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Bebop Spoken There

Spasmo Brown: “Jazz is an ice cream sandwich! It's the Fourth of July! It's a girl with a waterbed!”. (Syncopated Times, July, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17444 (and counting) posts since we started blogging 16 years ago. 718 of them this year alone and, so far, 100 this month (Oct. 10).

From This Moment On ...

October

Sat 12: Milne-Glendinning Band @ The Vault, Darlington. 7:00pm. Free.
Sat 12: Michael Woods @ Victoria Tunnel, Ouseburn, Newcastle. 7:00pm. £12.00. (£10.00. adv.). Country blues guitar & vocals.
Sat 12: Nauta @ Cobalt Studios, Newcastle. 7:00pm. £13.28, £11.16, £9.04. A two-track recording launch gig.
Sat 12: Stuart Turner @ Prohibition Bar, Newcastle. 8:00pm. Rockabilly, rhythm & blues etc. A ‘Jar on the Bar’ gig.
Sat 12: Lapwing Jazz Trio @ The Ship Inn, Low Newton. 8:00pm. Free. New trio: Paula Whitty, Richard Herdman, Jude Murphy.

Sun 13: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 13: Emma Wilson @ Tyne Bar, Newcastle. 4:00pm. Free. Blues.
Sun 13: Catfish Keith @ The Cluny. 7:00pm. Country blues.
Sun 13: Cath Stephens & Paul Grainger @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig. Stephens & Grainger, one third of a triple bill.
Sun 13: Dulcie May Moreno Quartet @ The Globe, Newcastle. 8:00pm.

Mon 14: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 14: Black is the Color of My Voice @ Hippodrome, Darlington. 7:30pm. Apphia Campbell’s one-woman show inspired by Nina Simone, performed by Nicholle Cherrie.

Tue 15: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano), Paul Grainger (double bass), Bailey Rudd (drums).

Wed 16: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 16: Cath Stephens’ improvisation workshop @ Prohibition Bar, Newcastle. 4:30-6:00pm. Collaborative group focusing on vocal improvisations.
Wed 16: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 16: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 17: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 17: Olivia Cuttill Quintet @ King’s Hall, Newcastle University. 1:15pm. Free.
Thu 17: Moonlight Serenade Orchestra UK: Glenn Miller & Big Band Spectacular @ Phoenix Theatre, Blyth. 7:30pm.
Thu 17: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 17: Niffi Osiyemi Trio @ The Harbour View, Sunderland. 8:00pm. Free.
Thu 17: Tees Hot Club @ Dorman’s Club, Middlesborough. Guests Jeremy McMurray (keys); Richie Emmerson (tenor sax); Mark Toomey (alto sax); Adrian Beadnell (bass). 8:30pm. Free.

Fri 18: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 18: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 18: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 18: Hot Club du Nord @ St Cuthbert’s, Crook. 7:30pm.
Fri 18: Chet Set @ Seventeen Nineteen, Hendon, Sunderland. 7:30pm. Pete Tanton & co.
Fri 18: Michael Woods @ Prohibition Bar, Newcastle. Doors 7:30pm (upstairs). A Hoodoo Blues dance & social event. £10.00. class & social (£10.00., £7.50., £5.00. social only). Michael Woods (country blues guitar) on stage 9:00pm.
Fri 18: East Coast Swing Band @ Hexham Abbey. 7:30pm. £9.00.
Fri 18: Ben Crosland Quartet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.
Fri 18: Durham University Jazz Society’s ‘High Standards’ @ Music Dept. Music Room, Divinity House, Palace Green, Durham University DH1 3RS. 8:009:30pm. Tel: 0191 334 1419. £7.00., £5.00.
Fri 18: Ray Stubbs R&B All Stars @ Blues Underground, Nelson St., Newcastle. 9:00pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Tuesday, May 08, 2018

Darlington Jazz Festival: Jazz Comes to the Quakerhouse - May 5

(Review by Russell)
Saturday afternoon at the Quakerhouse pub is a well-established session at the Darlington Jazz Festival. The CAMRA award-winning hostelry is home to Darlington Jazz Club’s bi-monthly gigs making it a home from home for organisers and regulars alike, the one difference being that the festival session takes place in the downstairs bar rather than in the upstairs room. The format is simple; squeeze in three sets (‘squeeze’ being the operative word) in the compact space at one end of the bar, plug in and play.

Graham Hardy Trio
Graham Hardy (trumpet, flugelhorn); Dean Stockdale (piano); Mick Shoulder (double bass).
Tyneside-based trumpeter Graham Hardy arrived in good time for a one o’clock start. A trio is the optimum number given the restricted space and joining Hardy for a set of forty-five minutes or so were pianist Dean Stockdale and bassist Mick Shoulder. First, Cotton Tail with Hardy’s flugelhorn, then again on If I Should Lose You – typically assured, lyrical, playing.  Mood Indigo heard Hardy on plungered trumpet before returning to flugel to play In a Mellotone alongside a Mick Shoulder solo with our bassist singing to himself as is his wont. More muted trumpet from Hardy on Benny Golson’s Whisper Not as Dean Stockdale played a relaxed, restrained, solo. Stockdale featured again on Blame it on My Youth and in no time Graham Hardy’s set wound up with Tom Harrell’s April Mist.

Emma Fisk & James Birkett play Venuti & Lang
Emma Fisk (violin) & James Birkett (guitar). (Pictured above)
Joe Venuti and Eddie Lang probably played many a juke joint not dissimilar to the Quakerhouse. One room, alcohol the main attraction, perhaps conversation, musicians all but incidental, typical working conditions for the legendary duo some ninety years ago. Fast forward to 2018, one room, alcohol an attraction, perhaps conversation, the musicians anything but incidental, rather the main event. Emma Fisk (Joe Venuti) and James Birkett (Eddie Lang) held court, the room crowded, the jazz of the highest order. Their programme centred around the Venuti-Lang recording partnership, including sides by the Blue Four.

Sunday opened this Saturday afternoon set, Cheese and Crackers followed (Emma observing that nibbles didn’t appear to be on the bar…they weren’t), then a Venuti-Lang duo recording titled, wait for it… Sunshine! Darlington on a bank holiday, doors open wide, endless sunshine, jazz…perfect.

Emma’s commentary noted one of the non-Venuti and Lang numbers in the set – Sweet Georgia Brown. Everyone knows the tune including non-jazz fans and the Quakerhouse barflies, standing, or sitting, where they always stand or sit, became instant fans of Emma Fisk and James Birkett. A one set performance doesn’t allow for too many tunes but time enough to fit in I Found a New Baby and an early Venuti-Lang duo recording (1926), the saucily titled Black and Blue Bottom. You know it’s time to go when the brilliant Fisk-Birkett duo go out on Lady Be Good. Brilliant, always brilliant!

Pocket Jazz Orchestra
Mark Toomey (alto saxophone); Paul Donnelly (guitar); Jeremy McMurray (piano); Peter Ayton (bass); Paul Smith (drums)
How do you fit five musicians into a crowded space, crowded when three are on the stand? With difficulty, that’s how. This is jazz, and where there’s a will, there’s a way. Fisk and Birkett made a sharp exit leaving the way clear for a five-strong Teesside orchestra to set up and start more or less to time. The Pocket Jazz Orchestra is an established five-piece band based on Teesside. A gig up the road in Darlington was on the doorstep and all five musicians have played many a gig, upstairs or down, at the Quakerhouse.

It was a case of introductory solos all round as the Pocket Jazz Orchestra opened with Stella by Starlight – Mark Toomey’s alto hewn from Charlie Parker’s granite monument (there must be one somewhere!), the classy guitar playing of Paul Donnelly, the torrent of notes comprising Jeremy McMurray’s trademark style, the five-string bass of Peter Ayton and in-the-groove drumming by Paul Smith.

A bossa-like intro to Nature Boy developed into a feature for Paul Donnelly. The Wes Montgomery influence became evident as Donnelly stretched out with piano, bass and drums backing as altoist Mark Toomey sat contentedly, listening intently. Toomey himself stepped up to play a quote-laden On Green Dolphin StreetBye Bye Blackbird and Surrey with a Fringe on Top two of many tunes referenced by the altoist – and Donnelly followed up, without quotes.

Pianist Jeremy McMurray took his share of the solos, Ayton and Smith weren’t left out of things but it was either Toomey or Donnelly who shared the spotlight. The setlist was familiar, no bad thing at a free admission festival session, and on this sunniest of days, the Pocket Jazz Orchestra elected to play Work Song.                                   
Russell

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