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Bebop Spoken There

Steve Coleman: ''If you don't keep learning, your mind slows down. Use it or lose it''. (DownBeat, January 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17680 (and counting) posts since we started blogging 17 years ago. 23 of them this year alone and, so far, 23 this month (Jan. 9).

From This Moment On ...

January 2025

Tue 14: Zoë Gilby Quintet @ Newcastle House Hotel, Rothbury. 7:30pm.

Wed 15: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 15: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 15: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 15: Hot Club of Heaton @ Elder Beer, Heaton, Newcastle. 8:00pm. A ‘third Wednesday in the month’ session. TBC.

Thu 16: Pete Tanton & the Cuban Heels @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Fri 17: Lindsay Hannon: Tom Waits for No Man @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 17: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 17: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 17: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 17: Joe Steels Trio w. Graham Hardy @ The Pele, Corbridge. 7:00pm. £10.00. (inc. a welcome drink & table reservation). Book at: www.drinks@thepele.co.uk. A ‘Jazz at the Pele’ promotion.
Fri 17: Russ Morgan Quartet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.
Fri 17: Redwell @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sat 18: Abbie Finn Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 18: Alter Ego + Jamie Toms/Graham Don Duo @ Yamaha Music School, Blyth. 7:30pm. £15.00. at the door; £14.35. (inc £0.35 bf) online, in advance.
Sat 18: Delta Prophets @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 19: Glenn Miller Orchestra UK @ Glasshouse, Gateshead. 3:00pm. ‘Glenn Miller & the Rat Pack Era’.
Sun 19: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 19: Spilt Milk @ St James’ STACK, Newcastle. 5:15-7:00pm. Free. Nolan Brothers (vocal harmonies).
Sun 19: Tenement Jazz Band @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 19: Nick Ross Orchestra @ Queen’s Hall, Hexham. 7:30pm.
Sun 19: Freight Train (Tobin/Noble/Clarvis) @ The Globe, Newcastle. 8:00pm.

Mon 20: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 21: ???

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, March 19, 2021

Album review: Steve Gadd Band - Live At Blue Note Tokyo

Steve Gadd (drums); Walt Fowler (trumpet/flugelhorn); Kevin Hayes (keys/vocals); Jimmy Johnson (bass); David Spinoza (guitar).

On a day when the morning cloud has diluted the morning sun, such that there is a barely homeopathic trace of warmth or heat coming through I sit down in the hope of hearing something to lift the spirits. The Steve Gadd Band Live At Blue Note,Tokyo was recorded towards the end of the olden days on December 18, 2019. Maybe this would be a reminder of happier times.

I don’t really know much about Steve Gadd as a bandleader. I’ve heard of his extensive session work but I’d always associated him with yacht rock, soft jazz and those Eric Clapton albums from the period when his suits (Anthony Price, Versace, Armani) were more interesting than his music. Music that was niiiice but had no edge, that you would admire for the craft, but not the art. Such is the way of the music snob.

Reading about Gadd, it’s clear that he has played with everyone except the guy from the chip shop who thinks he’s Elvis and next door’s cat. The list of albums he has contributed to fills 20 pages of close typing; in 1975 he was on 24 releases and thirty years later his credits had reduced to, a still hugely impressive, 21. I wonder if, during all the hours of packing and unpacking his kit he ever considered a life as a session flautist.

And so to Live At Blue Note. On first listen it comes in like a sheep and goes out like a wolf. Opener, Where’s Earth?, with Walt Fowler’s trumpet to the fore sounds like very late period Miles doing Human Nature or Time After Time. Doesn’t She Know By Now is an equally laid back groove with everyone in the band taking relaxed solos until it all starts to spark at about the four minute mark when they begin to sound like a band playing together not just five blokes in the same room at the same time. 

Hidden Drive is more dinner jazz with some cocktail bar tinkling from Kevin Hays and guitar noodling by David Spinozza which briefly turns into something more passionate but this is dissipated when the rest of the band drops out. Contrast that with Rat Race which just sounds like it was recorded louder and is all-in from the start.

Perhaps the pace doesn’t help either. Most of the tunes are slow to medium paced shuffles, so the Latin funk of One Point Five stands out as a sign of life, building as it does into a Gadd solo.

There is a lot of great musicianship on display here, and I especially like Jimmy Johnson’s rolling bass funk lines, but it lacks that spark to really start it burning. There are brief flashes when it feels like it’s going to take off but these are, too frequently, closed off with a wrap up at the end of the song. Maybe they should have let some of the tunes extend into jams and allowed more development and more challenge, (I could definitely have lived with another ten minutes of Way Back Home as it rolled it’s way from Johnson’s bass explorations into a lively honky-tonk piano with a heavy duty left hand).

Maybe you had to be there.

Available April 2 via usual suspects.

David Sayers

Where’s Earth?; Doesn’t She Know By Now; Timpanogos; Hidden Drive; Walk With Me; One Point Five; Way Back Home; Rat Race; Watching the River Flow.

STOP PRESS: Steve Gadd is taking part in an hour long Zoom call in support of the Mark Jon Bolderson Foundation. Mark was a Hexham based drummer and percussion tutor at Durham University who died in 2017.   Further details of the Foundation and the Steve Gadd Zoom call are HERE

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