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Bebop Spoken There

Andrew Hadro: "It seems to me that everybody just puts out an album, they go through the motions, spend the money and they just sort of throw it out there into the sea of CDs and hope something comes back" - (DownBeat June 2018).

Jonnathan Blake (Blindfold Test): “Maybe it's someone from New Orleans who has lived in New York for a minute.” (DownBeat June 2018).

Today Monday May 21

Afternoon.

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Evening

Jazz FM - a Paul Edis track to be played between 6-7pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, May 07, 2018

Pericopes + 1 @ The Globe Jazz Bar, Newcastle - May 6.

Emiliano Vernizzi (tenor); Alessandro Sgobbia (keys); Nick Wight (drums).
(Review by Lance/Photos courtesy of Ken Drew).
Spring Bank Holiday in Newcastle. The temperature warm for the time of year and the streets awash (literally – but not with rain) as the revellers celebrate their 9 to 5 freedom or, foregoing their studies, let it all hang out. They weren’t coming from Evensong at St. Nicholas’ Cathedral nor were they heading for The Globe, where they could not only have further slaked their thirst from the choice of beer, wines and spirits on offer, but also be witness to some of the most exciting music they’re likely to hear this year.
Fortunately, a goodly crowd of more mature souls did make the short trip from the fleshpots and were well rewarded for their efforts.
Perhaps they’d witnessed Pericopes + 1’s performance on The Concourse at GIJF a couple of years back – a session that Wes of JNE who, with the Jazz Co-op, co-promoted this event, waxed eloquent about.
I missed that event myself but, having reviewed Pericopes + 1’s latest CD – Legacy – I knew it wouldn’t be one for the faint-hearted. And yet…
…and yet, there were moments of sheer beauty amidst the Jericho-like fusillade that must have caused the tango dancers in the upper room to mistime their Argentine Cross.
The oft-quoted Sound of Surprise has, surely, never been more appropriate than with this band. They can be playing sedately as if at an afternoon tea dance (or should that be cappuccino?) one moment then suddenly, all hell breaks loose and they go for the jugular. Keyboard player leaps from the stool pounding the unsuspecting instrument unmercifully, tenor player points his instrument skyward (tango dancers flee for cover) and we discover that the French got it right when they refer to drums as la batterie! Then, in the blink of an eyelid, its fff to ppp and we’re back to the tea dance.
Tenor sax man Vernizzi has an amazing command of the horn. When blowing harmonics he hits notes that probably only dogs can here – and there was one friendly little canine present – and when he comes down to earth you notice he has a ’tone’. Some players, no matter how technically skilled they are don’t have that quality. The air goes down the body of the instrument without hitting the sides resulting in a vaporous sound. No lack of substance with Signor Vernizzi.
Sgobbio, the most gymnastic of players, slotted in well providing a solid harmonic base as well as, by use of some kind of electronic sorcery, producing sci-fi sounds that didn’t jar as much as these effects usually do.
New Yorker Nick Wight on drums provided the calm and the storm and not always in that order!

Wight was seated, unlike the other two who bobbed and weaved like puppets on a string. This was a performance that was, at times, as dramatic as it was musical. The adrenalin flowed both off stage and on and, if the rest of the audience is anything like me, they’re still unwinding.
Setlist: Kuwa; Grossetto; Red Sand Town; November Tears; Zardis (Le Premier); Martyrled; Legacy. The majority are from Legacy, the album of which I'm told was first reviewed in the UK on BSH!
Lance.
PS: The fact that all three are based in different cities in different countries (Rome, Paris and New York) makes the band's cohesion all the more incredible!

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
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Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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