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Bebop Spoken There

Jim Keltner: “I was snatched right out of the jazz world. I shouldn't say snatched, I went willingly, I ran. From $85 a week to $250 a week, that gets your attention." - (JazzTimes, September 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13,715 (and counting) posts since we started blogging 13 years ago. 1132 of them this year alone and, so far, 76 this month (Sept. 21).

From This Moment On ...

September

Thu 23: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 23: Jeremy McMurray & the Jazz Pocket Orchestra @ Middlesbrough Town Hall 8:00pm. .
Thu 23: Maine Street Jazzmen @ Sunniside Social Club, Sunniside, Gateshead. 8:30pm. .

Fri 24: Perdido Street Jazzmen (with Frank Brooker reeds, Eugene Farrar trombone, Brian Bennett banjo & Phil Rutherford sousaphone) @ Darlington Market Square, Darlington. 11:00am.
Fri 24: Sue Ferris Quintet @ Gala Theatre, Durham. 1:00pm.
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 24: Rendezvous Jazz @ Monkseaton Arms, Monkseaton. 1:00pm.
Fri 24: New Orleans Preservation Jazz Band, Stockton. 1:00pm.
Fri 24: FILM: Jazz on a Summer's Day + Swing Bridge Trio (in the bar) @ Forum Cinema, Hexham. 7:00pm.

Sat 25: Silent Music Seeing Sound + Spinningwork @ Newcastle Arts Centre. 6:30pm. Newcastle Festival of Jazz & Improvised Music (NFOJIM).
Sat 25: Knats @ Prohibition Bar, Newcastle. 8:00pm.

Sun 26: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. .
Sun 26: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm. .
Sun 26: More Jam @ The Globe, Newcastle. 3:00pm. .
Sun 26: Foundry Jazz Ensemble @ The Exchange, North Shields. 4:00pm.
Sun 26: Sax Appeal @ The Blue Bell, Hill Street, Corbridge NE45 5AA. 4:30pm. Free. .
Sun 26: David Gray Flextet @ The Globe, Newcastle. 8:00pm.
Sun 26: Nubiyan Twist @ The Cluny, Newcastle. 8:00pm.

Mon 27: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 29: Darlington Big Band @ Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 8:00pm.

Thu 30: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 30: Mainly Two @ Newcastle University. 1:15pm. ONLINE ONLY (YouTube).
Thu 30: Shiver + Run Logan Run @ Gosforth Civic Theatre, Newcastle. 8:00pm. NFOJIM.
Thu 30: Jeremy McMurray & the Jazz Pocket Orchestra @ Arc, Stockton. 8:00pm.
Thu 30: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.

Tuesday, May 08, 2018

Issie Barratt’s Interchange @ The Parabola Theatre, Cheltenham Jazz Festival, May 6

(Review by Alison Bentley)
A year ago, baritone player, composer and jazz educator Issie Barratt brought together a band of ten women she had always wanted to work with, to play ten pieces composed by women. Although she travels a lot working with European big bands and orchestras, she told us, ‘I’ve never conducted another woman; I’ve never been programmed with another woman, and I’ve never actually played in an ensemble with a woman before… I decided I needed to be a bit more proactive.’
The styles were up to the composers, and accordionist Karen Street’s piece Still Here had a Piazzolla feel with touches of folk (some Balkan rhythms) and brass bands. The ensemble textures were at first soft, like the sun on the grass outside, then more urgent, with a plaintive solo from trumpeter Yazz Ahmed.
Tori Freestone’s Spontaneous Symmetry was inspired by ‘patterns in nature.’ It brought to mind Alexander Calder mobiles, where shapes move to create simple or complex, clashing formations: from township-like triads to dark swirling moods. Arpeggios spilled out into Brigitte Beraha’s pure-toned vocal solo. Freestone’s gorgeous tenor sound smoothed her unusual, almost spiky phrases.
Beraha’s composition Donna’s Secret (the title of their forthcoming album), was dedicated to the novels of Donna Tartt. Beraha’s French phrases were echoed in English by bassist Charlie Pyne. 
Later Pyne sang precipitous intervals in harmony with Beraha - while playing double bass; then she scatted in unison with her bass over Katie Patterson’s skipping rimshots.  Helena Kay’s thoughtful clarinet solo rode the waves of repeated chordal phrases.
Their repertoire includes music by non-members too. Nikki Iles’ Negomi was Kenny Wheeler’s back-to-front name for her daughter Imogen, and the music clearly carried Wheeler’s stamp. 
The arching melodies swept over each other, bari and trombone (Emma Bassett) earthing everything. Freestone’s tenor phrases were like stepping stones across the complex chords.
Issie Barratt’s Kulning ended the all-too-short set with humour and skill. ‘Eventually, you will hear a herd of cows heading our way, so I suggest you run for cover at that point!’ she warned us, as the piece was based on a song used by Swedish women to summon cows. Barratt likes music that ‘tells stories’ and Kulning was almost visual: Beraha’s call over recorded cowbells and birdsong drifted into harmonised horns in 7/8 riffs, and Shirley Smart’s sonorous cello solo. As bari and trombone pushed against flute and clarinet, the cows came home in an atonal rush.
This was a quietly confident band, full of sophisticated music and improvisational skill. There was only time for half their repertoire, and I’m looking forward to hearing the rest.
Alison.

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