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Bebop Spoken There

Kasia Delgado: "The naughtiest thing that I did at school was bunk off a maths lesson to practice my saxophone for a jazz band." - (i newspaper October 21, 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13,822 (and counting) posts since we started blogging 13 years ago. 1239 of them this year alone and, so far, 66 this month (Oct. 18).

From This Moment On ...

October

Wed 20: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 20: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 20: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 20: Jeremy McMurray & the Jazz Pocket Orchestra @ Middlesbrough Town Hall. 8:00pm.

Thu 21: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 21: NUJO Jazz Jam @ Bar Loco, Newcastle. 7:00pm. Newcastle University Jazz Orchestra.
Thu 21: Alter Ego @ St James' & St Basil's Church, Newcastle 7:30pm.
Thu 21: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 21: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 22: Mick Shoulder Quartet @ Lit & Phil, Newcastle. 1:00pm. Quartet featuring Alex Clarke (BBC Young Jazz Musician of the Year finalist).
Fri 22: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 22: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 22: Paul Edis Trio w Ruth Lambert @ St Cuthbert's Centre, Crook. 7:30pm.
Fri 22: Michael Feinstein @ Sage Gateshead. 8:00pm.
Fri 22: Peter Morgan Trio @ Prohibition Bar, Newcastle. 8:00pm.

Sat 23: Mary Coughlan @ Gosforth Civic Theatre, Newcastle. 8:00pm.
Sat 23: Têtes de Pois @ The Globe, Newcastle. 8:00pm.

Sun 24 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 24: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 24: Voices of Virtue Gospel Choir @ The Globe, Newcastle. 4:00pm.
Sun 24: Milne Glendinning Band @ The Globe, Newcastle. 8:00pm.

Mon 25: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 26: Classic Swing @ Ship inn, Monkseaton. 1:00pm. The post-lockdown resumption of the band’s weekly residency will be fortnightly until further notice.
Tue 26: Jam session @ Black Swan, Newcastle Arts Centre. 8:00pm. The post-lockdown resumption of the Black Swan’s fortnightly jam session.

Wed 27: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 27: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 27: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thursday, May 24, 2018

CD Review: Matt Anderson Quartet - Rambling

Matt Anderson (tenor & alto saxophones); Peter Lee (piano, keyboards); Will Harris (double bass); Jay Davis (drums) + Nick Malcolm (trumpet) tracks 1,2,6,9,10; Owen Dawson (trombone) tracks 1,2,6,9,10; Aubin Vanns (guitar) tracks 1,2,9,10
(Review by Russell). 
Rambling is Matt Anderson’s follow up to his 2015 debut recording Wild Flower. The saxophonist’s quartet – Peter Lee, piano and keyboards, Will Harris, double bass and drummer Jay Davis – with the addition of contributions from trumpeter Nick Malcolm, trombonist Owen Dawson, and guitarist Aubin Banns, further enhances the Yorkshireman’s reputation as an accomplished composer. The ten tracks on this Jellymould release were written by Anderson and the band leader has the grace and humility to state that track number four – Count Up/Tune Down – is based on John Coltrane’s Countdown.

Rambling is framed by a brass band-like beginning and a brass band-like ending, perhaps owing a debt to Anderson’s north of England upbringing. The oft stately form of the colliery band is present in Anderson’s writing; Jig, Jag, Jug the opening track isn’t in a hurry, and much of the remainder is similarly restrained, the final track being a reprise of the first. The saxophonist’s long-time working relationship with Aubin Vanns pays dividends on this recording with the guitarist exercising typical restraint and exhibiting an increasingly rare attribute – taste. Nordic Blues features Vanns; chords, emergent solo, ceding to Anderson and the band’s in-the-pocket groove.

Matt Anderson’s solos often at once reflective, yet fluent – hearing the saxophonist at a gig shows just what he is capable of – can, perhaps, be best illustrated by October Ending. Peter Lee’s piano opening adopts a reflective tone, bassist Will Harris solos concisely, quietly, reflectively, before the band leader assumes command with effortless fluency and clarity of thought. A midway interlude – The Long White Cloud – returns to a brass band theme before Anderson steps on the gas blowing hard, then swinging tenor on Metaphorical Gardening and The Ayes Have It. Guest trumpeter Nick Malcolm shows his hand on Nørrebro, a fine composition, illustrating why Anderson was a worthy recipient of the 2017 Dankworth Prize for Jazz Composition.

Three years ago Matt Anderson released Wild Flower to critical acclaim, 2018’s Rambling is likely to garner similar praise.
Russell.                 
Rambling by the Matt Anderson Quartet is available from May 25 on Jellymould Jazz (cat.no  JM-JJ030).  


The Matt Anderson Quartet’s new album tour began at the Musicport on the Moors Festival.  Dates continue into the autumn. Visit: www.matt-anderson.org.uk 

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