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Bebop Spoken There

Ethan Iverson: "I asked Bertha [Hope] if she ever used the word "contrafact" to describe the process of writing new tunes over old changes, and she replied, "Of course not. The only people who used that word went to a university to learn about jazz."" - (Jazz Times March 2020).

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COFID- 19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Sunday, May 20, 2018

CD Review: Mark Kavuma - Kavuma

Mark Kavuma (trumpet); Mussinghi Brian Edwards, Ruben Fox (saxes); Artie Zaitz (guitar on 3 tks); Reuben James (piano); Conor Chaplin (bass); Kyle Poole (drums) + Michela Martin Lerman (tap dance on 1 track).
(Review by Lance)
"They resemble the finest amalgam of 50's Blue Note and Prestige line-ups" so said guitarist and sound engineer, Zaitz. It was enough for me, I was halfway there before I'd heard a note! I've spent the past couple of months playing Blue Note CDs on the car stereo so I've got plenty to compare with.
In a blindfold test, I'd have been fooled completely, convinced it had been recorded by the late Rudy Van Gelder in his Hackensack, NJ, studio as opposed to on board a ship moored on the Thames in East London!*
Maybe Lee Morgan, Freddy Hubbard or Donald Byrd blowing alongside Benny Golson, Jackie McLean or Stanley Turrentine. I can almost see the Blue Note honchos Wolfe and Lyon nodding their heads approvingly - just as I'm doing as I listen.
This is Kavuma's debut album as a leader and it is impressive. Fiery and explosive he can, like the Blue Note trumpet players, also blow lyrical on ballads. The poignancy of his playing on Barbar G, a reference to an early romance, is an outpouring of emotion set to his own composition. Ugandan born Kavuma composed 5 of the 7 pieces and arranged the other two, somewhat surprising choices, Carolina Moon and Abide With Me! The former came to his attention via a Monk box set and the latter a reflection of his Christian upbringing. Both are given a totally new look.
Edwards and Fox are outstanding blowers - I'm not sure which one is which but one of them has the Golson sound with maybe a touch of Webster or Ike Quebec. There's also a rhythm section to die for with that man Chaplin at the heart of things.
Lerman adds the sound of her terpsichorean skills to Church - a reference to a late night hang, The Haggerston in East London where, 'tis said, that Kavuma perfected his performance skills.
The trumpet player's c.v. includes being featured as guest soloist with Wynton Marsalis and the Jazz at Lincoln Center Orchestra. He also plays with Jean Toussaint's Young Lions and was on one track of Toussaint's just-released album Brother Raymond.
How do I rate this album [Kavuma]?
Five stars and counting!
Lance.
The album, Kavuma, is set to be released on June 16 on ubuntu music UBU0007 with a launch concert at Ghost Notes, London on July 19.

*Oli Barton-Wood's Soup Studios which are situated onboard Lightship 95 moored at Trinity Buoy Wharf on The Thames in East London.

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