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Bebop Spoken There

Veronica Swift: "I don't want to call myself a jazz singer anymore. I'm a singer and a storyteller.'" - (JazzTimes, December 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13837 (and counting) posts since we started blogging 13 years ago. 56 of them this year alone and, so far, 56 this month (Jan. 16).

From This Moment On ...

January 2022

Wed 19: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 19: Classic Swing @ Venue, Cramlington NE23 6UT. 1:00pm.
Wed 19: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 19: Four @ The Exchange, North Shields. 7:00pm.
Wed 19: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 20: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 20: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 21: Emma Fisk & James Birkett @ The Lit & Phil, Newcastle. 1:00pm. POSTPONED!
Fri 21: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 21: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 21: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 21: John Law @ Durham Cathedral. 7:30pm. £20.00. POSTPONED!
Fri 21: Dean Stockdale Quartet @ Traveller’s Rest, Darlington. 8:00pm. £8.00. Opus 4 Jazz Club.
Fri 21: Jude Murphy & Dan Stanley @ Prohibition Bar, Newcastle. 8:00pm.

Sat 22: East Coast Swing Band @ East Bedlington Community Centre. 7:30pm. £5.00.
Sat 22: MGB @ Prohibition Bar, Newcastle. 8:00pm. The Milne-Glendinning Band.

Sun 23 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 23: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 23: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 23: More Jam @ The Globe, Newcastle. 3:00pm.
Sun 23: Anth Purdy: Swing Jazz Guitar @ Blues & Bourbon, Newcastle. 3:00pm.
Sun 23: Svarc Hanley Longhawn @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.

Mon 24: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.
Mon 24: Vels Trio + Knats @ The Cluny, Newcastle. 8:00pm. POSTPONED!.

Tue 25: East Coast Swing Band @ East Bedlington Community Centre. 10:00am - 12 noon. Rehearsal session (open to the public). .
Tue 25: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Murray Wankling, Paul Grainger, King David Ike-Elechi.

Saturday, May 12, 2018

Paul Taylor (solo piano) @ Gosforth Civic Theatre - May 10

(Review by Jerry)
BSH readers are aware that I know nothing about jazz: let me state from the outset that I know less about improvised music. And this was improvised music – “without further ado I’m just going to start playing”. Deprived of my usual reviewer’s navigational aids (pick up on something in the title, latch on to something in the performer’s intro, compare with other pieces in the same genre, mug up something on Google) I approach this journey into uncharted waters with trepidation.  Sticking with the metaphor, advance publicity for The Manchester Jazz Festival where Paul Taylor is appearing in July, refers to his performances as “rhapsodic journeys that lead listeners through twists and turns…,”  and I’d agree with that.
We had two uninterrupted pieces of about 15 minutes each , both full of twists and turns prompting the question: “where is this going next?” and also – in the second piece particularly - “have we been here before?” The overall impression was jazz-like in inventiveness but predominantly classical in terms of sound, to my ears anyway. Both pieces were intriguing in the variety of sounds afforded not only by great dexterity (how many fingers has the man got?) but also by ingenious use of technology: there was a whole orchestra of effects in there from flute to strings and organ to vibraphone to harp. The volume built then faded unpredictably, sometimes with heavy echo making the bass notes palpable then dropping to the faintest of sounds like tinkling wind-chimes before building again in a series of runs, often with the performer’s left hand crossing over the right.

The music was evocative: sometimes vaguely alarming (the second piece opened like jangling bells); sometimes whimsical and enchanting (the vibraphone sounding section in the second piece for example); often thoughtful and reflective in the quieter sections while some louder sections were like a joyous film-theme. Often it made me think of water in all its forms- always changing, never predictable and impossible to define.

Old seafarers’ maps sometimes reported, in remote locations: “here be dragons” but, undeterred, they kept on exploring. I guess improvised music is like that for both performer and audience? I’m intrigued enough to keep exploring and both pieces were well-received by the wider audience.
Jerry.

1 comment :

Ken Drew (on F/b) said...

What a nice open and honest review. It must be jazz as it contains the element of surprise, many times over :) but shows just how accessible 'improvised music' can be.

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