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Bebop Spoken There

Charles Lloyd: "I'm raring to go out to play, because I know I'll find something to explain the inexplicable." (DownBeat August 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! -- Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14454 (and counting) posts since we started blogging 14 years ago. 732 of them this year alone and, so far, 30 this month (August 11).

From This Moment On ...

August

Mon 15: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.
Mon 15: Stu Collingwood Organ Trio @ Black Bull, Blaydon. 8:00pm. Blaydon Jazz Club.

Tue 16: Paul Skerritt @ The Rabbit Hole, Durham. 7:00pm. Free (to reserve a table phone 0191 386 5556).

Wed 17: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 17: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 17: 4B @ The Exchange, North Shields. 7:00pm.
Wed 17: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 18: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 18: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 18: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30-8:30pm.
Thu 18: Newcastle Jazz Festival @ Bridge Hotel, Newcastle. Strictly Smokin’ Big Band. 7:00pm. Free (four-day festival ticket £40.00.). www.newcastlejazzfestival.co.uk.
Thu 18: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm. Guests: Dave Archbold (keys); Dan Johnson (sax); Josh Bentham (sax); Bill Watson (trumpet); Ron Smith (bass)

Fri 19: Jo Harrop & Jamie McCredie @ Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 19: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 19: Jo Harrop & Jamie McCredie @ St Cuthbert’s Centre, Crook. 7:30pm.
Fri 19: Newcastle Jazz Festival @ Black Swan, Newcastle. 7:30pm. Harry Keeble Duo + Northern Monkey Brass Band. £15.00. (four-day festival ticket £40.00.). www.newcastlejazzfestival.co.uk.
Fri 19: Mo Scott @ The Millstone, South Gosforth, Newcastle. 8:00pm. Scott w Gary Dunn, Neil Harland & Paul Smith.

Sat 20: Newcastle Jazz Festival @ Tyne Bank Brewery, Newcastle. All day event (from 1:30pm): Riviera Effect + Alter Ego + Graham Hardy Quartet + Jo Harrop & Jamie McCredie + Ivo Neame Quartet. £17.00. (four-day festival ticket £40.00.). www.newcastlejazzfestival.co.uk.
Sat 20: Anth Purdy @ Prohibition Bar, Newcastle. 8:00pm. Free (donations).

Sun 21 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 21: Newcastle Jazz Festival @ Tyne Bank Brewery, Newcastle. All day event (from 1:30pm): Lindsay Hannon & Alan Law + Knats + David Gray’s Flextet + Ben Gilbert Trio + Emma Rawicz. £17.00. (four-day festival ticket £40.00.). www.newcastlejazzfestival.co.uk.
Sun 21: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.

Tuesday, May 08, 2018

Issie Barratt’s Interchange @ The Parabola Theatre, Cheltenham Jazz Festival, May 6

(Review by Alison Bentley)
A year ago, baritone player, composer and jazz educator Issie Barratt brought together a band of ten women she had always wanted to work with, to play ten pieces composed by women. Although she travels a lot working with European big bands and orchestras, she told us, ‘I’ve never conducted another woman; I’ve never been programmed with another woman, and I’ve never actually played in an ensemble with a woman before… I decided I needed to be a bit more proactive.’
The styles were up to the composers, and accordionist Karen Street’s piece Still Here had a Piazzolla feel with touches of folk (some Balkan rhythms) and brass bands. The ensemble textures were at first soft, like the sun on the grass outside, then more urgent, with a plaintive solo from trumpeter Yazz Ahmed.
Tori Freestone’s Spontaneous Symmetry was inspired by ‘patterns in nature.’ It brought to mind Alexander Calder mobiles, where shapes move to create simple or complex, clashing formations: from township-like triads to dark swirling moods. Arpeggios spilled out into Brigitte Beraha’s pure-toned vocal solo. Freestone’s gorgeous tenor sound smoothed her unusual, almost spiky phrases.
Beraha’s composition Donna’s Secret (the title of their forthcoming album), was dedicated to the novels of Donna Tartt. Beraha’s French phrases were echoed in English by bassist Charlie Pyne. 
Later Pyne sang precipitous intervals in harmony with Beraha - while playing double bass; then she scatted in unison with her bass over Katie Patterson’s skipping rimshots.  Helena Kay’s thoughtful clarinet solo rode the waves of repeated chordal phrases.
Their repertoire includes music by non-members too. Nikki Iles’ Negomi was Kenny Wheeler’s back-to-front name for her daughter Imogen, and the music clearly carried Wheeler’s stamp. 
The arching melodies swept over each other, bari and trombone (Emma Bassett) earthing everything. Freestone’s tenor phrases were like stepping stones across the complex chords.
Issie Barratt’s Kulning ended the all-too-short set with humour and skill. ‘Eventually, you will hear a herd of cows heading our way, so I suggest you run for cover at that point!’ she warned us, as the piece was based on a song used by Swedish women to summon cows. Barratt likes music that ‘tells stories’ and Kulning was almost visual: Beraha’s call over recorded cowbells and birdsong drifted into harmonised horns in 7/8 riffs, and Shirley Smart’s sonorous cello solo. As bari and trombone pushed against flute and clarinet, the cows came home in an atonal rush.
This was a quietly confident band, full of sophisticated music and improvisational skill. There was only time for half their repertoire, and I’m looking forward to hearing the rest.
Alison.

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