with unpredictable Charlie
 (Paudras later ‘rescued’ Bud Powell for a time providing him with accommodation and a home-life in Paris later in his life).

Bird Flight: A radio programme broadcast daily by Parker authority Phil Schaap from station WKCR FM New York who over months and years has presented and discussed every single note played by Charlie in his life  captured on disc or tape. The most thorough analysis ever made and still available online.

Dave B.

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