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Bebop Spoken There

Spasmo Brown: “Jazz is an ice cream sandwich! It's the Fourth of July! It's a girl with a waterbed!”. (Syncopated Times, July, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17444 (and counting) posts since we started blogging 16 years ago. 718 of them this year alone and, so far, 100 this month (Oct. 10).

From This Moment On ...

October

Sun 13: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 13: Emma Wilson @ Tyne Bar, Newcastle. 4:00pm. Free. Blues.
Sun 13: Catfish Keith @ The Cluny. 7:00pm. Country blues.
Sun 13: Lindsay Hannon + Eleanor Adams @ Prohibition Bar, Newcastle. 7:00pm. A 'Jar on the Bar' gig. Note, this is a change to the previously advertised gig.
Sun 13: Dulcie May Moreno Quartet @ The Globe, Newcastle. 8:00pm.
Sun 13: Jazz Jam @ Fabio’s, Saddler St., Durham. 8:00pm. Free. A DUJS event. All welcome.

Mon 14: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 14: Black is the Color of My Voice @ Hippodrome, Darlington. 7:30pm. Apphia Campbell’s one-woman show inspired by Nina Simone, performed by Nicholle Cherrie.

Tue 15: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano), Paul Grainger (double bass), Bailey Rudd (drums).

Wed 16: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 16: Cath Stephens’ improvisation workshop @ Prohibition Bar, Newcastle. 4:30-6:00pm. Collaborative group focusing on vocal improvisations.
Wed 16: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 16: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 17: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 17: Olivia Cuttill Quintet @ King’s Hall, Newcastle University. 1:15pm. Free.
Thu 17: Moonlight Serenade Orchestra UK: Glenn Miller & Big Band Spectacular @ Phoenix Theatre, Blyth. 7:30pm.
Thu 17: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 17: Niffi Osiyemi Trio @ The Harbour View, Sunderland. 8:00pm. Free.
Thu 17: Tees Hot Club @ Dorman’s Club, Middlesborough. Guests Jeremy McMurray (keys); Richie Emmerson (tenor sax); Mark Toomey (alto sax); Adrian Beadnell (bass). 8:30pm. Free.

Fri 18: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 18: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 18: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 18: Hot Club du Nord @ St Cuthbert’s, Crook. 7:30pm.
Fri 18: Chet Set @ Seventeen Nineteen, Hendon, Sunderland. 7:30pm. Pete Tanton & co.
Fri 18: Michael Woods @ Prohibition Bar, Newcastle. Doors 7:30pm (upstairs). A Hoodoo Blues dance & social event. £10.00. class & social (£10.00., £7.50., £5.00. social only). Michael Woods (country blues guitar) on stage 9:00pm.
Fri 18: East Coast Swing Band @ Hexham Abbey. 7:30pm. £9.00.
Fri 18: Ben Crosland Quartet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.
Fri 18: Durham University Jazz Society’s ‘High Standards’ @ Music Dept. Music Room, Divinity House, Palace Green, Durham University DH1 3RS. 8:009-30pm. Tel: 0191 334 1419. £7.00., £5.00.
Fri 18: Ray Stubbs R&B All Stars @ Blues Underground, Nelson St., Newcastle. 9:00pm. Free.

Sat 19: Sat 19: Paula Jackman’s Jazz Masters @ St Augustine’s Parish Centre, Darlington. 12:30pm. Darlington New Orleans Jazz Club.
Jeff Hewer Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 19: Howlin’ Mat @ Prohibition Bar, Newcastle. 8:00pm. Country blues guitar & vocals. A ‘Jar on the Bar’ gig.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Tuesday, May 08, 2018

Darlington Jazz Festival: Matt Roberts Sextet @ Voodoo Café - May 4

Matt Roberts (trumpet); Riley Stone-Lonergan (tenor saxophone); George Grant (alto saxophone); Chris Eldred (piano); Daisy George (double bass); Sam Gardner (drums)
(Review by Russell) 
Every year a handful of gigs are eagerly anticipated by your reviewer – Vasilis Xenopoulos playing the Traveller’s Rest in Darlington and Blaydon’s Black Bull, the Strictly Smokin’ Big Band’s sell out  ‘big name’ concerts, and, during the Darlington Jazz Festival, the returning trumpeter Matt Roberts playing a hometown gig above the Voodoo Café on Skinnergate. Friday evening’s 'Jazz After Dark' concert featured Roberts’ brilliant, youthful sextet playing the music of Kenny Dorham.

This year’s edition of Matt Roberts’ band wrought no fewer than four changes in personnel. The in-demand Leo Richardson couldn’t make it as his star is in the ascendant following the release of his album The Chase and his busy itinerary simply couldn’t accommodate Darlington. Roberts thought about it for a second before giving fellow Leeds College of Music graduate Riley Stone-Lonergan a call. A good choice, RSL was in fine form when heard recently in Durham. Pianist Chris Eldred was another obvious first call. With a cv including gigs with John Dankworth, Jean Toussaint and Bobby Wellins, appearances at Ronnie’s, the Bull’s Head and Soho’s Pizza Express, and a long tenure as pianist with NYJO, Eldred would surely cut it. 
The bass and drums working on this 2018 festival gig were well known and not so well known. Drummer Sam Gardner played this gig two or three years ago and as another LCoM graduate is no stranger to the regional jazz scene. The one name not so well known was double bass player Daisy George. In her final year at the Royal Academy of Music, Daisy, as of Friday, is your reviewer’s new favourite bass player! The one survivor from last year’s line-up, alto saxophonist George Grant, stood to Roberts’ right, just as he did last year, ready to rip it up.

The annual ‘Jazz After Dark’ gig guarantees a full house and this year wasn’t any different. Family, friends, fans, they were out in force to welcome home one of their own. Matt Roberts, now wearing spectacles to read the charts (at the grand old age of thirty-ish!), greeted all and sundry, eventually making it to the stand ready to play some Kenny Dorham. Una Mas for openers, Poetic Spring from Blue Spring (Dorham’s album with Cannonball Adderley) following up, this 2018 edition of Robert’s amazing band was up and running, firing on all cylinders. Trumpeter Roberts led the way; the blue touch paper lit, the slow burn solo, the fireworks. RSL and Grant stood either side of the Main Man smiling, weighing up their options, confident they would match Robert’s opening joust. The rhythm section purred, then purred some more with Eldred supplying the chords as Sam Gardener played better than ever – at one point Roberts effusive about the drummer’s ‘hard-bop chops’ – and then there’s our undergraduate, Daisy George. Simply wonderful, in-the-pocket bass playing, often with eyes closed, very much into it all as her bandmates looked on with no little admiration. It’s difficult to believe this was Daisy’s first gig with Matt’s band!  

On more than one occasion Roberts drew on Joe Henderson (Recorda Me) and from Whistle Stop, Dorham’s 1961 Blue Note album, Philly Twist and later in the set, Buffalo. Robert’s sextet exploited these numbers to the full – killer frontline solos, a cookin’ rhythm section – at one point prompting Roberts to joke that the positive audience response was down to his immaculate transcriptions!

During the interval the band went to the bar, some stepped outside to take the air, and after a while the Matt Roberts Sextet reconvened, drinks in hand, ready to play some more Kenny Dorham.
Band leader Roberts, playing his Yamaha ‘Bobby Shew’ trumpet, hit the ground running, firing from the first note on Straight Ahead as the engine room once again stoked the hard bop fires and again on the aforementioned Buffalo. George Grant weighed in on alto as the band first played Afrodisia, then it was the turn of Riley Stone-Lonergan to knock out another big tenor solo. The frontline took the majority of the solos but the rhythm section grabbed its share; pianist Chris Eldred dazzled, as did bassist Daisy George, and drummer Sam Gardner played better than ever – and that’s saying something! As the evening neared its end at way past eleven o’clock Joe Henderson’s album In ‘n Out offered Roberts the pick, choosing first Brown’s Town (featuring RSL, Eldred and George) and later Short Stay. Matt Roberts’ annual gig is a sure-fire winner and they’ll do it all again next year! 
Russell.                   


1 comment :

Patti said...

As Mr Reviewer says in his own inimitable way - this was one stonkingly brilliant gig, from start to finish ..... it was possible to get really close to the band, and it's always a joy to see fantastic musicians enjoying their gig as much as this appreciative audience member!

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