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Bebop Spoken There

Brian Dee: "I feel my generation had one advantage over today's players in that we were not musically educated in colleges, so we all sounded different. I could tell who it was just by the sound." - (Jazz Rag, Summer 2020).

Archive.

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Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

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11,783 (and counting) posts since we started blogging 12 years ago. 1023 of them this year alone and, so far, 50 this month (Sept. 17).

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SEPTEMBER

IT IS ADVISABLE TO CHECK IN ADVANCE WITH THE VENUE THAT THE GIG IS ON

SATURDAY

Happy Birthday Katy Trigger & Mia Webb.

SUNDAY 20

Vieux Carre Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. Tel: 0191 691 7090. 12 noon. Free.

Riviera Quartet - The Globe, 11 Railway St., Newcastle NE4 7AD. 8:00pm. A limited number of seats are available which MUST be bought in advance online. £7:50 or £5:45 live stream only.

THURSDAY 24

Vieux Carre Jazzmen - The Holystone, Whitley Road, North Tyneside NE27 0DA. 0191 266 6173. 1:00pm. Free.

Maine St Jazzmen - Sunniside Social Club, Sunniside Road, Sunniside NE16 5NA. Tel: 0191 488 7347. 8:00pm - 10pm. Free. Note earlier start/finish.

Tuesday, May 08, 2018

Seun Kuti and the Egypt 80 @ Sage Gateshead May 2.

(Review by Steve T)
Just like them [Seun Kuti and the Egypt 80] I stopped off for this on my way from London to Cheltenham -   Don't know why people don't turn up for Afrobeat gigs, because those who do seem to unanimously love them. Perhaps it's the politics or perceived misogyny, but even the more conservative Cheltenham audience appeared to have loved it.
For young, hip types, Afrobeat is part of their kitbag, like reggae for a previous generation, but mixing indigenous music with Black American Funk, rather than white, British guitar pop.  
The music is rhythmic, funky, jazzy, infectious, vibrant, hot, powerful, sexy, colourful, edgy and downright irresistible.
Despite poor ticket sales, the Sage wisely left the seats out and by the time everyone came down from Level 2, and the ever-dependable hip, young, student, alternative types turned up, there wasn't a still butt in the place.
Drums, bass, two guitars, three percussionists, two saxes and a trumpet: some of them former sidemen of his dad, Fela. Two lady singers/dancers who never stopped, and Seun himself, resplendent in yellow and blue, topless for the finale, flitting between singing, sax and keyboards, just like his dad and brother Femi.
Saw Femi at the Gala a few years back, and one student type described it as the best night-out ever in Durham, and it was a definite marker in Francis' development as a listener and musician.
Next time you see a gig advertised with words like Afrobeat or Kuti, I strongly recommend that you go.
Steve T.

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