Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18799 (and counting) posts since we started blogging 18 years ago. 663 of them this year alone and, so far this month (Aug. 12) 32.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Sun 16: Vintage Explosion @ Cliffe Park, Roker, Sunderland SR6 8DB. 5:00-10:30pm. £44.00 (inc. bf).

Mon 17: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 18: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Joe Steels, Paul Grainger, Abbie Finn.

Wed 19: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 19: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 20: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 20: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 20: Edson Angus Quartet @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 20: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Fri 21: Andrzej Baranek Trio @ The Lit & Phil. 1:00pm. £8.00. Andrzej Baranek (piano); Josh Cavanagh-Brierley (double bass); Dave Walsh (drums). SOLD OUT!
Fri 21: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 21: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 21: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 21: David Gray Flextet @ Sunderland Minster. 7:30pm. Old Black Cat Jazz Club.
Fri 21: Errol Linton & His Band + Michael Littlefield & Scott Taylor @ Gosforth Civic Theatre, Newcastle. Excellent blues double bill.

Sat 22: Durham Alumni Big Band + Durham Alumni All Stars + Swing Manouche @ Darlington Market Place. From 1:00pm. Free. The All Stars (1:00pm); The Alumni (2:00-4:00pm); Swing Manouche (4:15pm).

Wednesday, March 10, 2021

Album review: Treppenwitz - Sister in Kith

Matthew Aplin (piano); Tom Riviere (double bass); Steve Hanley (drums) + Nel Begley (spoken word 1 track)

Sister in Kith is the third album from Treppenwitz released by the ever so creative Discus record label. Developed whilst touring in 2018 and 2019 the trio set up their instruments in a friend’s living room, pressed record and played. The resulting quality of both the music and the audio is quite remarkable.

The band's influences according to the liner notes are Bartok, Anthony Braxton and Ornette Coleman. I detected various other styles including church organ music and Monk (Thelonious style rather than Trappist).

The tracks encompass both the fast and furious (Staircase Stomp, Sock Eyed/Loose Lace) with the soft and melancholy (Brave to Swim in this Weather, Dream of a Common Language) My own favourite selection Watching the Arc of Bats begins with Tom Riviere’s slow plucked bass building up the tension alongside Steve Hanley’s subtle drumming, Matthew Aplin’s piano then blends in and the piece morphs into a sweet reflective phase – gentle sparse and lovely my notes say. The album concludes with A Mackerel’s Tale which was inspired by an immersive theatre work by George Buchanan. The poem was written and is performed alongside the trio by Nel Begley and is simply charming.

This a hardly a jazz piano trio in the traditional format although throughout you do get snippets of this classic style. Overall this is a fine album of contemporary improvised jazz drawing on the past masters but spinning its own take to produce a relevant offering for our times. 

Steve H

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