Total Pageviews

Bebop Spoken There

Willie Jones lll: "I often wondered what it would be like to play with Clifford Brown or Lee Morgan. For me, Roy Hargrove was the closest thing to that." - (JazzTimes, November 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

14776 (and counting) posts since we started blogging 13 years ago. 1395 of them this year alone and, so far, 11 this month (Dec. 4).

From This Moment On ...

December

Sat 04: Play Jazz! Workshop @ The Globe, Newcastle. 1:30pm. Tutor: Clark Tracey. £25.00., book at: www.jazz.coop. .
Sat 04: Hot Club du Nord @ St Cuthbert’s, Hebron, nr. Morpeth. 7:30pm. Festive Special! SOLD OUT!.
Sat 04: Tyne Valley Big Band @ Greenside Community Centre, Ryton. 7:30pm. £5.00..
Sat 04: Clark Tracey Quartet @ The Globe, Newcastle. 8:00pm. £15.00. SOLD OUT! Livestream tickets still available.
Sat 04: Rendezvous Jazz @ The Red Lion, Earsdon, North Tyneside. 8:00pm. £3.00. Xmas party.

Sun 05 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 05: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm.
Sun 05: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 05: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 05: Glenn Miller Orchestra UK @ Stockton Globe. 3:00pm. Ray McVay & co.
Sun 05: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 7:00pm.
Sun 05: Knats @ The Globe, Newcastle. 8:00pm.

Mon 06: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.
Mon 06: Northern Monkey Brass Band @ o/s The People’s Kitchen, Bath Lane, Newcastle 7:00-7:30pm.

Tue 07: Classic Swing @ The Ship Inn, Monkseaton. 1:00pm.
Tue 07: Customs House Big Band @ All Saints Church Hall, Cleadon. 7:00pm.
Tue 07: Dilutey Juice @ Little Buildings, Ouseburn, Newcastle. 7:00pm.
Tue 07: Jam session @ Black Swan, Newcastle Arts Centre. 7:30pm. House trio: Dean Stockdale; Paul Grainger; Tim Johnston. NOTE EARLIER START!

Wed 08: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 08: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 8:00pm. Concert performance. Free admission.
Wed 08: Four @ The Exchange, North Shields. 7:00-9:30pm. In the bar.
Wed 08: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 08: Durham Uni Big Band + Durham Uni Jazz Soc Big Band @ Durham University Students' Union. 8:00pm.

Thu 09: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £22.00. Xmas lunch. Tel: 0191 691 7090.
Thu 09: Hot Club du Nord, Lubetkin Theatre, East Durham College, Peterlee. 7:00pm (doors). £10.00. + bf.
Thu 09: Tenderlonius + Knats @ Cobalt Studios, Newcastle. 7:00pm. £7.00. (£10.00. inc food).
Thu 09: Indigo Jazz Voices @ The Globe, Newcastle. 7:30pm.
Thu 09: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 09: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 10: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £22.00. Xmas lunch. Tel: 0191 691 7090.
Fri 10: Zoë Gilby Trio @ Bishop Auckland Town Hall. 1:00pm.
Fri 10: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 10: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 10: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 10: Secret Night Gang @ Hoochie Coochie, Newcastle. 8:00pm.
Fri 10: Alter Ego @ Prohibition Bar, Newcastle. 8:00pm.

Sat 11: Life Drawing & Live Jazz @ Cobalt Studios, Newcastle. 2:00-4:00pm. Lindsay Hannon & Martin Douglas. Book via: www.cobaltstudios.co.uk.
Sat 11: Boys of Brass @ Branding Villa, South Gosforth, Newcastle. 8:00pm.

Saturday, May 19, 2018

Pianos and how to break ‘em! - Paul Edis Trio @ Ushaw - May 18

Paul Edis (piano); Andy Champion (double bass); Russ Morgan (drums)

(Review by Jerry)
We were lucky to find a parking spot in front of this imposing old building and even luckier to find a seat inside. The Francis Thompson Room was packed and more chairs were being carried in right up to the gig’s start time. It is truly heartening to see so many people on a Friday, forsaking the bars, eateries (barbecues, even, on such a glorious evening!) or comforts of home to listen to live jazz. They arrived expectant, they left buzzing after a piano-themed feast served up by musical master chefs, Edis, Morgan and Champion! The trio, then with Adam Sinclair on drums, had given a similar master-class in Fenham last month (see review by Russell).
As then, they opened with a personal favourite, It’s Only a Paper Moon, with solos and fours giving all three musicians the chance to introduce themselves to the audience. Nat King Cole’s influence on other pianists was the link to Moten Swing, here performed in a manner which would probably have raised approving smiles from Messrs. Thigpen, Brown and Peterson. Another disciple was Bill Evans who, in turn, is a massive influence on tonight’s pianist – thus it is that music evolves. Like Someone in Love opened with an almost classical piano intro and included more fours, later, with Edis singling out tonight’s drummer, Russ Morgan, for additional applause at the end.

Snakes and Ladders and Lucky Eleven, two Edis originals, followed – the justification of their inclusion in the “history of jazz piano” being as inventive as some of the composer’s own solos on the night – but great tunes both. Lucky Eleven is a beautifully melodic, reflective ballad while Snakes and Ladders is either “a philosophical narrative about life” or “a tune which goes up and down” according to the listener’s preference!

Timeout for the interval was signalled by Unsquare Dance, appropriately from Brubeck’s 1959 album, Time Out. Infectious 7/8 time, rhythmic clapping and drumming and dexterous piano-work make this a crowd-pleaser but, as Russell commented after the Fenham gig, it’s really Andy Champion’s bass which holds the pyrotechnics together. It certainly pleased this crowd who seemed almost to be expecting an encore even though it was only the end of the first set!

That elation was quickly re-established by the up-tempo Edis original, Whiskers with big applause for the bass solo and for great brush-work (“whisker-work” maybe?). There was amazing piano on Lullaby of Birdland with a sustained two-handed tremolo (trill?) moving almost all the way up the keyboard. The bass solo and cheeky ending were also noteworthy. More Evans followed with the “complex harmonies” of Very Early, a tune Edis uses as an exemplar with his degree students.

The Long Way Round is a catchy tune which really grows on you. Inspired in equal parts by Jobim and the Tyneside Metro, I particularly liked the bass part tonight and the crescendo and “snap” finish to the piece. The ballad, Lush Life – Billy Strayhorn via (a name to conjure with) Phineas Newborn Jnr – followed and then it was time for Monk…

Talking of names to conjure with, this is one I have to google every time: Ba-Lue Bolivar Ba-Lues-Are – as quirky and as brilliant as the man himself! In between intricate runs and piano tricks, some of Edis’ hammered, finger-jabbing notes reminded me of the person living below Monk’s apartment who complained about the man upstairs demolishing pianos! Champion, not to be outdone, elicited whoops and cheers for his solo while Russ Morgan, starting with brushes, then hands (and elbows!??), then sticks and loadsa bass-drum, whipped up a storm! How, as an encore, do you follow that? With a kamikaze-paced Edis original, Lines, that’s how!

As I said earlier, the audience (big enough almost to call it a crowd!) were buzzing and, had the gig gone on for two days, as Edis jokingly threatened at the start, no-one would have left.
Jerry

No comments :

Blog Archive