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Bebop Spoken There

Lakecia Benjamin: "From my early days with Clark Terry, he told me 'they see you before they hear you'... I'm just not from that school of thought where I'm gonna wear my jeans and T-shirt on stage and that's going to be respectable." - (Jazzwise, February 2023)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

15056 (and counting) posts since we started blogging 15 years ago. 75 of them this year alone and, so far, 75 this month (Jan. 25).

From This Moment On ...

January

Fri 27: Zoë Gilby Quartet @ Gala Theatre, Durham. 1:00pm. SOLDOUT!
Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 27: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 27: Hip Hop Hooray @ Bar 52, Newcastle. 7:00pm.
Fri 27: John Dikeman, Pat Thomas, John Edwards, Steve Noble @ Lit & Phil. 7:30pm. £10.00.
Fri 27: Rob Heron & the Tea Pad Orchestra @ Hoochie Coochie, Newcastle. 7:30pm. £10.00. on the door. A Swung Eight event.
Fri 27: Merlin Roxby @ Prohibition Bar, Newcastle. Ragtime & stride piano. 8:00pm.

Sat 28: Tyneside Improvisers Workshop @ Ye Olde Cross, Ryton. 2:00-4:00pm. All welcome.
Sat 28: Secular Sounds in a Sacred Place @ Holy Cross Church, Ryton. 4:30-7:00pm. £10.00. Continuous performance featuring: Christian Alderson, Faye MacCalman, Sally Pilkington, John Pope. Event preceded by a Tyneside Improvisers Workshop (2:00pm, see above).
Sat 28: Entartete Musik @ The Globe, Newcastle. 7:30pm. A Brundibár Arts Festival event.

Sun 29: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 29: Musicians Unlimited @ Park Inn, Hartlepool. 1:00pm.
Sun 29: 4B @ The Exchange, North Shields. 3:00pm.
Sun 29: Hypnotic Brass Band @ Cluny, Newcastle. 7:00pm (doors). £20.00.
Sun 29: Jam No.12 @ Fabio's, Saddler St., Durham. 8:00pm. Free. Durham University Jazz Society jam session. All welcome (students & non-students).
Sun 29: Origin @ The Globe, Newcastle. 8:00pm.

Mon 30: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.

Tue 31: ???

February

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 01: 4B @ The Exchange, North Shields. 7:00pm.
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 01: Moonlight Serenade Orchestra UK: Glenn Miller & Big Band Spectacular @ Darlington Hippodrome. 7:30pm.

Thu 02: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 02: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 2:30-4:30pm. £1.00. All welcome.
Thu 02: Paul Skerritt Duo @ Tomahawk Steakhouse, High St., Yarm. 8:00pm.
Thu 02: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Tuesday, May 08, 2018

Issie Barratt’s Interchange @ The Parabola Theatre, Cheltenham Jazz Festival, May 6

(Review by Alison Bentley)
A year ago, baritone player, composer and jazz educator Issie Barratt brought together a band of ten women she had always wanted to work with, to play ten pieces composed by women. Although she travels a lot working with European big bands and orchestras, she told us, ‘I’ve never conducted another woman; I’ve never been programmed with another woman, and I’ve never actually played in an ensemble with a woman before… I decided I needed to be a bit more proactive.’
The styles were up to the composers, and accordionist Karen Street’s piece Still Here had a Piazzolla feel with touches of folk (some Balkan rhythms) and brass bands. The ensemble textures were at first soft, like the sun on the grass outside, then more urgent, with a plaintive solo from trumpeter Yazz Ahmed.
Tori Freestone’s Spontaneous Symmetry was inspired by ‘patterns in nature.’ It brought to mind Alexander Calder mobiles, where shapes move to create simple or complex, clashing formations: from township-like triads to dark swirling moods. Arpeggios spilled out into Brigitte Beraha’s pure-toned vocal solo. Freestone’s gorgeous tenor sound smoothed her unusual, almost spiky phrases.
Beraha’s composition Donna’s Secret (the title of their forthcoming album), was dedicated to the novels of Donna Tartt. Beraha’s French phrases were echoed in English by bassist Charlie Pyne. 
Later Pyne sang precipitous intervals in harmony with Beraha - while playing double bass; then she scatted in unison with her bass over Katie Patterson’s skipping rimshots.  Helena Kay’s thoughtful clarinet solo rode the waves of repeated chordal phrases.
Their repertoire includes music by non-members too. Nikki Iles’ Negomi was Kenny Wheeler’s back-to-front name for her daughter Imogen, and the music clearly carried Wheeler’s stamp. 
The arching melodies swept over each other, bari and trombone (Emma Bassett) earthing everything. Freestone’s tenor phrases were like stepping stones across the complex chords.
Issie Barratt’s Kulning ended the all-too-short set with humour and skill. ‘Eventually, you will hear a herd of cows heading our way, so I suggest you run for cover at that point!’ she warned us, as the piece was based on a song used by Swedish women to summon cows. Barratt likes music that ‘tells stories’ and Kulning was almost visual: Beraha’s call over recorded cowbells and birdsong drifted into harmonised horns in 7/8 riffs, and Shirley Smart’s sonorous cello solo. As bari and trombone pushed against flute and clarinet, the cows came home in an atonal rush.
This was a quietly confident band, full of sophisticated music and improvisational skill. There was only time for half their repertoire, and I’m looking forward to hearing the rest.
Alison.

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