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Bebop Spoken There

James Carter: "We played around with 'Nuages' and FUNKED it up, basically." - (DownBeat, September 2019).

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Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday August 19

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see centre column).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, May 23, 2018

Jam Session @ Dun Cow, Jesmond - May 23.

Mark Williams (guitar); Paul Grainger (bass); Russ Morgan (drums) + Kay Usher (violin); Paul Ruddick (alto); Matt MacKellar (drums); Kevin Green (soprano); Pete Gilligan (piano); Dan Garel (alto).
(Review by Lance).
There comes a time in a person's life when he or she realises something special is happening. In music, and jazz in particular, that moment sometimes happens and sometimes it doesn't.
Tonight it happened!
The jam was progressing nicely. Mark Williams, at his most sensitive, got the set underway with I Should Care and all three slugged it out on Solar culminating with a knockout solo from Russ - Solar power indeed!
Kay Usher swung On the Sunny Side of the Street following up with a faster than usual Willow Weep For Me- it worked.
Next to answer the call was Paul Ruddick who blew the socks off  Nature Boy before playing that most challenging of tunes - Body and Soul. He met the challenge full on without a safety net or an iPad for guidance. Spurring him on was Matt MacKellar which is always an incentive. 
A first timer, Kevin Green, entered the lion's den with only a soprano saxophone for protection. Pete Gilligan took up his position at the keyboard ready for battle to commence. Kevin admitted that this was his first ever jam with major-league players and, despite a nervous start, he came through Autumn Leaves unscathed, gaining confidence as he progressed.
He'll be back.
Dan Garel is probably the best of the younger breed of altoists doing the rounds and How Deep is the Ocean? did nothing to dispel that notion.
I began this review by mentioning that something special happened which it did at about 9:45pm.
Stella By Starlight has been worked over so many times that one can ofttimes take it for granted - not tonight though.
It was as if this was the eve of Armageddon. Garel, Gilligan and MacKellar playing above and beyond mere mortals. Grainger holding it all together - why wasn't I recording this? If you weren't there you won't believe me!
In the cold light of morning, I probably won't believe it myself!
To bring us down to earth,  Kay stepped up with Dan for a somewhat confusing My Funny Valentine and the full cast jammed on the Black Orpheus Theme.
Phew!
Lance.
Photos.
PS: Next week - Lindsay Hannon and Bradley Johnston.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance