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Bebop Spoken There

Robert Shrimsley: "In the cool Olympics, clarinetists rarely make it past the qualifying rounds" - i newspaper Sept. 26, 2020.

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

Postage

11,802 (and counting) posts since we started blogging 12 years ago. 1042 of them this year alone and, so far, 69 this month (Sept. 25).

Coming soon ...

SEPTEMBER

IT IS ADVISABLE TO CHECK IN ADVANCE WITH THE VENUE THAT THE GIG IS ON

SUNDAY 27

Happy Birthday Ruth Lambert.

Vieux Carre Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon. Tel: 0191 691 7090. Free.

OCTOBER

THURSDAY 1

Vieux Carre Jazzmen - The Holystone, Whitley Road, North Tyneside NE27 0DA. 0191 266 6173. 1:00pm. Free.

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Maine St Jazzmen - Sunniside Social Club, Sunniside Road, Sunniside NE16 5NA. Tel: 0191 488 7347. 8:00 -10:00pm. Free. Note earlier start/finish. CANCELLED! Back on October 8

Smoove & Turrell (Unplugged) - Hoochie Coochie, Pilgrim St., Newcastle NE1 6SF. Tel: 0191 222 0130. 7:00pm (6:00pm doors). £25.00. Limited capacity, book at www.hoochiecoochie.co.uk.

FRIDAY 2

Smoove & Turrell (Unplugged) - Hoochie Coochie, Pilgrim St., Newcastle NE1 6SF. Tel: 0191 222 0130. 7:00pm (6:00pm doors). £25.00. Limited capacity, book at www.hoochiecoochie.co.uk. SOLD OUT!

TBC - Prohibition Bar, Pink Lane, Newcastle NE1 5DW. 8:00pm-10:00pm. Free (donations). Limited capacity. A Blind Pig Blues Club event.

SATURDAY 3

Emma Wilson Blues Band - The Globe, Railway St., Newcastle NE4 7DN. 8:00pm. Limited capacity, in the first instance register for the live stream (£5.45.) at: www.jazzcoop.

SUNDAY 4

Vieux Carre Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon. Tel: 0191 691 7090. Free.

Gerry Richardson Quintet - The Globe, Railway St., Newcastle NE4 7DN. 8:00pm. Limited capacity, in the first instance register for the live stream (£5.45.) at: www.jazzcoop. The band’s 25th anniversary celebrations!

Wednesday, May 30, 2018

Historic jazz TV programme recreated for the modern era

***DOWNLOAD VIDEO CLIP AND ADDITIONAL IMAGES HERE***
(Press release)
A golden era of music television has been faithfully recreated at Birmingham City University, as part of a major new research project looking at jazz broadcasting in the 1960s.

As well as encompassing archival research and interviews with former production staff, the study involved transforming the University’s main TV studio to simulate how a jazz programme was made. This included scrutinising the technical decisions faced by television crews and improvising musicians at each stage of producing such a broadcast.

Following months of planning, on Tuesday 22 May, Birmingham City University’s TV Studio A was transformed to evoke the aesthetics of a 1960s BBC jazz programme. Led by director Mark Kershaw, and featuring a crew of former BBC employees and current Birmingham City University students, the team utilised cutting-edge facilities in the University’s £62 million Parkside Building to precisely record the role of improvisation in the relationship between a television crew, their equipment and a contemporary working jazz group.



In a loving homage to the legendary BBC jazz concert show, ‘Jazz 625’ – so titled because the newly launched BBC Two was broadcasting on 625-UHF lines (the HD of the time) – the Birmingham City University production has been named ‘Jazz 1080’, reflecting the technological leap in broadcasting since the 1960s. In order to realise this modern incarnation, the researchers and crew worked from original documentation sourced from the BBC Written Archive in Caversham.

Presented by Birmingham rapper Juice Aleem, the 50-minute programme featured performances by rising stars from the West Midlands jazz scene. Xhosa Cole (tenor saxophone), Lee Griffiths (alto saxophone), James Owston (double bass), Euan Palmer (drums) and Eyituoyo Awala (piano) – known as The Xhosa Cole Quintet – treated the studio audience to classic works by renowned artists such as Dexter Gordon, Freddie Hubbard and Dizzy Gillespie.

The ambitious project came to fruition as a result of Dr Nicolas Pillai, based in the institution’s Birmingham School of Media, who secured a prestigious Early Career Research Leadership Fellowship from the Arts and Humanities Research Council (AHRC).

He said the funding, worth nearly £170,000, is allowing him to look ahead to the future of music television, as well as considering its past:

“Producing ‘Jazz 1080’ has changed the way I think about television. As an academic, it’s tempting to stick with what you know – documents in the archive – but this project is teaching me that you can only really understand the creative decisions of the past through reliving them. Production meetings with our ex-BBC crew have convinced me that what ends up on screen depends upon the dynamic of those working behind the camera.

“Nothing prepares you for the intensity of the production gallery during a live shoot, as your director guides the cameras around musicians in complex choreography. When you’re recording this way, as live in the manner of ‘Jazz 625’, the crew are improvising with as much dexterity and imagination as the musicians.”
  
As well as giving Dr Pillai insight into the production processes of television, the project has offered Birmingham City University students the opportunity to work alongside experienced professionals who instruct at the BBC Wood Norton training academy.
 
Across two days, undergraduates from Birmingham School of Media were taught the disciplines of working on a multi-camera set and the intricacies of sound recording, studio lighting and camera operation.

Understanding production techniques of the past will give these young media professionals an edge as they embark upon their careers, Dr Pillai suggests:

“For me, the most enjoyable aspect of the shoot was seeing our students leap into the unknown with such enthusiasm and energy. We asked a lot of them and they delivered with great professionalism. Our finished programme is a testament to their potential, as well as being a record of an exciting moment in the Birmingham jazz scene, personified by The Xhosa Cole Quintet.

“Ultimately, ‘Jazz 1080’ is a tribute to a way of working within light entertainment at the BBC. My hope is that our programme will turn the spotlight back onto a wonderful period of music television, when visionary producers like Terry Henebery changed the way that this country thought about jazz.”

‘Jazz 1080’ is one output of the larger AHRC-funded research project – ‘Jazz on BBC-TV 1960-1969’ – and is being facilitated by the Jazz Research cluster at Birmingham City University, which is led by Professors Nicholas Gebhardt and Tony Whyton, as well as Dr Nicolas Pillai.

Although only five years old, the cluster boasts more than 40 members, including 10 jazz researchers from across Birmingham School of Media and Royal Birmingham Conservatoire, eight doctoral students and leaders of the regional jazz community, as well as additional academic partners at University of Warwick, University of Amsterdam (Netherlands) and University of Music and the Performing Arts Graz (Austria).

Furthermore, the University’s new £57 million Royal Birmingham Conservatoire is home to Eastside Jazz Club, the first permanent jazz space in any UK conservatoire. In 2017, the Conservatoire launched its big band Ellington Orchestra, who are a regular fixture in the club.

Issued by Birmingham City University, Press Office.
Tel: 0121 331 6738, Email: press@bcu.ac.uk


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