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Bebop Spoken There

Raymond Chandler: “ I was walking the floor and listening to Khatchaturian working in a tractor factory. He called it a violin concerto. I called it a loose fan belt and the hell with it ". The Long Goodbye, Penguin 1959.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16350 (and counting) posts since we started blogging 16 years ago. 230 of them this year alone and, so far, 27 this month (April 11).

From This Moment On ...

April

Sat 20: Record Store Day…at a store near you!
Sat 20: Bright Street Band @ Washington Arts Centre. 6:30pm. Swing dance taster session (6:30pm) followed by Bright Street Big Band (7:30pm). £12.00.
Sat 20: Michael Woods @ Victoria Tunnel, Ouseburn, Newcastle. 7:00pm. Acoustic blues.
Sat 20: Rendezvous Jazz @ St Andrew’s Church, Monkseaton. 7:30pm. £10.00. (inc. a drink on arrival).

Sun 21: Jamie Toms Quartet @ Queen’s Hall, Hexham. 3:00pm.
Sun 21: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 21: Lindsay Hannon: Tom Waits for No Man @ Holy Grale, Durham. 5:00pm.
Sun 21: The Jazz Defenders @ Cluny 2. Doors 6:00pm. £15.00.
Sun 21: Edgar Rubenis @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig. Blues & ragtime guitar.
Sun 21: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 21: Art Themen with the Dean Stockdale Trio @ The Globe, Newcastle. 8:00pm. £10.00. +bf. JNE. SOLD OUT!

Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 23: Vieux Carre Hot 4 @ Victoria & Albert Inn, Seaton Delaval. 12:30-3:30pm. £12.00. ‘St George’s Day Afternoon Tea’. Gig with ‘Lashings of Victoria Sponge Cake, along with sandwiches & scones’.
Tue 23: Jalen Ngonda @ Newcastle University Students’ Union. POSTPONED!

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: Sinatra: Raw @ Darlington Hippodrome. 7:30pm. Richard Shelton.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 24: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.

Thu 25: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 25: Jim Jams @ King’s Hall, Newcastle University. 1:15pm. Jim Jams’ funk collective.
Thu 25: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 25: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.
Thu 25: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm.
Thu 25: Kate O’Neill, Alan Law & Paul Grainger @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 25: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Neil Brodie (trumpet); Adrian Beadnell (bass); Garry Hadfield (keys).

Fri 26: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 26: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 26: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 26: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 26: Paul Skerritt with the Danny Miller Big Band @ Glasshouse, Gateshead. 8:00pm.
Fri 26: Abbie Finn’s Finntet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.

Tuesday, May 08, 2018

Issie Barratt’s Interchange @ The Parabola Theatre, Cheltenham Jazz Festival, May 6

 

(Review by Alison Bentley)

A year ago, baritone player, composer and jazz educator Issie Barratt brought together a band of ten women she had always wanted to work with, to play ten pieces composed by women. Although she travels a lot working with European big bands and orchestras, she told us, ‘I’ve never conducted another woman; I’ve never been programmed with another woman, and I’ve never actually played in an ensemble with a woman before… I decided I needed to be a bit more proactive.’

The styles were up to the composers, and accordionist Karen Street’s piece Still Here had a Piazzolla feel with touches of folk (some Balkan rhythms) and brass bands. The ensemble textures were at first soft, like the sun on the grass outside, then more urgent, with a plaintive solo from trumpeter Yazz Ahmed.


Tori Freestone’s Spontaneous Symmetry was inspired by ‘patterns in nature.’ It brought to mind Alexander Calder mobiles, where shapes move to create simple or complex, clashing formations: from township-like triads to dark swirling moods. Arpeggios spilled out into Brigitte Beraha’s pure-toned vocal solo. Freestone’s gorgeous tenor sound smoothed her unusual, almost spiky phrases.

Beraha’s composition Donna’s Secret (the title of their forthcoming album), was dedicated to the novels of Donna Tartt. Beraha’s French phrases were echoed in English by bassist Charlie Pyne. 

Later Pyne sang precipitous intervals in harmony with Beraha - while playing double bass; then she scatted in unison with her bass over Katie Patterson’s skipping rimshots.  Helena Kay’s thoughtful clarinet solo rode the waves of repeated chordal phrases.

Their repertoire includes music by non-members too. Nikki Iles’ Negomi was Kenny Wheeler’s back-to-front name for her daughter Imogen, and the music clearly carried Wheeler’s stamp. 

The arching melodies swept over each other, bari and trombone (Emma Bassett) earthing everything. Freestone’s tenor phrases were like stepping stones across the complex chords.

Issie Barratt’s Kulning ended the all-too-short set with humour and skill. ‘Eventually, you will hear a herd of cows heading our way, so I suggest you run for cover at that point!’ she warned us, as the piece was based on a song used by Swedish women to summon cows. Barratt likes music that ‘tells stories’ and Kulning was almost visual: Beraha’s call over recorded cowbells and birdsong drifted into harmonised horns in 7/8 riffs, and Shirley Smart’s sonorous cello solo. As bari and trombone pushed against flute and clarinet, the cows came home in an atonal rush.

This was a quietly confident band, full of sophisticated music and improvisational skill. There was only time for half their repertoire, and I’m looking forward to hearing the rest.

  

Alison

 


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