Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Wed 11: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 11: Jam Session @ The Tannery, Hexham. 7:00pm. Free.
Wed 11: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 11: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, May 10, 2018

CD Review: Fred Farell - Distant Song

Fred Farell (vocals, lyrics); Dave Liebman (sop and ten sax, wooden recorder); Richie Beirach (piano).
(Review by Ann Alex).
In 1971 Fred Farell had his first singing engagement in a jazz club in Lakewood, New Jersey, and he later studied with pianist Richie Beirach in New York, singing in various NYC clubs and also writing lyrics. After experiencing a dramatic conversion to Christianity in 1978, by June 1980 he had decided to leave the jazz community. However in 2013 he looked again at the lyrics that he had written for the musical compositions by Liebman and Beirach, and decided to record the music and lyrics, and this CD is the result of that project.
The lyrics have a deeply spiritual ‘feel’ but are not at all preachy or directly religious. For example, take “Do you hear? Everywhere/A resonance so haunting/A song that’s been Alive/Since the Dawn of Sound” (Distant Song). The singing is not particularly jazz-like and the songs come in verses, rather than the usual AABA form of jazz songs, and there is often an instrumental break before the singing of the last 4 lines, which are sometimes spoken. On a first hearing I was inclined to dismiss the lyrics as too loose and ‘wandering’, but I listened again and came to the conclusion that this was best regarded as a concept album (remember them from the 1970’s?) because of the linking spiritual ‘feel’ and the similarity of the tunes. The instruments supply the jazz element in abundance, with superb playing, rippling piano, lively saxes, and the sweetness of the recorder. The sax sounds are unusual, burbling, calming, with effective ‘Eastern’ riffs on one track.

The tracks Broken Wing; Leaving; Sunday Song; Mitsuku; and the instrumental Zal were composed by Beirach, who gives us fine piano, with some long flowing introductions. Liebman contributes  Lonnie’s Song; Tomorrow’s Expectations: Places; Distant Song; and the instrumental Forgotten Fantasies, with lots of musical comments and sounds that I didn’t think saxes could make.
‘Wonderful music and wonderful lyrics by a fantastic singer’ is quoted by no less than Sheila Jordan, so I won’t argue with that.
The CD is available on iTunes and amazon.com
Ann Alex 

1 comment :

Fred Farell said...

ATTN: ANN ALEX
I wanted to thank YOU for Your Review of my Distant Song Project!
And for including some of my history preceding the actual Recording.
Solid information for the Listener.
Overall, I do believe that both Sheila Jordan and Jay Clayton in their
Quotes said it best, for which I am most grateful.
"Keep Up the Good Work", ANN!
GOD BLESS YOU and YOURS...
FRED FARELL

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