Total Pageviews

Bebop Spoken There

Joris Teepe: "The bookers weren't interested in booking the Rashied Ali Quintet without Rashied Ali." - (Downbeat, January 2019).

Today Monday December 10

Afternoon

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Evening

Dean Stockdale Trio – Beaumont Hotel, Beaumont St., Hexham NE45 3LT. 01434 602331. 7pm-9pm.

Vieux Carré Jazzmen - Gibside, nr Rowlands Gill, Burnopfield NE16 6BG, Tel: 01207 514827. 7:00pm. ‘Jazzy Christmas Songs & Carols in the Chapel’.

Chris Farlowe and the Norman Beaker Band + Teresa Watson Band - Newcastle Labour Club, Leazes Park Road, Newcastle NE1 4PF. Tel: 0191 261 8646. Doors 7:45pm. £22.00. (£17.00. adv.).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, May 07, 2018

CD Review: The Scott Reeves Jazz Orchestra - “Without A Trace”

(Review by Dave Brownlow).
This is a good example of a large, contemporary jazz orchestra where the leader, Scott Reeves, combines all the necessary elements of the successful jazz tradition ie good material, swing, creativity, talented soloists, and excitement. Reeves has been influenced by some of the great composer/arrangers such as Duke Ellington, Gil Evans, Thad Jones, and Bob Brookmeyer and has spent years honing his craft within the current scene writing for groups such as Dave Liebman’s Big Band, and the Westchester Jazz Orchestra before setting out on his own in 2008.

The opener is Kurt Weill’s classic Speak Low which starts with a nod towards Bill Evans on his ‘New Jazz Conceptions’ album and settles into a lively Afro-Cuban rhythm including lively solos from Wilson on alto and Rogers on trumpet with some closely harmonised backgrounds. Reeves own Without A Trace follows featuring singer Carolyn Leonhart. The style of this piece with its melody containing wide intervals between some of the notes is so reminiscent of the work of our own Norma Winstone in its genre. The vocal is clear, confident and graceful – I give no praise higher than that!
The standard All Or Nothing At All has drummer Vernel Fournier’s immortal groove from Ahmad Jamal’s hit Poinciana as a main rhythmic element and features the leader on slide trombone with Chiavuzzo on alto this time.
Sections here are thoughtfully orchestrated and ‘quotes’ abound.
The Reeves’ original Incandescence is languidly Impressionist in style with a beautifully apt vibes solo and a restrained contribution from Wilson on soprano extending the mood. Wayne Shorter’s JuJu has a more ‘contemporary’ feel based as it is on fewer chords. Here, the arranger includes a sax-section segment based on Shorter’s original solo. The whole piece is quite forward-thinking….
A 12-tone row is the inspiration for ShapeShifter which includes several parts throughout its eight and a half minutes. Reeves himself solos on alto flugelhorn on a ¾ section. A fast 4/4 portion with glittering piano contrasting with huge slabs of orchestral textures develops,
after chaos, into a final haunting coda – Star Trek anybody?
Finally, Reeves’ tribute to Thad Jones – Something For Thad based on I Got Rhythm changes brings the album to a cheerful, swinging, boppish, slightly more conventional, closer with Haviland and Gravish having their only solo outings.
Throughout the CD, the standard of musicianship is extremely high, there is a broad range of material carefully arranged with nods towards the history of jazz making this an altogether agreeable listen.
Available now on ORIGIN RECORDS 82752 at www.originarts.com

Dave B.
Scott Reeves: (flugel. trombone, arranger); Steve Wilson (soprano,alto,flute), Vito Chiavuzzo (alto, flute) Rob Middleton (tenor, clarinet), Tim Armacost (tenor), Terry Goss (baritone 1- 4) Jay Brandford (baritone 5 – 7 ).
Seneca Black, Nathan Ecklund, Chris Rogers, (1-4) Bill Mobley (5 – 7), Andy Gravish (trumpets).
Tim Sessions, Matt McDonald, Matt Haviland, Max Siegel (trombones).
Jim Ridl (Piano), Dave Elson (Vibes 4), Todd Coolman (Bass), Andy Watson (Drums).
 Carolyn Leonhart Vocal (2).

No comments :

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Subscribe!

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance