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Bebop Spoken There

Greg Osby: “I have my own style, my own attitude, my own opinions about things. I'm not a follower". DownBeat, February, 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16233 (and counting) posts since we started blogging 16 years ago. 115 of them this year alone and, so far, 59 this month (Feb. 23).

From This Moment On ...

February 2024

Fri 23: Mark Williams Trio @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 23: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 23: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 23: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 23: Salty Dog Trio @ The Greenhouse, Tynemouth. 7:00pm. £8.00. (£6.00. adv.). CANCELLED!
Fri 23: Crooners @ The Maltings, Berwick upon Tweed. 7:30pm. £30.00., £28.00.
Fri 23: Strictly Smokin' Big Band w Dennis Rollins @ Glasshouse, Gateshead. 8:00pm.

Sat 24: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm (doors). Free (donations). A Newcastle University Jazz Orchestra event, all welcome.
Sat 24: Bradley Creswick’s Western Swingfonia @ Hexham Abbey, Hexham. 7:30pm. £15.00. A fundraiser for Hexham Abbey.
Sat 24: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 25: Musicians Unlimited @ The Park Inn, Hartlepool. 1:00pm. Free.
Sun 25: More Jam @ The Globe, Newcastle. 2:30pm. Free.
Sun 25: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 25: Lindsay Hannon: Tom Waits for No Man + Lee Maddison @ Laurels, Whitley Bay. 4:00pm (3:30pm doors). £11.00., £8.80. inc. bf. SOLD OUT!
Sun 25: Bex Burch + Rachel Musson @ The Globe, Newcastle. 8:00pm. £11.00. Two solo performances. JNE.
Sun 25: Jazz Jam @ Fabio's, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society event. All welcome.

Mon 26: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 27: Ruth Lambert Quartet @ The Black Swan, Newcastle. 8:00pm (7:00pm doors). £12.00., £10.00. (adv.).

Wed 28: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 28: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 28: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 29: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 29: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 29: Student Performances @ King’s Hall, Newcastle University. 4:00pm. Free. Inc. Olly Styles (saxophone).
Thu 29: ’58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:00pm. Free.
Thu 27: Student Jazz Jam @ The Globe, Newcastle. 7:30pm.
Thu 29: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Josh Bentham (alto sax); Graham Thompson (keys); Adrian Beadnell (bass).

Wednesday, May 09, 2018

Christian McBride Big Band @ Cheltenham Jazz Festival, Town Hall – May 6.

(Review by Steve T)
I had their album Bringin’ It as one of my picks of last year; an unlikely choice from a self-confessed big band philistine, but I saw McBride with his trio in November and if anybody can make a big band cool it's him. 
The start had a stand-in on bass allowing a big introduction for the leader; apparently common-place in such situations. The band were all in white shirts, perhaps reflecting the weather outside, but McBride remained in a suit throughout.
Trumpet solo followed by Marcus Strickland on tenor, backed by the rest of the horns, followed by trombone, the audience now clapping along, before muted trumpets provided the backing with a short bass burst finishing the piece.

Getting to It he confided was a reworking of James Brown Get it Together, also taken from the Bringin’ It album, as is Youthful Bliss which followed it, featuring solos on soprano and bass.
Texas trumpeter Brandon Lee, formerly with Archie Bell and others, (and soul and funk seemed to be a thread through McBride and the band), pretty much played I Thought About You before Thermo, a Freddie Hubbard piece, written while he was a Jazz Messenger, featured solos on trumpet, tenor and piano. Both pieces are on the album.
The band was then joined onstage by Melissa Walker who sang Herb Albert's Taste of Honey (I thinkfollowed by, what he described as an old American folk song, Mr Bojangles. She's a fine singer but the vocal tracks are my least favourite on the album.
In the Wee Small Hours (on the album) played in the key of B, which apparently makes it very difficult, - attracting charges of crazy string player from brass players - had the leader playing the melody with bowed bass, backed by three flutes. 
He then announced he was going to play some of the dirty F-word funk, claiming hard-core jazzers appreciate it because jazz already has some funk in it. Of course it does, and funk has lots of jazz in it.
George Duke, he announced, was a big influence and mentor and they played his Black Messiah pt 2, speculating it refers to Cannonball Adderley. It featured heavy, pounding bass, solid drumming, lots of piano and a first baritone solo.
I say first but it may also have been last as many, myself included, left for Kamasi Washington at the Big Top, just as Melissa returned to the stage, presumably for Upside Down from the album.
That'll teach them to start late.

Steve T

1 comment :

Steve T said...

I'm reliably informed the bass player who played during McBrides intro was James Owston of Birmingham Conservatoire and can be seen on the photo at the end of the Rob Luft review.

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