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Bebop Spoken There

Jimmy Vaughan: "I don't just want to turn out stuff because I'm supposed to. I'm not a plumber. I don't want it to be just a job" - (Downbeat, August 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday July 22

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (See above).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

?????.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, May 08, 2018

Seun Kuti and the Egypt 80 @ Sage Gateshead May 2.

(Review by Steve T)
Just like them [Seun Kuti and the Egypt 80] I stopped off for this on my way from London to Cheltenham -   Don't know why people don't turn up for Afrobeat gigs, because those who do seem to unanimously love them. Perhaps it's the politics or perceived misogyny, but even the more conservative Cheltenham audience appeared to have loved it.
For young, hip types, Afrobeat is part of their kitbag, like reggae for a previous generation, but mixing indigenous music with Black American Funk, rather than white, British guitar pop.  
The music is rhythmic, funky, jazzy, infectious, vibrant, hot, powerful, sexy, colourful, edgy and downright irresistible.
Despite poor ticket sales, the Sage wisely left the seats out and by the time everyone came down from Level 2, and the ever-dependable hip, young, student, alternative types turned up, there wasn't a still butt in the place.
Drums, bass, two guitars, three percussionists, two saxes and a trumpet: some of them former sidemen of his dad, Fela. Two lady singers/dancers who never stopped, and Seun himself, resplendent in yellow and blue, topless for the finale, flitting between singing, sax and keyboards, just like his dad and brother Femi.
Saw Femi at the Gala a few years back, and one student type described it as the best night-out ever in Durham, and it was a definite marker in Francis' development as a listener and musician.
Next time you see a gig advertised with words like Afrobeat or Kuti, I strongly recommend that you go.
Steve T.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance