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Bebop Spoken There

George "Big Nick" Nicholas: "This band [George Adams-Don Pullen Quartet] is a bitch on roller skates, baby. They'll run you over if you ain't ready" (JazzTimes April, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

14250 (and counting) posts since we started blogging 14 years ago. 469 of them this year alone and, so far, 69 this month (May 19).

From This Moment On ...

May.

Wed 25: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 25: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 25: Four @ The Exchange, North Shields. 7:00pm.
Wed 25: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 26: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 26: Deep Pope + Garner & Pope @ Cobalt Studios, Newcastle. 7:00pm. £7.00.
Thu 26: 58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 26: Knats @ Hoochie Coochie, Newcastle. 8:00pm.
Thu 26: Jeremy McMurray & the Pocket Orchestra @ Arc, Stockton. 8:00pm.
Thu 26: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 26: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

Fri 27: Alice Grace Quartet @ The Gala, Durham. 1:00pm.
Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 27: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 27: Fergus McCreadie Trio @ The Witham, Barnard Castle. 7:30pm.

Sat 28: Whitley Bay Carnival: Northern Monkey Brass Band (1:00-1:45pm & 4:00-4:45pm); Baghdaddies (2:00-2:45pm & 5:00-5:45pm) @ Spanish City Plaza Arena, Whitley Bay. Northern Monkey Brass Band (2:30-2:45pm) @ Rainbow Corner (Marine Ave.), Whitley Bay.
Sat 28: Jack Logan & the Swing Section @ Prohibition Bar, Newcastle. 8:00pm.

Sun 29 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 29: Musicians Unlimited @ Hartlepool United Supporters’ Club, Hartlepool. 1:00pm.
Sun 29: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 29: Groovetrain @ Tyne Bar, Newcastle. 4:00pm. Free.
Sun 29: Zoë Gilby Quartet @ Allendale Village Hall, Northumberland. 7:30pm.
Sun 29: Two of a Mind: Sue Ferris-Steve Summers Quartet @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.
Sun 29: Cedric Burnside @ Cluny, Newcastle. Superb Mississippi hill country blues!

Mon 30: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 31: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Stu Collingwood, Paul Grainger, Rob Walker.

Thursday, May 24, 2018

CD Review: Matt Anderson Quartet - Rambling

Matt Anderson (tenor & alto saxophones); Peter Lee (piano, keyboards); Will Harris (double bass); Jay Davis (drums) + Nick Malcolm (trumpet) tracks 1,2,6,9,10; Owen Dawson (trombone) tracks 1,2,6,9,10; Aubin Vanns (guitar) tracks 1,2,9,10
(Review by Russell). 
Rambling is Matt Anderson’s follow up to his 2015 debut recording Wild Flower. The saxophonist’s quartet – Peter Lee, piano and keyboards, Will Harris, double bass and drummer Jay Davis – with the addition of contributions from trumpeter Nick Malcolm, trombonist Owen Dawson, and guitarist Aubin Banns, further enhances the Yorkshireman’s reputation as an accomplished composer. The ten tracks on this Jellymould release were written by Anderson and the band leader has the grace and humility to state that track number four – Count Up/Tune Down – is based on John Coltrane’s Countdown.

Rambling is framed by a brass band-like beginning and a brass band-like ending, perhaps owing a debt to Anderson’s north of England upbringing. The oft stately form of the colliery band is present in Anderson’s writing; Jig, Jag, Jug the opening track isn’t in a hurry, and much of the remainder is similarly restrained, the final track being a reprise of the first. The saxophonist’s long-time working relationship with Aubin Vanns pays dividends on this recording with the guitarist exercising typical restraint and exhibiting an increasingly rare attribute – taste. Nordic Blues features Vanns; chords, emergent solo, ceding to Anderson and the band’s in-the-pocket groove.

Matt Anderson’s solos often at once reflective, yet fluent – hearing the saxophonist at a gig shows just what he is capable of – can, perhaps, be best illustrated by October Ending. Peter Lee’s piano opening adopts a reflective tone, bassist Will Harris solos concisely, quietly, reflectively, before the band leader assumes command with effortless fluency and clarity of thought. A midway interlude – The Long White Cloud – returns to a brass band theme before Anderson steps on the gas blowing hard, then swinging tenor on Metaphorical Gardening and The Ayes Have It. Guest trumpeter Nick Malcolm shows his hand on Nørrebro, a fine composition, illustrating why Anderson was a worthy recipient of the 2017 Dankworth Prize for Jazz Composition.

Three years ago Matt Anderson released Wild Flower to critical acclaim, 2018’s Rambling is likely to garner similar praise.
Russell.                 
Rambling by the Matt Anderson Quartet is available from May 25 on Jellymould Jazz (cat.no  JM-JJ030).  


The Matt Anderson Quartet’s new album tour began at the Musicport on the Moors Festival.  Dates continue into the autumn. Visit: www.matt-anderson.org.uk 

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