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Bebop Spoken There

Kasia Delgado: "The naughtiest thing that I did at school was bunk off a maths lesson to practice my saxophone for a jazz band." - (i newspaper October 21, 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13,822 (and counting) posts since we started blogging 13 years ago. 1239 of them this year alone and, so far, 66 this month (Oct. 18).

From This Moment On ...

October

Thu 21: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 21: NUJO Jazz Jam @ Bar Loco, Newcastle. 7:00pm. Newcastle University Jazz Orchestra.
Thu 21: Alter Ego @ St James' & St Basil's Church, Newcastle 7:30pm.
Thu 21: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 21: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 22: Mick Shoulder Quartet @ Lit & Phil, Newcastle. 1:00pm. Quartet featuring Alex Clarke (BBC Young Jazz Musician of the Year finalist).
Fri 22: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 22: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 22: Paul Edis Trio w Ruth Lambert @ St Cuthbert's Centre, Crook. 7:30pm.
Fri 22: Michael Feinstein @ Sage Gateshead. 8:00pm.
Fri 22: King Bees @ Louie's Liquor Store, Bigg Market, Newcastle. 8:00pm.
Fri 22: Peter Morgan Trio @ Prohibition Bar, Newcastle. 8:00pm.

Sat 23: Mary Coughlan @ Gosforth Civic Theatre, Newcastle. 8:00pm.
Sat 23: Têtes de Pois @ The Globe, Newcastle. 8:00pm.

Sun 24 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 24: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 24: Voices of Virtue Gospel Choir @ The Globe, Newcastle. 4:00pm.
Sun 24: Milne Glendinning Band @ The Globe, Newcastle. 8:00pm.

Mon 25: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 26: Classic Swing @ Ship inn, Monkseaton. 1:00pm. The post-lockdown resumption of the band’s weekly residency will be fortnightly until further notice.
Tue 26: Jam session @ Black Swan, Newcastle Arts Centre. 8:00pm. The post-lockdown resumption of the Black Swan’s fortnightly jam session.

Wed 27: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 27: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 27: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 28: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 28: J Frisco @ Newcastle University. 1:15pm. ONLINE ONLY (YouTube).
Thu 28: ’58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 28: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 28: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Thursday, May 10, 2018

CD Review: Fred Farell - Distant Song

Fred Farell (vocals, lyrics); Dave Liebman (sop and ten sax, wooden recorder); Richie Beirach (piano).
(Review by Ann Alex).
In 1971 Fred Farell had his first singing engagement in a jazz club in Lakewood, New Jersey, and he later studied with pianist Richie Beirach in New York, singing in various NYC clubs and also writing lyrics. After experiencing a dramatic conversion to Christianity in 1978, by June 1980 he had decided to leave the jazz community. However in 2013 he looked again at the lyrics that he had written for the musical compositions by Liebman and Beirach, and decided to record the music and lyrics, and this CD is the result of that project.
The lyrics have a deeply spiritual ‘feel’ but are not at all preachy or directly religious. For example, take “Do you hear? Everywhere/A resonance so haunting/A song that’s been Alive/Since the Dawn of Sound” (Distant Song). The singing is not particularly jazz-like and the songs come in verses, rather than the usual AABA form of jazz songs, and there is often an instrumental break before the singing of the last 4 lines, which are sometimes spoken. On a first hearing I was inclined to dismiss the lyrics as too loose and ‘wandering’, but I listened again and came to the conclusion that this was best regarded as a concept album (remember them from the 1970’s?) because of the linking spiritual ‘feel’ and the similarity of the tunes. The instruments supply the jazz element in abundance, with superb playing, rippling piano, lively saxes, and the sweetness of the recorder. The sax sounds are unusual, burbling, calming, with effective ‘Eastern’ riffs on one track.

The tracks Broken Wing; Leaving; Sunday Song; Mitsuku; and the instrumental Zal were composed by Beirach, who gives us fine piano, with some long flowing introductions. Liebman contributes  Lonnie’s Song; Tomorrow’s Expectations: Places; Distant Song; and the instrumental Forgotten Fantasies, with lots of musical comments and sounds that I didn’t think saxes could make.
‘Wonderful music and wonderful lyrics by a fantastic singer’ is quoted by no less than Sheila Jordan, so I won’t argue with that.
The CD is available on iTunes and amazon.com
Ann Alex 

1 comment :

Fred Farell said...

ATTN: ANN ALEX
I wanted to thank YOU for Your Review of my Distant Song Project!
And for including some of my history preceding the actual Recording.
Solid information for the Listener.
Overall, I do believe that both Sheila Jordan and Jay Clayton in their
Quotes said it best, for which I am most grateful.
"Keep Up the Good Work", ANN!
GOD BLESS YOU and YOURS...
FRED FARELL

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