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Bebop Spoken There

Lakecia Benjamin: "From my early days with Clark Terry, he told me 'they see you before they hear you'... I'm just not from that school of thought where I'm gonna wear my jeans and T-shirt on stage and that's going to be respectable." - (Jazzwise, February 2023)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

15056 (and counting) posts since we started blogging 15 years ago. 75 of them this year alone and, so far, 75 this month (Jan. 25).

From This Moment On ...

January

Fri 27: Zoë Gilby Quartet @ Gala Theatre, Durham. 1:00pm. SOLDOUT!
Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 27: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 27: Hip Hop Hooray @ Bar 52, Newcastle. 7:00pm.
Fri 27: John Dikeman, Pat Thomas, John Edwards, Steve Noble @ Lit & Phil. 7:30pm. £10.00.
Fri 27: Rob Heron & the Tea Pad Orchestra @ Hoochie Coochie, Newcastle. 7:30pm. £10.00. on the door. A Swung Eight event.
Fri 27: Merlin Roxby @ Prohibition Bar, Newcastle. Ragtime & stride piano. 8:00pm.

Sat 28: Tyneside Improvisers Workshop @ Ye Olde Cross, Ryton. 2:00-4:00pm. All welcome.
Sat 28: Secular Sounds in a Sacred Place @ Holy Cross Church, Ryton. 4:30-7:00pm. £10.00. Continuous performance featuring: Christian Alderson, Faye MacCalman, Sally Pilkington, John Pope. Event preceded by a Tyneside Improvisers Workshop (2:00pm, see above).
Sat 28: Entartete Musik @ The Globe, Newcastle. 7:30pm. A Brundibár Arts Festival event.

Sun 29: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 29: Musicians Unlimited @ Park Inn, Hartlepool. 1:00pm.
Sun 29: 4B @ The Exchange, North Shields. 3:00pm.
Sun 29: Hypnotic Brass Band @ Cluny, Newcastle. 7:00pm (doors). £20.00.
Sun 29: Jam No.12 @ Fabio's, Saddler St., Durham. 8:00pm. Free. Durham University Jazz Society jam session. All welcome (students & non-students).
Sun 29: Origin @ The Globe, Newcastle. 8:00pm.

Mon 30: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.

Tue 31: ???

February

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 01: 4B @ The Exchange, North Shields. 7:00pm.
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 01: Moonlight Serenade Orchestra UK: Glenn Miller & Big Band Spectacular @ Darlington Hippodrome. 7:30pm.

Thu 02: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 02: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 2:30-4:30pm. £1.00. All welcome.
Thu 02: Paul Skerritt Duo @ Tomahawk Steakhouse, High St., Yarm. 8:00pm.
Thu 02: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Saturday, May 19, 2018

Niffi Osiyemi Trio @ Jazz Café - May 18.

Niffi Osiyemi (vocals); Alan Law (piano); Paul Grainger (bass).
(Review by Lance/Photos courtesy of Minnie F & Lance)
Niffi, a final year medical student and a first year (first rate!) jazz singer wowed a packed Jazz Café downstairs bar who roared their approval demanding, and getting, two encores! Not bad going at a venue that, on a Friday night, is sometimes noted for its indifference - not tonight though!
A choice selection of GASbook classics that varied from the tender to the not so tender to the frenetic - sometimes on the same number.
It's still a work in progress, there were a few hiccups but none to mar the overall kicks the listeners were getting and we were nowhere near Route 66.
Don't Get Around Much Anymore and Our Love is Here to Stay, were smooth, swingy songs that little prepared us for the Cry me a River to end all Cry me a Rivers. This wasn't a river, it was the North Sea at its most turbulent. The flood barriers well and truly breached!
By contrast, that well-known warning to philanderers - Makin' Whoopee - returned the room to sanity. It may have been around this point that Niffi dispensed with her stilettos, possibly prompting the tall, angular singer's next song, This Can't be Love which contains the appropriate line My head is not in the skies...
I Keep Going Back to Joe's, a longtime fave of mine - Nat King Cole and, later, Curtis Stigers both put their brand on it - didn't quite gell. Maybe it needs a little more work. Whatever, I do hope they keep it in the pad as Niffi has the voice for it.
The set finished with a belter that brought the house down - The Darktown Strutter's Ball. You couldn't make it up. A song over 100 years old being wildly applauded by a (mainly) youthful audience. I think the scat chorus did it for them (and me!)
During the break, we discussed the show as it stood and concluded that, whilst Niffi's still raw around the edges, it's something that time will partially erode. Let's hope that time knows when to stop as that rawness is part of her appeal. The other verdict 'the jury' came to was that Law and Grainger were playing a blinder. The northeast is currently well-served for pianists and bassists and these two are way up high among the contenders.

Set two began with the crowd handclapping in time [mostly], Law and Grainger 'vamping 'til ready' before Niffi hit for home with that ever-popular, triple-rhymer, I'm Beginning to See the Light.
Undecided, a surprisingly restrained Black Coffee, They Can't Take That Away From me, Honeysuckle Rose and a song even older than Darktown Strutters Ball - Won't You Come Home Bill Bailey?.
Bill left home in 1902 and, despite Ella's offer to do the cooking and pay the rent he still hadn't returned by 1963. Now, in 2018, It was Niffi's turn to apologise for that rainy evening when she turned him out with nothing but a fine tooth comb. Using Ella's version as a launchpad, she once again had the room in raptures. Maybe the younger element was hearing this, and indeed all of the songs, for the first time! I think the late First Lady would have approved.
I Love Being Here With You (the feeling was mutual) was supposed to be the last number but, of course, it wasn't, and nor was I Wish I Knew How it Felt to be Free. It wasn't until the last strains of Hallelujah I Just Love Him so had faded and the last handclap had ceased that we knew the show was over.
A memorable evening - thank you Niffi, Alan and Paul.
Photos.
Lance.
PS: The Niffi Osiyemi Trio can be heard at DJazz, the Durham City Jazz Festival held on June 1, 2 and 3 at various Durham City venues. Check it out.

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