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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16462 (and counting) posts since we started blogging 16 years ago. 342 of them this year alone and, so far, 54 this month (May 18).

From This Moment On ...

May

Mon 20: Harmony Brass @ the Crescent Club, Cullercoats. 1:00pm. Free.
Mon 20: Michael Young Trio @ The Engine Room, Sunderland. 6:30-8:30pm. Free.
Mon 20: Joe Steels-Ben Lawrence Quartet @ The Black Bull, Blaydon. 8:00pm. £8.00.

Tue 21: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger, John Bradford.

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Alice Grace Vocal Masterclass @ The Glasshouse, Gateshead. 6:00pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Daniel Erdmann’s Thérapie de Couple @ The Glasshouse, Gateshead. 8:00pm.

Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 23: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 23: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Thu 23: Immortal Onion + Rivkala @ Cobalt Studios, Newcastle. 7:00pm.
Thu 23: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Jeremy McMurray (keys); Dan Johnson (tenor sax); Donna Hewitt (alto sax); Bill Watson (trumpet); Adrian Beadnell (bass).

Fri 24: Hot Club du Nord @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Swannek + support @ Hoochie Coochie, Newcastle. Time TBC.

Sat 25: Tyne Valley Big Band @ Bywell Hall, Stocksfield. 2:30pm.
Sat 25: Paul Edis Trio w. Bruce Adams & Alan Barnes @ Queen’s Hall, Hexham. 6:30pm. A Northumberland Jazz Festival event.
Sat 25: Nubiyan Twist @ The Glasshouse, Gateshead. 8:00pm.
Sat 25: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 26: Tyne Valley Youth Big Band @ The Sele, Hexham. 12:30pm. Free. A Northumberland Jazz Festival event.
Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Alice Grace @ The Sele, Hexham. 1:30pm. Free. Alice Grace w. Joe Steels, Paul Susans & John Hirst.
Sun 26: Bryony Jarman-Pinto @ Queen’s Hall, Hexham. 3:00pm. A Northumberland Jazz Festival event.
Sun 26: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Clark Tracey Quintet @ Queen’s Hall, Hexham. 6:00pm. A Northumberland Jazz Festival event.
Sun 26: Saltburn Big Band @ Saltburn Community Hall. 7:30pm.
Sun 26: Ruth Lambert Quartet @ The Globe, Newcastle. 8:00pm.
Sun 26: SARÃB @ The Glasshouse, Gateshead. 8:00pm.

Wednesday, May 09, 2018

Christian McBride Big Band @ Cheltenham Jazz Festival, Town Hall – May 6.

(Review by Steve T)
I had their album Bringin’ It as one of my picks of last year; an unlikely choice from a self-confessed big band philistine, but I saw McBride with his trio in November and if anybody can make a big band cool it's him. 
The start had a stand-in on bass allowing a big introduction for the leader; apparently common-place in such situations. The band were all in white shirts, perhaps reflecting the weather outside, but McBride remained in a suit throughout.
Trumpet solo followed by Marcus Strickland on tenor, backed by the rest of the horns, followed by trombone, the audience now clapping along, before muted trumpets provided the backing with a short bass burst finishing the piece.

Getting to It he confided was a reworking of James Brown Get it Together, also taken from the Bringin’ It album, as is Youthful Bliss which followed it, featuring solos on soprano and bass.
Texas trumpeter Brandon Lee, formerly with Archie Bell and others, (and soul and funk seemed to be a thread through McBride and the band), pretty much played I Thought About You before Thermo, a Freddie Hubbard piece, written while he was a Jazz Messenger, featured solos on trumpet, tenor and piano. Both pieces are on the album.
The band was then joined onstage by Melissa Walker who sang Herb Albert's Taste of Honey (I thinkfollowed by, what he described as an old American folk song, Mr Bojangles. She's a fine singer but the vocal tracks are my least favourite on the album.
In the Wee Small Hours (on the album) played in the key of B, which apparently makes it very difficult, - attracting charges of crazy string player from brass players - had the leader playing the melody with bowed bass, backed by three flutes. 
He then announced he was going to play some of the dirty F-word funk, claiming hard-core jazzers appreciate it because jazz already has some funk in it. Of course it does, and funk has lots of jazz in it.
George Duke, he announced, was a big influence and mentor and they played his Black Messiah pt 2, speculating it refers to Cannonball Adderley. It featured heavy, pounding bass, solid drumming, lots of piano and a first baritone solo.
I say first but it may also have been last as many, myself included, left for Kamasi Washington at the Big Top, just as Melissa returned to the stage, presumably for Upside Down from the album.
That'll teach them to start late.

Steve T

1 comment :

Steve T said...

I'm reliably informed the bass player who played during McBrides intro was James Owston of Birmingham Conservatoire and can be seen on the photo at the end of the Rob Luft review.

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