Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October. Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Wednesday, March 31, 2021

Guitarist Tom Stephenson forms the perfect circle

(Press release)

With the release of his debut album, Perfect Circle, on Friday April 2, guitarist Tom Stephenson becomes the latest student from the Royal Conservatoire of Scotland’s acclaimed jazz course to share his music with the wider jazz audience.

In common with recent successes, fellow graduate, pianist Fergus McCreadie and saxophonist Matt Carmichael, Stephenson is showing the benefit of being in what he describes as “an intense and inspiring environment with so many like-minded and equally dedicated people.”

Born in Darlington, Stephenson took up guitar at the age of fourteen after a friend introduced him to the instrument. Having been left disillusioned with school and academic expectations he immediately felt a new sense of purpose and dedicated himself to learning a broad range of musical styles.

In 2015 he was awarded a scholarship to study jazz at the Royal Conservatoire of Scotland under the direction of saxophonist Tommy Smith. While at the conservatoire he established himself on the Glasgow jazz scene and has played with established names including trombonist Mark Nightingale, trumpeter John Faddis and guitarist Mike Stern.

The trio that features on Perfect Circle – Stephenson with bassist Mark Hendry and drummer Greg Irons – has gigged substantially, including appearances at Edinburgh and Glasgow jazz festivals, allowing Stephenson’s compositions to strengthen and develop.

“Each tune was written toward the end of my time at the conservatoire,” says Stephenson. “This period signifies an important step in my development as an artist. The goals were to express myself in an uncontrived manner, get in touch with what excites me about music on a personal and subjective level and embrace my own idiosyncrasies both as a player and a composer.”

Simplicity is key for Stephenson, who is very keen to play live dates in support of Perfect Circle. “When composing, no matter how complex everything else gets, I want at least one element to remain simple so that the music can communicate directly with the audience.”

Perfect Circle is available on Bandcamp and all major streaming formats.

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