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Bebop Spoken There

Belá Fleck: "...he [Chick Corea] brought out the best in musicians. Not only would you get to play with him, but you'd get to play with the best version of yourself." - (DownBeat April 2021).

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,073 (and counting) posts since we started blogging 13 years ago. 492 of them this year alone and, so far, 47 this month (April 9).

Bar Manager Required

The Jazz Co-op are looking for an experienced bar manager who can be available to start when The Globe reopens in May.

Preference will be given to a suitably qualified person who lives relatively near to The Globe, 11 Railway St., Newcastle NE4 7AD.

Interested parties please follow this link.

Coming soon ...

April 29: Vieux Carré Jazzmen are back at The Holystone.

May 20 Maine Street Jazzmen are back at Sunniside Social Club.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 2: Vieux Carré Jazzmen are back at Cullercoats Crescent Club.
June 7: Jazz in the Afternoon are back at Cullercoats Crescent Club.

Saturday, March 20, 2021

Album review: Sam Braysher Trio - Dance Little Lady, Dance Little Man

Sam Braysher (alto sax); Tom Farmer (bass); Jorge Rossy (drums/vibes/marimba).

If you thought that cool was no longer a part of the jazz lexicon then you'd better think again.

Sam Braysher is as cool as a crew cut once was, as an ice cold drink still is and yet he is anything but bland. There's warmth too. It's a bit like the enigmatic question as to why we blow on our hands to warm them yet blow on our tea or coffee to cool them? Sam Braysher's like that, he has it both ways!

Tone-wise the sound is related to Konitz, Desmond or early Art Pepper but the application is different. He uses notes and phrases differently. Sometimes sparingly other times with virtuoso flourishes. Seeking to redefine a variety of standards without taking away the essence of the tune whilst still making it his own. If he'd been a singer he'd have done with a lyric what Sinatra did.

With Farmer providing the all important harmonic foundation - sympathetically helped along by Rossy's drumming - we have an album that's easy to listen to but a 1000 miles away from being filed under "Easy Listening".

Rossy also plays vibes on a beautiful rendition of Some Other Spring and marimba on a rather doom-laden version of This Nearly Was Mine.

Incidentally, the finally number, Walking the Dog, is not to be confused with the Stones' Walkin' the Dog. The latter is a Gershwin theme from the movie Shall We Dance. Just goes to show what a difference an apostrophe makes!

In the booklet to the CD Sam has provided what I'm sure are insightful observations on each track. However, as they are printed in very slightly different shades of grey I'll have to wait until I next visit Spec-savers to read them.

But, it's the notes on the album that count rather than the notes in the booklet and, on that score it is highly recommended.

Lance. 

PS: When is he going to show up on a livestream?

Available April 23. Pre-order.

For Regulars Only; Heart and Soul; One Note Samba; Some Other Spring; Pintxos (original); Little white Lies; The Sweetest sounds; Reflection; Shall We Dance?; This Nearly Was Mine; Walking the Dog.

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