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Bebop Spoken There

Sullivan Fortner: ''I always judge it by the bass player: If the bass player is happy, it's going to be a good night". (DownBeat, February 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17777 (and counting) posts since we started blogging 17 years ago. 98 of them this year alone and, so far, 23 this month (Feb.8).

From This Moment On ...

February 2025

Sun 09: The New ’58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 09: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 09: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 09: Glenn Miller & Big Band Spectacular @ The Forum, Billingham. 3:00pm.
Sun 09: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 09: Tom Remon & Mark Williams @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 09: Rod Oughton’s Tomorrow’s New Quartet with Ben van Helder @ The Globe, Newcastle. 8:00pm. Line-up inc. Deschanel Gordon.
Sun 09: Jazz Jam @ Fabio’s, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society promotion. All welcome.

Mon 10: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 11: Steve Summers Quintet @ Newcastle House Hotel, Rothbury. 7:30pm.

Wed 12: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 12: Jam session @ The Tannery, Gilesgate, Hexham. 7:00-9:00pm. Free.
Wed 12: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 12: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 13: Student Performances @ King’s Hall, Newcastle University. 4:00pm. Free. Inc. Olly Styles (tenor sax).
Thu 13: MOBO Awards Fringe 2025: Artist Showcase @ The Glasshouse, Gateshead. 7:00pm. Free (ticketed). Line-up inc. Hannabiell & Midnight Blue.
Thu 13: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 14: John Rowland Trio @ Jesmond Library, Newcastle. 12:30-1:30pm. £5.00. at the door. New second Friday in the month concert series.
Fri 14: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 14: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 14: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 14: Jason Isaacs @ St. James’ STACK, Newcastle. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.
Fri 14: Archipelago + Anna Tempest @ Cobalt Studios, Newcastle. 7:00pm. £12.00., £10.00., £8.00.
Fri 14: Paul Jones & Dave Kelly @ Alnwick Playhouse. 7:30pm. Rhythm & blues.
Fri 14: Alexia Gardner Quintet @ The White Room, Stanley. 7:45pm.
Fri 14: Jazz Sabbath @ The Glasshouse, Gateshead. 8:00pm.

Sat 15: Joseph Carville Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 15: James Birkett & Emma Fisk @ Yamaha Music School, Blyth. 7:30pm. £15.00. at the door; £14.35. (inc £0.35 bf) online, in advance.
Sat 15: Elkie Brooks @ The Glasshouse, Gateshead. 7:30pm. ‘The Long Farewell Tour’.
Sat 15: Milne Glendinning Band @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Saturday, May 19, 2018

Niffi Osiyemi Trio @ Jazz Café - May 18.

Niffi Osiyemi (vocals); Alan Law (piano); Paul Grainger (bass).
(Review by Lance/Photos courtesy of Minnie F & Lance)
Niffi, a final year medical student and a first year (first rate!) jazz singer wowed a packed Jazz Café downstairs bar who roared their approval demanding, and getting, two encores! Not bad going at a venue that, on a Friday night, is sometimes noted for its indifference - not tonight though!
A choice selection of GASbook classics that varied from the tender to the not so tender to the frenetic - sometimes on the same number.
It's still a work in progress, there were a few hiccups but none to mar the overall kicks the listeners were getting and we were nowhere near Route 66.
Don't Get Around Much Anymore and Our Love is Here to Stay, were smooth, swingy songs that little prepared us for the Cry me a River to end all Cry me a Rivers. This wasn't a river, it was the North Sea at its most turbulent. The flood barriers well and truly breached!
By contrast, that well-known warning to philanderers - Makin' Whoopee - returned the room to sanity. It may have been around this point that Niffi dispensed with her stilettos, possibly prompting the tall, angular singer's next song, This Can't be Love which contains the appropriate line My head is not in the skies...
I Keep Going Back to Joe's, a longtime fave of mine - Nat King Cole and, later, Curtis Stigers both put their brand on it - didn't quite gell. Maybe it needs a little more work. Whatever, I do hope they keep it in the pad as Niffi has the voice for it.
The set finished with a belter that brought the house down - The Darktown Strutter's Ball. You couldn't make it up. A song over 100 years old being wildly applauded by a (mainly) youthful audience. I think the scat chorus did it for them (and me!)
During the break, we discussed the show as it stood and concluded that, whilst Niffi's still raw around the edges, it's something that time will partially erode. Let's hope that time knows when to stop as that rawness is part of her appeal. The other verdict 'the jury' came to was that Law and Grainger were playing a blinder. The northeast is currently well-served for pianists and bassists and these two are way up high among the contenders.

Set two began with the crowd handclapping in time [mostly], Law and Grainger 'vamping 'til ready' before Niffi hit for home with that ever-popular, triple-rhymer, I'm Beginning to See the Light.
Undecided, a surprisingly restrained Black Coffee, They Can't Take That Away From me, Honeysuckle Rose and a song even older than Darktown Strutters Ball - Won't You Come Home Bill Bailey?.
Bill left home in 1902 and, despite Ella's offer to do the cooking and pay the rent he still hadn't returned by 1963. Now, in 2018, It was Niffi's turn to apologise for that rainy evening when she turned him out with nothing but a fine tooth comb. Using Ella's version as a launchpad, she once again had the room in raptures. Maybe the younger element was hearing this, and indeed all of the songs, for the first time! I think the late First Lady would have approved.
I Love Being Here With You (the feeling was mutual) was supposed to be the last number but, of course, it wasn't, and nor was I Wish I Knew How it Felt to be Free. It wasn't until the last strains of Hallelujah I Just Love Him so had faded and the last handclap had ceased that we knew the show was over.
A memorable evening - thank you Niffi, Alan and Paul.
Photos.
Lance.
PS: The Niffi Osiyemi Trio can be heard at DJazz, the Durham City Jazz Festival held on June 1, 2 and 3 at various Durham City venues. Check it out.

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