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Bebop Spoken There

George Porter Jr.: ''To me, syncopation is like jazz. It wasn't meant for the masses. It was meant just for a hip few". (DownBeat, May 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17985(and counting) posts since we started blogging 17 years ago. 306 of them this year alone and, so far, 62 this month (April 26).

From This Moment On ...

April 2025.

Tue 29: ???

Wed 30: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 30: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 30: International Jazz Day @ The Globe, Newcastle. 7:30pm. £16.00.; £14.00. adv.. Feat. Guido Spannocchi, John Pope & Steve Hanley + Take it to the Bridge participants + Open Mic Night participants.

MAY 2025

Thu 01: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Member’s Contribution.
Thu 01: Alabaster de Plume @ Gosforth Civic Theatre, Newcastle. 7:30pm.
Thu 01: Living in Shadows + OUTRI @ The Globe, Newcastle. 8:00pm.
Thu 01: The Shayo Experiment @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Shayo Oshodi & Liam Oliver.
Thu 01: Tees Hot Club @ Dorman’s, Middlesbrough. 8:30pm. Free.

Fri 02: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 02: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 02: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 02: Anna Reay & Deon Krishnan @ STACK, Seaburn. 4:30-6:15pm. Free.
Fri 02: Nauta @ Central Bar, Gateshead. 7:00pm. £7.50. A ‘Nauta’s House’ gig featuring Nauta & guests Shayo Oshodi & David Gray.
Fri 02: Spilt Milk @ St James’ STACK, Newcastle. 7:00-9:00pm. Free. Nolan Brothers (vocal harmonies).
Fri 02: Dom Pipkin @ Cluny 2, Newcastle. 7:30pm (doors). Solo piano.
Fri 02: Abbie Finn Trio @ Saltburn Community Hall. 7:30pm. £12.00. + bf.

Sat 03: Hot Fingers @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00.
Sat 03: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £25.00. Tutor: Steve Glendinning. Summer Samba Enrol at: learning@jazz.coop.
Sat 03: Jason Isaacs @ STACK, Exchange Sq., Middlesbrough. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.
Sat 03: Edison Herbert Trio @ The Vault, Darlington 7:00pm. Free.
Sat 03: Postmodern Jukebox @ The Glasshouse, Gateshead. 7:30pm.
Sat 03: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 8:00pm (7:00pm doors). £3.00. + bf.
Sat 03: Eva Fox & the Jazz Guys @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Sat 03: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. £3.00.
Sat 03: Ray Stubbs R&B All Stars @ The Black Bull, Blaydon. 8:30pm. Free.

Sun 04: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £7.50.
Sun 04: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 04: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 04: Spilt Milk @ St James’ STACK, Newcastle. 3:00-5:00pm. Free. Nolan Brothers (vocal harmonies).
Sun 04: Rivkala @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 04: Ben Crosland Quartet @ The Globe, Newcastle. 8:00pm.

Mon 05: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 05: Michael Young Trio @ The Engine Room, Sunderland. 6:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, March 19, 2021

Album review: Steve Gadd Band - Live At Blue Note Tokyo

Steve Gadd (drums); Walt Fowler (trumpet/flugelhorn); Kevin Hayes (keys/vocals); Jimmy Johnson (bass); David Spinoza (guitar).

On a day when the morning cloud has diluted the morning sun, such that there is a barely homeopathic trace of warmth or heat coming through I sit down in the hope of hearing something to lift the spirits. The Steve Gadd Band Live At Blue Note,Tokyo was recorded towards the end of the olden days on December 18, 2019. Maybe this would be a reminder of happier times.

I don’t really know much about Steve Gadd as a bandleader. I’ve heard of his extensive session work but I’d always associated him with yacht rock, soft jazz and those Eric Clapton albums from the period when his suits (Anthony Price, Versace, Armani) were more interesting than his music. Music that was niiiice but had no edge, that you would admire for the craft, but not the art. Such is the way of the music snob.

Reading about Gadd, it’s clear that he has played with everyone except the guy from the chip shop who thinks he’s Elvis and next door’s cat. The list of albums he has contributed to fills 20 pages of close typing; in 1975 he was on 24 releases and thirty years later his credits had reduced to, a still hugely impressive, 21. I wonder if, during all the hours of packing and unpacking his kit he ever considered a life as a session flautist.

And so to Live At Blue Note. On first listen it comes in like a sheep and goes out like a wolf. Opener, Where’s Earth?, with Walt Fowler’s trumpet to the fore sounds like very late period Miles doing Human Nature or Time After Time. Doesn’t She Know By Now is an equally laid back groove with everyone in the band taking relaxed solos until it all starts to spark at about the four minute mark when they begin to sound like a band playing together not just five blokes in the same room at the same time. 

Hidden Drive is more dinner jazz with some cocktail bar tinkling from Kevin Hays and guitar noodling by David Spinozza which briefly turns into something more passionate but this is dissipated when the rest of the band drops out. Contrast that with Rat Race which just sounds like it was recorded louder and is all-in from the start.

Perhaps the pace doesn’t help either. Most of the tunes are slow to medium paced shuffles, so the Latin funk of One Point Five stands out as a sign of life, building as it does into a Gadd solo.

There is a lot of great musicianship on display here, and I especially like Jimmy Johnson’s rolling bass funk lines, but it lacks that spark to really start it burning. There are brief flashes when it feels like it’s going to take off but these are, too frequently, closed off with a wrap up at the end of the song. Maybe they should have let some of the tunes extend into jams and allowed more development and more challenge, (I could definitely have lived with another ten minutes of Way Back Home as it rolled it’s way from Johnson’s bass explorations into a lively honky-tonk piano with a heavy duty left hand).

Maybe you had to be there.

Available April 2 via usual suspects.

David Sayers

Where’s Earth?; Doesn’t She Know By Now; Timpanogos; Hidden Drive; Walk With Me; One Point Five; Way Back Home; Rat Race; Watching the River Flow.

STOP PRESS: Steve Gadd is taking part in an hour long Zoom call in support of the Mark Jon Bolderson Foundation. Mark was a Hexham based drummer and percussion tutor at Durham University who died in 2017.   Further details of the Foundation and the Steve Gadd Zoom call are HERE

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